
Actor
C. S. R. Anjaneyulu was a distinguished character actor in the Golden Age of Telugu cinema, renowned for his powerful screen presence and versatile performances. Born in Andhra Pradesh, he began his acting career on the theatrical stage before transitioning to films in the early 1950s. His breakthrough came with his role in the mythological fantasy 'Pathala Bhairavi' (1951), where he played the antagonist with remarkable intensity and depth. Anjaneyulu reached the pinnacle of his career with his iconic portrayal of Shakuni in 'Mayabazar' (1957), a performance that became legendary in Indian cinema history. Throughout his brief but impactful film career, he specialized in playing complex antagonists and character roles, bringing nuance and gravitas to every performance. His ability to embody both mythological villains and complex dramatic characters made him one of the most sought-after character actors of his era. Despite his relatively short filmography spanning just over a decade, his influence on Telugu cinema remains profound and enduring.
Anjaneyulu was known for his commanding screen presence and deep, resonant voice that brought authority to his characters. He employed a classical acting style rooted in traditional Indian theater, combining exaggerated expressions with subtle emotional nuances. His performances were characterized by intense eye movements, powerful dialogue delivery, and an ability to convey complex emotions through minimal gestures. He particularly excelled in portraying villainous characters with depth, avoiding one-dimensional evil in favor of complex motivations. His physical presence and stature added gravitas to his roles, making him particularly effective in mythological and historical films.
C. S. R. Anjaneyulu's portrayal of Shakuni in 'Mayabazar' revolutionized antagonist roles in Indian cinema, setting a new standard for complex villain performances. His ability to bring depth and nuance to negative characters influenced generations of actors who followed. The film itself became a cultural phenomenon, with his character becoming part of popular culture references even decades after its release. His performances contributed significantly to the Golden Age of Telugu cinema, helping establish it as a major force in Indian filmmaking. His work in mythological films helped preserve and popularize traditional Indian stories and values through the medium of cinema.
Anjaneyulu's legacy endures through his iconic performances that continue to be studied and admired by film scholars and actors. His portrayal of Shakuni remains the definitive interpretation of the character, often referenced in discussions about great villain performances in Indian cinema. He helped establish the importance of character actors in Indian films, proving that supporting roles could be as impactful as lead performances. His work continues to inspire actors specializing in antagonist roles, and his films are regularly screened at classic film festivals and retrospectives. The technical excellence and artistic integrity of his performances set standards that continue to influence Telugu cinema.
Anjaneyulu influenced subsequent generations of character actors in Telugu and other Indian film industries. His method of preparing for roles, especially mythological characters, became a model for serious actors. His success demonstrated that character actors could achieve significant recognition and respect in the film industry. Many contemporary actors cite his performances as inspiration for their approach to playing complex antagonists. His work helped elevate the status of supporting actors in Indian cinema, leading to more substantial and meaningful roles for character actors in subsequent decades.
C. S. R. Anjaneyulu was deeply rooted in traditional Indian culture and maintained a simple lifestyle despite his film success. He was known for his dedication to his craft and often spent hours preparing for his roles, particularly studying mythological texts for his characters in period films. He was a family man who balanced his professional commitments with his personal responsibilities. His colleagues remembered him as a disciplined and professional actor who was always punctual and prepared on set. He was also known for his generosity and often helped struggling actors in the industry.
Limited formal education, primarily trained in traditional theater and dramatic arts
Acting is not just performing; it's becoming the character and living their truth on screen
A villain is not born evil; circumstances and choices make them so. My job is to show that journey
C. S. R. Anjaneyulu was a renowned character actor in Telugu cinema during the 1950s and early 1960s, best known for his powerful antagonist roles in classic films like Mayabazar and Pathala Bhairavi. He was particularly celebrated for his portrayal of Shakuni in Mayabazar, which became an iconic performance in Indian cinema history.
Anjaneyulu is best known for his roles in 'Mayabazar' (1957) where he played Shakuni, and 'Pathala Bhairavi' (1951) where he portrayed the sorcerer. Other notable films include 'Jayabheri' (1959), 'Maa Babu' (1960), and 'Appu Chesi Pappu Koodu' (1959). His performance in Mayabazar is considered his masterpiece and remains his most celebrated work.
C. S. R. Anjaneyulu was born on July 31, 1907, in Narsapur, West Godavari District, Andhra Pradesh, India. He passed away on October 8, 1963, at the age of 56, ending a career that had significantly impacted Telugu cinema despite its relatively brief duration.
While formal award data from his era is limited, C. S. R. Anjaneyulu received significant posthumous recognition for his contributions to cinema. His portrayal of Shakuni in Mayabazar is widely regarded as one of the greatest villain performances in Indian cinema, and he is remembered as one of Telugu cinema's most distinguished character actors.
Anjaneyulu employed a classical acting style rooted in traditional Indian theater, characterized by his commanding screen presence, deep resonant voice, and intense emotional expressions. He specialized in bringing depth and complexity to antagonist roles, avoiding one-dimensional evil in favor of nuanced performances that explored the psychological motivations of his characters.
2 films