
Actor
May Emory was an American actress who worked briefly during the silent film era in 1917. Her known filmography consists of a single appearance in the comedy short 'Teddy at the Throttle,' starring Harold Lloyd. Like many performers of the silent era, her career was extremely brief, spanning only one year. She was part of the vast ensemble of supporting actors who populated the thriving Hollywood studio system of the 1910s. Unfortunately, detailed records about her life and career are scarce, which was common for many bit players and supporting actors of this period who did not achieve lasting fame. Her disappearance from film records after 1917 suggests she either left the industry, married and changed her name, or pursued other career opportunities. The lack of extensive documentation about her life reflects the challenges film historians face when researching lesser-known figures from early cinema.
Like many supporting actors in silent comedy shorts, May Emory likely employed exaggerated physical expressions and gestures typical of the era's performance style. Silent film acting required broad, clear emotional expressions to convey meaning without dialogue, and comedy shorts especially relied on slapstick and visual gags.
May Emory represents the thousands of anonymous performers who contributed to the golden age of silent cinema but whose names have been largely lost to history. Her brief appearance in a Harold Lloyd short places her within the context of early American comedy filmmaking, a period that established many conventions of cinematic comedy that would influence generations of filmmakers. While her individual impact was minimal, she was part of the collaborative ecosystem that made silent film production possible.
May Emory's legacy is primarily as an example of the transient nature of early Hollywood careers and the difficulty of preserving complete records of all film industry participants. Her story illustrates how many actors, even those who appeared in films with major stars like Harold Lloyd, could quickly fade from historical record. She serves as a reminder of the vast number of unsung contributors to cinema's early development.
Given her extremely brief career and single known film appearance, May Emory likely had minimal direct influence on other performers or filmmakers. Her work exists primarily as part of the broader tapestry of silent era cinema rather than as an individual artistic influence.
Very little is known about May Emory's personal life, which is typical for many supporting actors from the silent era who did not achieve lasting fame. Records about marriages, family, or personal relationships have not been preserved in accessible film archives or historical documents.
May Emory was an American actress who appeared briefly in silent films during 1917. She is known only for her appearance in the Harold Lloyd comedy short 'Teddy at the Throttle,' making her one of the many obscure performers from early cinema whose careers were extremely brief.
May Emory is known for only one film: 'Teddy at the Throttle' (1917), a comedy short starring Harold Lloyd. This appears to be her sole screen credit according to available film records.
Unfortunately, May Emory's birth and death dates are not documented in available historical records. This lack of personal information is common for many supporting actors from the silent era who did not achieve lasting fame.
May Emory did not receive any known awards or nominations during her brief film career. The major film awards, including the Academy Awards, were not established until after her active period in cinema.
While specific details about her acting style are not documented, as a performer in a 1917 silent comedy, she likely employed the exaggerated physical expressions and broad gestures typical of silent film acting, especially in the comedy genre where clear visual communication was essential.
1 film