Actor
Bakudan Kozo was a Japanese actor active during the late 1930s, known primarily for his appearance in Hiroshi Shimizu's acclaimed film 'The Masseurs and a Woman' (1938). Very limited documentation exists about this actor's career, suggesting he may have had a brief or peripheral role in the Japanese film industry during this period. The name 'Bakudan Kozo' translates to 'Bomb Boy' in English, which may indicate either a stage name or character name rather than a birth name. His appearance in Shimizu's film represents his only known credited work, making him a somewhat mysterious figure in the history of classic Japanese cinema. The lack of extensive records about actors from this era in Japan is not uncommon, as many film archives and documentation were lost during World War II.
As a minor actor from the golden age of Japanese cinema, Bakudan Kozo's contribution to film history is primarily through his participation in 'The Masseurs and a Woman,' a film that represents the sophisticated humanist cinema of pre-war Japan. The film itself is considered a masterpiece of Japanese cinema, noted for its subtle social commentary and innovative narrative techniques. While his individual impact may be difficult to assess due to limited documentation, actors like him were part of the foundation that built Japan's robust film industry during this crucial period.
Bakudan Kozo's legacy is tied to his appearance in a historically significant Japanese film from the late 1930s. 'The Masseurs and a Woman' remains an important work in the canon of Japanese cinema, studied by film scholars for its technical and artistic achievements. The actor represents the many lesser-known performers who contributed to Japan's rich cinematic heritage during this formative period, even if their individual stories have been lost to time.
Due to the limited documentation of Bakudan Kozo's career and the brevity of his known filmography, it's difficult to assess his specific influence on other actors or filmmakers. However, his participation in a Hiroshi Shimizu film places him within the circle of actors who worked with one of Japan's most respected directors of the era.
Very little information is available about Bakudan Kozo's personal life due to the limited documentation of actors from this period in Japanese cinema history.
Bakudan Kozo was a Japanese actor from the late 1930s, known primarily for his appearance in the film 'The Masseurs and a Woman' (1938). Very limited documentation exists about his career, with this being his only known credited role.
Bakudan Kozo is known for appearing in 'The Masseurs and a Woman' (1938), an acclaimed film directed by Hiroshi Shimizu that is considered a masterpiece of Japanese cinema from the pre-war period.
Specific birth and death dates for Bakudan Kozo are not documented in available historical records, which is common for many lesser-known actors from this era of Japanese cinema.
There are no documented awards or nominations for Bakudan Kozo, which is not unusual for supporting actors from this period in Japanese film history.
Due to the limited documentation of his work and the brevity of his known career, there is insufficient information to determine Bakudan Kozo's specific acting style or techniques.
The scarcity of information about Bakudan Kozo is typical for many Japanese actors from the 1930s, as many film archives and records were lost during World War II, and documentation of supporting actors was often minimal.
1 film