
The film follows an eccentric inventor known as Crazybrains who has designed a magnificent airship. After falling asleep at his desk while working on his creation, he dreams of his airship coming to life and taking flight. In his dream, the airship successfully launches and soars through the sky, but encounters various obstacles and adventures along the way. The journey includes encounters with celestial bodies and fantastical elements typical of Méliès' work. The inventor awakens from his dream, leaving viewers to wonder whether the incredible journey was real or merely the product of his inventive imagination.

Filmed in Méliès's glass studio in Montreuil, which allowed for natural lighting and the complex special effects he was known for. The film utilized multiple exposure techniques, substitution splices, and elaborate mechanical props to create the illusion of the airship's flight. Méliès himself played the role of the inventor, as was common in his productions.
This film was created during a period of intense public fascination with aviation and new technologies. The Wright brothers had made their first powered flight in 1903, and airships were being developed by pioneers like Alberto Santos-Dumont. France was at the forefront of aviation development, and Paris was captivated by the possibilities of flight. Méliès, always attuned to public interests and technological marvels, tapped into this enthusiasm with several films featuring flying machines. The film also came during the golden age of Méliès's production, before his fortunes declined due to market changes and piracy. Cinema itself was still in its infancy, with filmmakers experimenting with narrative techniques and special effects capabilities.
This film represents Méliès's contribution to early science fiction cinema and his role in establishing the genre's visual language. It demonstrates how early filmmakers used dreams as a narrative device to justify fantastical elements, a technique that would become common in cinema. The film reflects the turn-of-the-century optimism about technology and human achievement, while also incorporating Méliès's signature theatrical magic. As part of Méliès's body of work, it helped establish the fantasy/science fiction genre in cinema and influenced countless future filmmakers. The film is an important example of how early cinema engaged with contemporary technological developments and public fascinations.
The film was created in Méliès's innovative glass-walled studio in Montreuil, which he had built specifically for his fantasy films. The elaborate airship was constructed as a full-scale prop that could be manipulated on stage. Méliès employed his signature substitution splicing technique to create magical transitions and effects. The dream sequence allowed him to incorporate even more fantastical elements than might appear in a straightforward narrative. As with most of his films, Méliès served as director, writer, producer, and star. The production required careful choreography of the airship movements and timing of the special effects, which were all executed in-camera without post-production editing.
The film employs Méliès's characteristic theatrical style with static camera positions and deep focus to capture entire sets. The cinematography was designed to showcase the elaborate sets and props, particularly the airship. Méliès used multiple exposure techniques to create ghostly effects and magical transitions. The hand-colored versions of the film added visual richness and helped distinguish different elements of the fantastic imagery. The lighting was carefully controlled in the glass studio to achieve the desired effects for the special sequences.
The film showcases Méliès's mastery of in-camera special effects, including substitution splices, multiple exposures, and dissolves. The elaborate airship prop was a significant technical achievement in itself, requiring complex mechanical operation. The film demonstrates Méliès's innovative use of stage machinery and trapdoors to create magical effects. The hand-coloring process, while labor-intensive, added another layer of technical sophistication to the production. Méliès's ability to create seamless magical transitions in-camera was groundbreaking for the time and influenced the development of special effects in cinema.
As a silent film, it would have been accompanied by live music during screenings. The typical accompaniment would have included piano or organ music, with the score often improvised by the musician based on the action on screen. For Méliès's fantasy films, the music was often whimsical and magical in character to match the visual style. Some theaters may have used pre-selected classical pieces or popular songs of the era that fit the mood of the film.
As a silent film, it contains no spoken dialogue, but intertitles (if any) would have been in French
Contemporary reviews of Méliès's films were generally positive, with critics and audiences marveling at his magical effects and imaginative storytelling. The film was well-received as part of Méliès's popular catalog of fantasy films. Modern film historians and critics recognize this film as an important example of early science fiction cinema and Méliès's technical innovation. It is often studied for its use of special effects and its reflection of early 20th-century technological optimism.
The film was popular with audiences of its time, who were captivated by Méliès's magical effects and fantastical stories. Audiences were particularly drawn to films featuring new technologies and inventions during this era of rapid technological change. The dream narrative and spectacular airship visuals would have been especially appealing to viewers. Like many of Méliès's films, it was successful both in France and internationally through the Star Film Company's distribution network.
The film survives and is preserved in film archives. Prints are held by various institutions including the Cinémathèque Française. Some versions exist in their original hand-colored form. The film has been digitally restored and is available through various film preservation organizations and archives.