
Director
Mohamad Reza Honarmand is an Iranian filmmaker who directed the film 'Thief of Dolls' in 1989. Limited information is available about his broader career trajectory, but his work appears to be part of Iranian cinema's post-revolutionary period. The film 'Thief of Dolls' represents his known directorial credit from this period. Iranian cinema during the late 1980s was experiencing significant international recognition, and filmmakers like Honarmand contributed to this cultural movement. His single known film suggests he may have been part of Iran's new wave of filmmakers who emerged after the 1979 revolution.
Limited information available, but likely influenced by Iranian New Wave cinema characteristics of the late 1980s
As a director from Iran's late 1980s cinema period, Honarmand contributed to the country's rich film tradition during a time when Iranian cinema was gaining international acclaim. The post-revolutionary period in Iran saw the emergence of many talented filmmakers who used cinema as a medium for cultural expression and social commentary.
Limited documentation exists about Honarmand's broader legacy in cinema history. His film 'Thief of Dolls' stands as his known contribution to Iranian cinema of the late 1980s, a period that produced many internationally recognized Iranian filmmakers.
Due to limited available information about his career and influence, it's difficult to assess his specific impact on other filmmakers or the broader cinema landscape.
Limited biographical information is available about Mohamad Reza Honarmand's personal life.
Mohamad Reza Honarmand was an Iranian film director best known for directing 'Thief of Dolls' in 1989. Limited information is available about his broader career in cinema.
He is primarily known for directing 'Thief of Dolls' (1989), which appears to be his only documented film credit.
Based on available information, he was active as a director in 1989, during Iran's post-revolutionary cinema period.
The late 1980s was a significant period for Iranian cinema, with many filmmakers gaining international recognition for their distinctive artistic vision and cultural storytelling.
While limited information is available, his work in 1989 would place him within the timeframe of Iran's cinematic renaissance that followed the 1979 revolution.
1 film