
"A journey into the world of hackers and their utopian vision for our digital future"
All Creatures Welcome is an immersive documentary that delves into the vibrant world of hacker culture through the lens of the Chaos Computer Club, Europe's largest hacker association. Director Sandra Trostel follows key figures like Frank Rieger, Rop Gonggrijp, and Falk Garbsch as they organize and participate in the club's legendary events, particularly the annual Chaos Communication Congress. The film systematically dismantles mainstream media portrayals of hackers as malicious criminals, instead revealing them as passionate idealists working to create a more transparent, democratic, and privacy-conscious digital society. Through intimate interviews and event footage, Trostel captures the utopian spirit of this community as they demonstrate their technical skills, share knowledge freely, and envision alternative futures for our increasingly digital world. The documentary presents a compelling argument that hacker culture represents not a threat to society, but rather a necessary counterbalance to corporate and governmental control of digital infrastructure.
Filmed over three years, the production team gained unprecedented access to Chaos Computer Club events, including the massive annual Chaos Communication Congress which attracts thousands of participants from around the world. Director Sandra Trostel spent considerable time building trust within the hacker community to capture authentic moments and candid interviews. The film utilized a mix of professional cinema cameras and GoPro-style devices to capture both the scale of events and intimate conversations.
All Creatures Welcome was produced during a critical period in digital history (2015-2018), when concerns about digital privacy, government surveillance, and corporate control of data were reaching mainstream awareness. The Edward Snowden revelations of 2013 had fundamentally changed public understanding of digital surveillance, while the implementation of the GDPR in Europe reflected growing regulatory responses to these concerns. The film emerged alongside movements like Net Neutrality protests and increasing awareness about algorithmic bias and digital rights. This context made the hacker community's long-standing warnings about digital privacy and freedom particularly relevant. The Chaos Computer Club, founded in 1981, had been anticipating many of these issues for decades, making the film a timely exploration of prescient ideas that were finally gaining broader public attention.
All Creatures Welcome represents a significant cultural document in the history of digital activism and hacker culture. The film played a crucial role in humanizing and demystifying hacker culture for mainstream audiences, challenging decades of media portrayal that depicted hackers primarily as cybercriminals. By showcasing the CCC's commitment to privacy, transparency, and digital rights, the film contributed to broader public understanding of digital ethics and the importance of technical literacy in democratic societies. The documentary has been used in educational settings to teach about digital citizenship and has inspired similar projects examining technology subcultures. Its release coincided with growing public concern about data privacy and helped frame discussions about digital rights in more nuanced, philosophical terms rather than purely technical or criminal frameworks.
The making of All Creatures Welcome was itself a journey into understanding hacker culture, with director Sandra Trostel spending nearly three years immersing herself in the community. Initial access was challenging as the hacker community is naturally suspicious of filmmakers and media. Trostel had to demonstrate her genuine interest and respect for their values before being granted deeper access. The production team adopted a 'participatory observation' approach, often living and working alongside their subjects during multi-day hackathon events. This allowed them to capture authentic moments of collaboration, learning, and community building that would have been impossible with traditional documentary methods. The film's technical team included several volunteers from the hacker community who helped with specialized equipment and understanding of the technical aspects being documented. Post-production involved extensive collaboration with the featured hackers to ensure technical accuracy and proper representation of their work and philosophies.
The cinematography of All Creatures Welcome employs a distinctive visual language that contrasts the often-chaotic energy of hacker events with moments of quiet intensity during interviews and technical demonstrations. Director of Photography Anna Tillmann utilized a mix of handheld cameras for event coverage and more controlled setups for interviews, creating a visual rhythm that mirrors the film's thematic exploration of order within apparent chaos. The film makes extensive use of available lighting at hackathon venues, embracing the characteristic glow of laptop screens and LED displays to create an authentic atmosphere. Wide shots establish the impressive scale of events like the Chaos Communication Congress, while intimate close-ups capture the focused concentration of hackers at work. The visual style deliberately avoids the typical 'hacker movie' aesthetic of rapid cuts and digital effects, instead opting for a more observational approach that allows the subjects and their work to speak for themselves.
