Jo Hae-won
Actor
About Jo Hae-won
Jo Hae-won was a Korean actor who appeared during the golden age of Korean cinema in the late 1950s. His career appears to have been brief but notable, with his most recognized work being in Shin Sang-ok's critically acclaimed film 'The Flower in Hell' (1958). This film was considered groundbreaking for its time, tackling controversial themes and showcasing the raw reality of post-war Korean society. Jo Hae-won's performance contributed to the film's powerful narrative about life in the slums near U.S. military bases. While detailed records of his career are limited, his involvement in this significant work places him among the actors who helped shape Korean cinema during its formative years. The film itself has been preserved as an important cultural artifact, though much about Jo Hae-won's life and subsequent career remains undocumented in historical records.
The Craft
Milestones
- Appeared in 'The Flower in Hell' (1958), one of the most significant Korean films of the 1950s
Best Known For
Iconic Roles
Must-See Films
Working Relationships
Worked Often With
Why They Matter
Impact on Culture
Jo Hae-won's contribution to Korean cinema, while brief, is part of the important legacy of 'The Flower in Hell,' a film that pushed boundaries in 1950s Korean cinema by addressing controversial social issues. The film itself has been recognized as a masterpiece that helped establish the realist tradition in Korean filmmaking, and all actors involved, including Jo Hae-won, participated in creating this historically significant work.
Lasting Legacy
As an actor in one of the most important Korean films of the 1950s, Jo Hae-won's legacy is tied to the preservation and recognition of 'The Flower in Hell' as a classic of Korean cinema. The film continues to be studied and appreciated by film scholars and cinema enthusiasts, ensuring that the contributions of all its cast members, including Jo Hae-won, remain part of Korean film history.
Who They Inspired
While specific information about Jo Hae-won's influence on other actors is not documented, his participation in groundbreaking Korean cinema of the 1950s places him among the generation of artists who helped establish the foundation for Korea's later emergence as a major force in international cinema.
Off Screen
Very little information is available about Jo Hae-won's personal life, which is not uncommon for supporting actors from early Korean cinema where detailed records were often not preserved.
Did You Know?
- 'The Flower in Hell' was considered controversial for its time due to its depiction of life near U.S. military bases in post-war Korea
- The film was directed by Shin Sang-ok, one of Korea's most acclaimed directors
- The film has been preserved by the Korean Film Archive as an important cultural work
- Many records from early Korean cinema were lost or destroyed, making information about actors from this period scarce
- The 1950s are considered the golden age of Korean cinema, producing many classic works
- Jo Hae-won appears to have had a very brief film career, with only this one known credit
Frequently Asked Questions
Who was Jo Hae-won?
Jo Hae-won was a Korean actor from the late 1950s, best known for his role in the influential film 'The Flower in Hell' (1958). His career appears to have been brief, with this film being his primary known work.
What films is Jo Hae-won best known for?
Jo Hae-won is best known for 'The Flower in Hell' (1958), a groundbreaking Korean film directed by Shin Sang-ok that is considered a classic of Korean cinema.
When was Jo Hae-won born and when did they die?
Specific birth and death dates for Jo Hae-won are not available in historical records, which is common for many actors from early Korean cinema.
What awards did Jo Hae-won win?
There are no documented awards or nominations for Jo Hae-won, which is not unusual for supporting actors from this period of Korean cinema.
What was Jo Hae-won's acting style?
Specific details about Jo Hae-won's acting style are not documented, but his work in 'The Flower in Hell' was part of the film's realist approach to storytelling that was innovative for Korean cinema in the 1950s.
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Films
1 film
