
In this early fantasy short, a malevolent witch places a curse upon a small town's primary water source, transforming the once-bountiful well into a source of misfortune and despair. As the villagers attempt to draw water, they discover that the well now produces magical and terrifying manifestations instead of life-sustaining liquid. The townspeople's attempts to break the curse lead to increasingly fantastical encounters with supernatural beings and magical transformations. Ultimately, a confrontation with the witch ensues, featuring Méliès' signature special effects and theatrical magic. The film concludes with the restoration of the well's benevolent properties and the witch's defeat, bringing relief to the afflicted community.

Filmed in Méliès's glass-walled studio in Montreuil using theatrical sets and painted backdrops. The production utilized Méliès's pioneering substitution splicing technique for magical transformations. The well was constructed as a practical set piece with trap doors for disappearances and appearances. Multiple takes were required to achieve the complex magical effects, with each transformation requiring precise camera stops and actor positioning.
1903 was a pivotal year in early cinema, occurring during the transition from novelty films to narrative storytelling. The film industry was still in its infancy, with running times typically under 10 minutes. Méliès was at the height of his creative powers, having established himself as the premier fantasy filmmaker in the world. This period saw the rise of permanent movie theaters and the growing acceptance of cinema as a legitimate art form. The film was created before the Motion Picture Patents Company monopoly would later restrict independent filmmakers. 1903 also saw the release of Edwin S. Porter's 'The Great Train Robbery,' establishing American cinema's move toward realism in contrast to European fantasy traditions.
This film represents an important example of early narrative cinema's embrace of fantasy and supernatural themes. It demonstrates Méliès's crucial role in establishing the visual language of magical realism in film. The work contributed to the popularization of the witch as a cinematic archetype, influencing countless later horror and fantasy films. It exemplifies the theatrical tradition in early French cinema, contrasting with the emerging realist style in American films. The film's preservation of stage magic techniques for the screen helped bridge the gap between Victorian theatrical traditions and the new medium of cinema. Its themes of community versus supernatural evil resonated with audiences of the time, reflecting contemporary anxieties about modernization and traditional beliefs.
The production took place in Méliès's innovative glass studio, which allowed for natural lighting control essential for the complex special effects. The witch character underwent multiple costume changes during filming to create the illusion of magical transformation. The well set featured a complex system of pulleys and trap doors to enable actors to appear and disappear mysteriously. Méliès employed his signature substitution splicing technique, stopping the camera, changing elements in the scene, then restarting filming to create magical effects. The filming process was extremely methodical, with each special effect requiring precise timing and coordination between the camera operator and performers. The production likely took 1-2 days to complete, which was typical for Méliès's short films of this period.
The cinematography employed Méliès's characteristic static camera positioning, reminiscent of theatrical proscenium staging. The film utilized a single, fixed camera angle that captured the entire set, allowing audiences to witness the magical transformations without distraction. The lighting was natural, filtered through the glass walls of Méliès's studio, creating soft, even illumination ideal for the special effects. The composition was carefully arranged to maximize the impact of appearances and disappearances within the well setting. The camera work was precise and mechanical, essential for the successful execution of substitution splicing effects.
The film showcased Méliès's mastery of substitution splicing, a technique he pioneered for creating magical effects. The production utilized multiple exposure techniques to create ghostly apparitions. The well set incorporated mechanical effects for the appearance and disappearance of water and magical elements. Méliès employed pyrotechnics for magical flashes and transformations. The film demonstrated advanced matte painting techniques for extending the set beyond its physical boundaries. The production utilized carefully choreographed timing between camera stops and actor movements to create seamless magical effects. These innovations represented the cutting edge of cinematic special effects in 1903.
Like all films of 1903, this was a silent production accompanied by live music during exhibition. The typical accompaniment would have been piano music, with selections chosen to match the film's magical and dramatic moments. In larger theaters, small orchestras might have provided the score, using popular classical pieces and original compositions. The music would have been particularly important during the witch's appearances and the magical transformations. Méliès sometimes provided musical suggestions with his films, though specific recommendations for this work are not preserved. The score would have emphasized the contrast between the mundane village setting and the supernatural events.
No dialogue - silent film with intertitles if any
Contemporary reviews from 1903 are scarce, but Méliès's fantasy films were generally well-received by audiences and critics alike. Trade publications of the era praised his innovative special effects and imaginative storytelling. The film was likely reviewed positively in French cinema journals such as 'Le Cinématographe' and 'Phono-Ciné-Gazette.' Modern film historians consider this work representative of Méliès's middle period, when he had perfected his craft but before his commercial decline. Critics today appreciate the film for its historical importance and technical achievements within the constraints of early 20th-century technology.
Audiences in 1903 would have been captivated by the film's magical effects and supernatural narrative, which were still novel attractions in cinema. The film likely played well in both fairground booths and emerging permanent theaters. Méliès's fantasy works were particularly popular with family audiences and those seeking wonder and escapism. The witch character would have been both frightening and fascinating to viewers of the era. The film's short length and spectacular effects made it ideal for the varied programming of early cinema exhibitions. Modern audiences viewing the film today often express fascination with its primitive charm and historical significance.
Like many Méliès films from this period, preservation status is uncertain. Many of his works were lost due to decomposition and the 1917 fire at his studio. However, copies of Méliès films have been discovered in archives worldwide. The film may exist in private collections or film archives such as the Cinémathèque Française. Some Méliès films have been restored from surviving prints and nitrate fragments. The film's survival would depend on whether copies were distributed internationally and preserved in various archives.