Director
Rudall George Hayward (1900-1974) was a pioneering New Zealand film director, producer, and screenwriter who is considered one of the most important figures in early New Zealand cinema. He began making films as a teenager and established himself as New Zealand's first feature film director with 'My Lady of the Cave' in 1922. Hayward worked primarily during the silent era and successfully transitioned into sound films, creating numerous productions that captured New Zealand life, culture, and landscape. His career spanned five decades, during which he directed over 30 films including features, shorts, and documentaries that often adapted New Zealand literature. Hayward was particularly known for his commitment to telling New Zealand stories using local talent and locations, making him a crucial figure in establishing a national cinema identity. He continued working in the film industry throughout his life, even as New Zealand's film industry faced significant challenges in the mid-20th century, preserving the nation's cinematic heritage through his dedication and persistence.
Hayward's directing style emphasized authentic New Zealand settings and stories, often using non-professional local actors to enhance realism. He had a documentary-like approach to storytelling, focusing on capturing the unique landscapes and cultural aspects of New Zealand life. His films typically featured straightforward narratives with strong moral themes, reflecting the values of early 20th century New Zealand society. Hayward was known for his resourcefulness in filmmaking, often building his own equipment and finding creative solutions to technical challenges in a country with limited film infrastructure.
Rudall Hayward had a profound impact on New Zealand cinema and culture, essentially establishing the foundation for the country's film industry. His films provided New Zealanders with their first opportunities to see themselves and their country represented on screen, helping to create a sense of national identity through cinema. Hayward's commitment to using local locations, actors, and stories set a precedent for future New Zealand filmmakers and demonstrated that compelling films could be made outside the major international film centers. His documentation of New Zealand life, particularly Māori culture and rural communities, created invaluable historical records of the country during a period of significant social change.
Rudall Hayward's legacy endures as the father of New Zealand cinema, with his films preserved in the New Zealand Film Archive as national treasures. His pioneering spirit and dedication to telling New Zealand stories inspired subsequent generations of filmmakers who would eventually bring New Zealand cinema to international attention. The annual Rudall Hayward Award recognizes outstanding contributions to New Zealand filmmaking, ensuring his name remains prominent in the industry he helped create. His techniques for low-budget filmmaking and his ability to work with limited resources continue to influence independent filmmakers in New Zealand and beyond.
Hayward influenced New Zealand cinema by demonstrating that local stories could resonate with domestic audiences and by establishing practical methods for filmmaking in a country with limited infrastructure. His success in the 1920s and 1930s proved that a viable New Zealand film industry was possible, even though it would take decades for this vision to be fully realized. His integration of Māori culture and stories into mainstream New Zealand cinema paved the way for later filmmakers to explore bicultural themes. Many prominent New Zealand directors, including Peter Jackson, have acknowledged Hayward's pioneering role in establishing the country's film industry.
Rudall Hayward was born into a creative family in Christchurch and developed an early passion for filmmaking. He married twice, first to Hilda Maud Hayward (née Lomas) who was his frequent collaborator and screenwriter, and later to Ramai Hayward (née Te Miha), a Māori actress who appeared in several of his films. Hayward had two children, including his son Rudall Hayward Jr. who also worked in the film industry. He was deeply committed to preserving and promoting New Zealand culture through cinema, and his personal life often intersected with his professional work, with family members frequently participating in his film productions.
Educated in Christchurch, New Zealand; largely self-taught in filmmaking through practical experience and experimentation
I want to show New Zealanders themselves on the screen, in their own country, living their own lives
Every film I make is a love letter to New Zealand
In a small country like ours, every film must count
The landscape is not just a backdrop in my films; it's a character in itself
We may not have Hollywood's budget, but we have stories worth telling
Rudall Hayward was a pioneering New Zealand film director, producer, and screenwriter who is considered the father of New Zealand cinema. He directed the country's first feature film and created numerous productions throughout the 20th century that documented New Zealand life and culture.
Hayward is best known for 'My Lady of the Cave' (1922), New Zealand's first feature film, and 'The Bush Cinderella' (1928), one of the most successful New Zealand silent films. Other notable works include 'Rewi's Last Stand' (1940) and 'On the Friendly Road' (1936).
Rudall Hayward was born on July 4, 1900, in Woolston, Christchurch, New Zealand, and died on May 29, 1974, in Auckland, New Zealand, at the age of 73.
Hayward was awarded the Order of the British Empire (OBE) for his services to filmmaking and has been posthumously recognized with lifetime achievement awards. The Rudall Hayward Award was established in his honor to recognize outstanding contributions to New Zealand cinema.
Hayward's directing style emphasized authentic New Zealand settings and stories, often using non-professional local actors. He had a documentary-like approach, focusing on capturing New Zealand's unique landscapes and cultural aspects with straightforward narratives and strong moral themes.
2 films