All Creatures Welcome employed innovative documentary techniques to capture both the scale and intimacy of hacker culture. The production team developed custom camera rigs that could navigate crowded hackathon spaces without disrupting the natural flow of events. For technical demonstrations and coding sessions, the film utilized screen capture technology integrated with multiple camera angles to show both the human interaction and the technical work being performed. The post-production process involved extensive collaboration with technical consultants to ensure accurate representation of complex concepts while maintaining visual clarity. The film's distribution strategy included releasing certain segments under Creative Commons licenses, reflecting the open-source ethos of its subjects. Additionally, the production team created an interactive companion website that allowed viewers to explore technical concepts and resources mentioned in the film, extending the documentary's educational impact beyond the viewing experience.
The film's soundtrack, composed by electronic musician Robert Henke (also known as Monolake), reflects the intersection of technology and art that characterizes hacker culture. Henke, himself a figure in both the electronic music and software development communities, created a score that incorporates elements of ambient electronic music, generative soundscapes, and subtle references to early computer music. The soundtrack avoids the clichés often associated with technology documentaries, instead creating an atmospheric foundation that enhances the film's contemplative moments without overwhelming the technical content. The score features several pieces created using custom software developed by Henke, blurring the line between composition and programming. Additionally, the film includes ambient audio from actual hackathon events, creating an authentic soundscape of keyboard clicks, server hums, and collaborative discussions that grounds the documentary in its real-world setting.
We don't hack to break things, we hack to understand how they work, so we can make them better for everyone - Frank Rieger
The most political thing you can do today is build something that empowers people who currently have no power - Rop Gonggrijp
Privacy is not about hiding something bad, it's about having control over your own story - Falk Garbsch
In a world of increasing surveillance, the ability to be anonymous is the ability to be free - Frank Rieger
We're not trying to destroy the system, we're trying to fix it before it destroys us - Rop Gonggrijp
The best way to predict the future is to help build it - Falk Garbsch
Every line of code is a political statement, whether we acknowledge it or not - Frank Rieger
True security comes from transparency, not secrecy - Rop Gonggrijp
All Creatures Welcome received overwhelmingly positive reviews from critics, who praised its balanced approach and accessible presentation of complex technical subjects. The Guardian called it 'a revelatory journey into the minds of those shaping our digital future,' while Variety noted that 'Trostel's film succeeds where many technology documentaries fail by focusing on the human stories behind the code.' German publication Der Spiegel highlighted the film's timing, stating it captures 'a pivotal moment when hacker ideals entered mainstream consciousness.' Critics particularly appreciated the film's ability to make technical concepts understandable without oversimplifying, and its success in capturing the utopian spirit of the hacker community without romanticizing it. The documentary was praised for its cinematography, which effectively contrasts the often-mundane appearance of hackers with their extraordinary capabilities and visions.
The film resonated strongly with both technical and general audiences, sparking discussions about digital rights and privacy across social media platforms. At festival screenings, it consistently generated Q&A sessions that extended well beyond scheduled times, reflecting audience engagement with the subject matter. Many viewers reported that the film changed their perceptions of hacker culture, with some describing it as 'mind-opening' and 'perspective-shifting.' The documentary found particular success in educational contexts, with universities and technical schools incorporating it into courses on digital ethics and cybersecurity. Online communities, including Reddit's r/netsec and various hacker forums, extensively discussed the film's accuracy and representation, with most participants praising its authenticity. The film's availability on streaming platforms led to sustained viewership well beyond its initial theatrical run, particularly during periods of increased public concern about digital privacy issues.
All Creatures Welcome is well-preserved through multiple distribution channels and archival efforts. The film has been preserved in its original 4K digital format by the German Federal Archives (Bundesarchiv) as part of their collection of significant contemporary German documentaries. The production company maintains digital copies in multiple formats, and the film is available through educational distribution networks ensuring long-term accessibility. Additionally, selected segments have been archived by the Chaos Computer Club's own media archive as part of their historical documentation. The film's availability on major streaming platforms and inclusion in university library collections further ensures its preservation and accessibility for future researchers and audiences interested in digital culture history.