
Actor & Director
Wan Laiming (1900-1997) was a pioneering Chinese animator and filmmaker who, along with his brothers Wan Guchan, Wan Chaochen, and Wan Dihuan, established the foundation of Chinese animation industry. Born in Nanjing, Jiangsu province, Wan Laiming showed artistic talent from an early age and studied Western painting in Shanghai. In the 1920s, he and his brothers established China's first animation studio and began creating short animated films, with their 1926 work 'Uproar in the Studio' being considered China's first animated film. During the Second Sino-Japanese War, the brothers moved to Chongqing where they created their masterpiece 'Princess Iron Fan' (1941), which became Asia's first animated feature film. After the founding of the People's Republic of China, Wan Laiming continued his animation work at the Shanghai Animation Film Studio, where he co-directed the acclaimed 'Havoc in Heaven' (1961, 1964). His career spanned over seven decades, during which he witnessed and shaped the entire development of Chinese animation from its infancy to maturity.
Wan Laiming's directing style was heavily influenced by traditional Chinese art forms, particularly ink wash painting and Beijing opera. He incorporated distinctive Chinese cultural elements and aesthetics into his animation, creating a unique visual language that distinguished Chinese animation from Western styles. His films often featured vibrant colors, fluid movement inspired by Chinese martial arts, and storytelling rooted in Chinese mythology and folklore. Wan Laiming emphasized the importance of cultural authenticity in animation, believing that Chinese animation should reflect and preserve Chinese cultural heritage.
Wan Laiming's impact on Chinese cinema and culture is immeasurable as he essentially created the Chinese animation industry from scratch. His work established a distinctly Chinese animation aesthetic that drew from the nation's rich artistic traditions, creating an alternative to the dominant Disney style of the era. 'Princess Iron Fan' not only became Asia's first animated feature but also demonstrated that China could produce sophisticated animated films during wartime, serving as a source of national pride. His later masterpiece 'Havoc in Heaven' remains one of the most beloved and influential animated films in Chinese history, inspiring generations of animators and filmmakers. Wan Laiming's emphasis on cultural authenticity helped preserve traditional Chinese art forms and stories through the medium of animation.
Wan Laiming's legacy endures as the foundational figure of Chinese animation, often referred to as the 'Walt Disney of China.' His pioneering work established the technical and artistic standards for Chinese animation that continue to influence the industry today. The Wan brothers' studio model and collaborative approach became the template for animation production in China. Many of the techniques he developed, particularly the integration of traditional Chinese art forms with animation technology, are still studied and emulated by contemporary Chinese animators. His films, especially 'Havoc in Heaven,' remain cultural touchstones that are regularly screened and referenced in Chinese popular culture. Wan Laiming also left behind a wealth of writings and teachings about animation theory and practice that continue to educate new generations of Chinese animators.
Wan Laiming directly influenced the development of animation studios across China and inspired animators throughout Asia to explore their own cultural traditions rather than simply imitating Western styles. His success with 'Princess Iron Fan' proved that animated features could be produced outside Hollywood, encouraging other Asian countries to develop their own animation industries. Many prominent Chinese animators, including Te Wei and Dai Tielang, built upon the foundation Wan Laiming established. His emphasis on combining traditional art with modern technology influenced not just animation but also other areas of Chinese cinema. Contemporary Chinese animated films and series often reference or pay homage to Wan Laiming's work, particularly his adaptation of 'Journey to the West' stories. International animation scholars frequently cite Wan Laiming as an example of how animation can serve as a vehicle for cultural preservation and expression.
Wan Laiming came from a family of artists and was the eldest of the famous Wan brothers who pioneered Chinese animation. He married and had children who continued the family's artistic legacy. Throughout his life, Wan Laiming remained dedicated to the development of Chinese animation, mentoring younger animators and sharing his expertise. He experienced the dramatic changes in China throughout the 20th century, from the Republic of China era through the founding of the People's Republic, adapting his work to different political and social contexts while maintaining his artistic vision.
Studied Western painting at Shanghai Art Academy; self-taught in animation techniques through experimentation and observation of foreign animated films
Animation should have national characteristics. If we lose our national style, we lose our soul.
We must learn from foreign animation, but we must not simply imitate. We must create our own Chinese animation.
The purpose of animation is not just to entertain, but to educate and to preserve our cultural heritage.
Every frame of animation should be a work of art, worthy of being appreciated on its own.
Wan Laiming was a pioneering Chinese animator and director, often called the 'Father of Chinese Animation.' Along with his brothers, he established China's first animation studio and created the country's first animated films, including Asia's first animated feature film 'Princess Iron Fan' (1941).
Wan Laiming is best known for directing 'Princess Iron Fan' (1941), Asia's first animated feature film, and co-directing the acclaimed 'Havoc in Heaven' (1961, 1964). He also created China's first animated film 'Uproar in the Studio' (1926) and numerous other pioneering animated works.
Wan Laiming was born on January 18, 1900, in Nanjing, Jiangsu Province, China, and died on October 7, 1997, at the age of 97, having lived through nearly the entire history of Chinese animation.
Wan Laiming received the Special Golden Rooster Award for Lifetime Achievement in 1985, the China Film Lifetime Achievement Award in 1995, and was honored with various Outstanding Contribution to Chinese Animation awards. He was also recognized as one of the 100 most influential figures in Chinese cinema.
Wan Laiming's directing style incorporated traditional Chinese art forms, particularly ink wash painting and Beijing opera aesthetics. He emphasized cultural authenticity, using vibrant colors, fluid movement inspired by martial arts, and storytelling rooted in Chinese mythology to create a uniquely Chinese animation language distinct from Western styles.
1 film