
Actor
Mansoor Matin was an Iranian actor who appeared in cinema during the late 1960s. His known filmography consists of a single appearance in the 1969 Iranian film 'Dozd va paseban' (The Thief and the Guard). Very limited information is available about his career or life, suggesting he may have been a character actor or had a brief involvement in the film industry. The film itself was part of the Iranian New Wave cinema movement that was emerging during this period, though specific details about Matin's role or contribution remain undocumented in major cinema archives.
Due to the limited documentation of Mansoor Matin's career and his single known film appearance, his specific cultural impact on cinema cannot be adequately assessed. His work exists within the context of 1960s Iranian cinema during a period of artistic transition.
Mansoor Matin's legacy remains largely undocumented in film history archives. His contribution to Iranian cinema through his appearance in 'Dozd va paseban' represents a small piece of the broader Iranian film industry of the late 1960s, though detailed records of his influence or lasting impact are not available.
There is insufficient documented information to determine Mansoor Matin's influence on other actors or filmmakers within the cinema industry.
Very little information is available about Mansoor Matin's personal life, family background, or circumstances outside of his single known film appearance.
Mansoor Matin was an Iranian actor known for appearing in the 1969 film 'Dozd va paseban'. Very limited information is available about his life and career, with documentation suggesting he had a brief involvement in cinema.
Mansoor Matin is known for his appearance in the single film 'Dozd va paseban' (The Thief and the Guard) from 1969. No other film credits have been documented.
Based on available records, Mansoor Matin was active in cinema during 1969, with his only known film appearance occurring that year.
'Dozd va paseban' (The Thief and the Guard) was a 1969 Iranian film made during a period of transition in Iranian cinema. The film was part of the evolving landscape of 1960s Iranian filmmaking.
The scarcity of information about Mansoor Matin likely stems from his brief career and possibly minor role in cinema. Many character actors or those with short careers from this era, particularly in non-Western cinema, have limited documentation in international film archives.
1 film