Actor
Nina Gofman was an actress from the early silent film era, specifically active in Russian cinema during the mid-1910s. Her entire known filmography consists of a single, yet significant, role in the 1914 film 'Sonka the Golden Hand' (Sonka-Zolotaya Ruchka), a production based on the exploits of the infamous real-life female con artist Sonya Golden Hand. This film was directed by the pioneering Russian filmmaker Yevgeni Bauer, a master of psychological drama and cinematic techniques, which suggests Gofman was part of a sophisticated artistic endeavor. Her role, while not the title character, placed her within the emerging cinematic landscape of pre-revolutionary Russia, a period of intense creativity and innovation. Unfortunately, like many actors from this nascent period of film, detailed records of her life, training, and subsequent career are extremely scarce. Her career appears to have been exceptionally brief, confined to the single year of 1914, a common fate for many early film actors who did not transition to the more established star system of the later silent era or the sound era. The scarcity of information makes her a representative figure of the countless anonymous contributors to the foundational years of cinema, whose work survives but whose personal stories have largely been lost to history.
Nina Gofman's cultural impact is not as an individual artist but as a representative of the vast, unheralded workforce of the early silent film era. Her participation in 'Sonka the Golden Hand,' a film by the influential director Yevgeni Bauer, places her within a crucial moment in the development of Russian cinema. While her personal contribution is minor and her role unknown, she is part of the collective effort that created a work of historical significance. Her legacy is a testament to the hundreds of actors and crew members whose names appear on old title cards but whose stories have faded, yet who collectively built the foundation of the film industry. She symbolizes the ephemeral nature of fame in early cinema and the many talents who contributed to art without achieving lasting recognition.
The legacy of Nina Gofman is intrinsically tied to the single surviving film in which she appeared, 'Sonka the Golden Hand' (1914). As this film is studied by film historians as an example of early Russian cinematic art and the work of director Yevgeni Bauer, her name endures as a credit on this historical artifact. She serves as a poignant reminder of the transient careers of many early film actors and the significant gaps in film history. Her legacy is not one of individual stardom but of being a small, yet integral, part of a pioneering cinematic work from a bygone era, ensuring her name is preserved, however faintly, in the annals of film history.
Given her extremely brief and obscure career, there is no evidence to suggest that Nina Gofman directly influenced other actors or filmmakers. Her influence is passive, existing only as a name on a film that serves as a subject of study for those interested in the origins of Russian cinema and the techniques of its early masters. She is a figure of historical curiosity rather than an artist with a traceable lineage of influence.
There is virtually no documented information available about the personal life of Nina Gofman. Her existence is known only through film credits from a single production in 1914, and historical records do not provide details regarding her family, relationships, or life outside of her brief film appearance.
Nina Gofman was a Russian actress from the silent film era, known exclusively for her single credited role in the 1914 film 'Sonka the Golden Hand.' Details about her life and career are virtually nonexistent, making her a mysterious figure from the early days of Russian cinema.
She is known solely for her appearance in the 1914 Russian silent film 'Sonka the Golden Hand,' directed by the influential filmmaker Yevgeni Bauer. This is the only film in her known filmography.
The birth and death dates for Nina Gofman are unknown. No biographical records about her life outside of her 1914 film credit have been discovered by historians.
There are no records of Nina Gofman receiving any awards or nominations for her work. Her career was too brief and occurred during a period before most formal film awards were established.
Due to the lack of surviving films featuring her in a prominent role and the absence of any contemporary reviews, her specific acting style is unknown. She was part of the theatrical, melodramatic style common in Russian silent cinema of the 1910s.
1 film