
Director
Kenneth Anger was a pioneering American experimental filmmaker and author whose avant-garde work profoundly influenced underground cinema and queer culture. Born Kenneth Wilbur Anglemeyer, he began making films as a teenager, with his controversial 1947 film 'Fireworks' establishing his reputation for homoerotic imagery and occult themes. His 1953 masterpiece 'Eaux d'artifice' demonstrated his mastery of visual poetry, featuring a single figure in elaborate Italian fountain gardens set to Vivaldi's music. Anger gained international acclaim with 'Scorpio Rising' (1964), which revolutionized the use of pop music in film and explored biker culture and Nazi imagery. He dedicated decades to his 'Magick Lantern Cycle,' a series exploring occult philosophy and Aleister Crowley's Thelema religion. Beyond filmmaking, Anger authored the scandalous 'Hollywood Babylon' books, exposing the hidden lives of classic film stars. His work influenced countless directors including Martin Scorsese, David Lynch, and John Waters, and he remained an active filmmaker until his death at age 96 in 2023.
Anger's directing style is characterized by hypnotic, ritualistic imagery, rapid editing, and the fusion of occult symbolism with pop culture. He pioneered the use of pop music as narrative device, creating what he called 'psychodramas' that explored themes of homosexuality, mythology, and magick. His films are visually lush, often featuring elaborate costumes, symbolic props, and choreographed movements that create dreamlike, trance-inducing experiences. Anger's work rejects traditional narrative structure in favor of associative editing and visual poetry, influencing the music video genre and experimental cinema.
Kenneth Anger revolutionized underground cinema by creating a new visual language that merged occult symbolism, queer identity, and pop culture. His innovative use of pop music in 'Scorpio Rising' essentially invented the modern music video format and influenced MTV's aesthetic. Anger's unapologetic exploration of homoerotic themes helped pave the way for queer cinema, while his 'Hollywood Babylon' books exposed the myth of Hollywood's golden age, revealing its dark underbelly. His work bridged the gap between high art and popular culture, influencing everything from punk rock aesthetics to contemporary fashion. The occult themes in his films introduced esoteric spirituality to mainstream audiences, particularly influencing counterculture movements of the 1960s and 1970s.
Kenneth Anger's legacy as the godfather of American avant-garde cinema is cemented by his enduring influence on filmmakers, musicians, and artists. His films remain essential viewing in film studies programs worldwide, and his techniques are studied for their groundbreaking approach to editing and sound design. The 'Magick Lantern Cycle' stands as one of cinema's most ambitious personal projects, demonstrating how film can serve as a vehicle for spiritual exploration. Anger's work continues to be exhibited in major museums and film festivals, inspiring new generations of experimental filmmakers. His books remain controversial classics of Hollywood literature, and his influence can be seen in everything from music videos to fashion photography.
Anger directly influenced Martin Scorsese's use of pop music in 'Mean Streets' and 'Goodfellas,' with Scorsese citing 'Scorpio Rising' as a major inspiration. John Waters has repeatedly acknowledged Anger's influence on his own camp aesthetic and subversive filmmaking. David Lynch's surreal, dreamlike imagery bears Anger's influence, particularly in the use of symbolic props and ritualistic scenes. The entire punk rock movement drew visual inspiration from Anger's films, with bands like The Stooges and The Velvet Underground incorporating his aesthetic. Contemporary filmmakers like Guy Maddin and Apichatpong Weerasethakul continue his tradition of personal, poetic cinema. The music video industry owes a debt to Anger's pioneering fusion of image and popular music.
Anger was openly gay and his work often explored queer themes long before it was socially acceptable. He was deeply involved in occult practices, particularly Thelema, the religion founded by Aleister Crowley. He lived a nomadic lifestyle, spending time in Paris, London, and various locations across California. Anger never married and had no children, dedicating his life entirely to his artistic and spiritual pursuits. He was known for his eccentric personality and extensive knowledge of Hollywood history and occult lore.
Studied at the University of Southern California (USC) film school briefly; left to pursue independent filmmaking. Also studied at the University of California, Los Angeles (UCLA) for a short period.
Cinema is the ultimate pervert art. It doesn't give you what you desire – it tells you how to desire.
I make films that I want to see. If other people want to see them, that's fine.
Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul.
My films are made for the eye, not the intellect.
I'm not interested in telling stories. I'm interested in creating spells.
The cinema is a temple of dreams, and I am its high priest.
Kenneth Anger was an American experimental filmmaker and author known for his avant-garde films exploring occult themes, queer identity, and pop culture. He was a pioneering figure in underground cinema whose work influenced generations of filmmakers and musicians.
Anger is best known for 'Fireworks' (1947), 'Eaux d'artifice' (1953), 'Scorpio Rising' (1964), and his 'Magick Lantern Cycle' series including 'Lucifer Rising' (1972). He also authored the controversial 'Hollywood Babylon' books.
Kenneth Anger was born on February 3, 1927, in Santa Monica, California, and died on May 11, 2023, at the age of 96.
Anger received the Maya Deren Award for Independent Film (1986), Los Angeles Film Critics Association Career Achievement Award (2002), and numerous retrospectives at major museums including MoMA and the Whitney Museum.
Anger's directing style featured hypnotic, ritualistic imagery, rapid editing, and innovative use of pop music. His films rejected traditional narrative structure in favor of visual poetry, occult symbolism, and dreamlike sequences exploring themes of magick and queer identity.
1 film