
The film opens with Julius the cat showcasing his rope tricks while riding his horse in a western setting. Meanwhile, a group of bandits rob a stagecoach carrying passengers including Alice, who finds herself trapped between the villain leader and a cactus. Julius rides to the rescue, saving most passengers but unable to stop the main bad guy from escaping with Alice. A thrilling chase ensues, culminating in a battle atop a tall rock formation where both combatants fall into a boulder field below. After playing hide-and-seek among the rocks, Julius cleverly removes his fur coat to use as a decoy while he sneaks up behind the villain with a club, defeating him. When Alice comes to thank him, Julius becomes embarrassed by his nakedness and hides behind a rock to put his fur back on before accepting her gratitude.

This was the 42nd short in the Alice Comedies series, produced during a transitional period for Disney. The animation was created using traditional paper animation techniques before being transferred to celluloid. The live-action segments with Margie Gay as Alice were filmed first, then combined with the animated sequences. The western setting allowed for dynamic action sequences and visual gags that showcased the growing technical sophistication of Disney's animation team.
This film was produced during the silent film era, just before the transition to sound pictures in 1927-1928. The mid-1920s saw the rise of animation as a popular form of entertainment, with studios like Disney, Fleischer, and others competing for theater bookings. The western genre was at its peak popularity in American cinema during this period, with stars like Tom Mix and William S. Hart dominating the box office. The Alice Comedies represented Disney's first sustained success after his earlier Kansas City studio failed, establishing the foundation for what would become The Walt Disney Company. This period also saw the development of many animation techniques that would become standard in the industry, including the use of celluloid sheets for layered animation.
Alice in the Wooly West represents an important transitional work in Disney's evolution as an animation studio. The Alice Comedies series was crucial in developing Disney's signature style of combining humor with technical innovation. Julius the cat served as a direct predecessor to Mickey Mouse, featuring similar design elements and personality traits. The series helped establish Disney's reputation for quality animation and storytelling during the competitive silent animation era. These shorts also demonstrated early examples of what would become Disney's trademark: the seamless integration of different animation techniques and media. The western theme reflected American cultural values and myths of the 1920s, presenting idealized notions of frontier justice and heroism that resonated with contemporary audiences.
The Alice Comedies were produced on a shoestring budget in a small studio in Los Angeles. Walt Disney directed while Ub Iwerks handled much of the animation. The live-action segments with Alice were filmed against a plain background, then the animated elements were added around her. This technique required precise timing and planning. Julius the cat was animated with rubber hose limbs, a style popular at the time that allowed for fluid, exaggerated movement. The production team worked long hours to meet the demanding release schedule of approximately one short per month. The western setting was chosen partly because it allowed for dynamic action sequences that could showcase the technical skills of the animation team while also capitalizing on the popularity of western films in the 1920s.
The film employed a combination of live-action cinematography for the Alice sequences and traditional animation for the Julius character and other animated elements. The live-action portions were filmed in black and white on standard 35mm film, likely using static cameras typical of the era. The animation was created using the cel animation process, with characters drawn on transparent celluloid sheets placed over background paintings. The western setting allowed for dynamic camera movements and compositions, including chase sequences and action scenes that showcased the growing sophistication of Disney's animation techniques. The integration of live-action and animation required careful matching of lighting, perspective, and timing to create a believable composite image.
The Alice Comedies series pioneered several technical innovations that would become standard in animation production. The combination of live-action and animation required precise matte techniques and careful planning to ensure believable interaction between the different media. Disney's studio developed improved methods for synchronizing the movements of live actors with animated characters, creating more convincing composites than earlier attempts. The series also showcased increasingly sophisticated animation techniques, including more fluid character movement and more complex action sequences. The use of Julius the cat demonstrated early examples of character animation that conveyed personality through movement and expression, a technique that would become central to Disney's animation philosophy.
As a silent film, Alice in the Wooly West had no synchronized soundtrack. Theatrical presentations would have been accompanied by live musical performance, typically a pianist or small orchestra playing appropriate western-themed music. The score would have been improvised or selected from standard silent film music libraries, with tempo and mood matching the on-screen action. Sound effects might have been created by the theater's musician or by dedicated sound effects artists in larger venues. No original musical score or cue sheets for this specific short are known to survive, which was common for short subjects of the silent era.
(Silent film - no dialogue) The film communicated through intertitles, but specific intertitle text for this short is not well documented in surviving records
Contemporary reviews of Alice Comedies were generally positive, with trade publications noting the technical quality and entertainment value of Disney's productions. The Motion Picture News often praised the series for its originality and execution. Modern animation historians recognize these shorts as important stepping stones in Disney's development, though they are considered less sophisticated than the studio's later work. Animation scholars particularly note the innovative combination of live-action and animation, which was relatively rare at the time. The Julius character is often cited as an important evolutionary step toward Mickey Mouse, showing Disney's gradual refinement of character design and personality.
The Alice Comedies were popular with theater audiences of the 1920s, helping establish Disney as a reliable producer of quality animated shorts. Children especially enjoyed the blend of live-action and animation, while adults appreciated the clever gags and technical quality. The series maintained consistent popularity throughout its run, though it never achieved the cultural impact of Disney's later creations. Modern audiences viewing these shorts often find them charming but dated, with historical value outweighing entertainment appeal for casual viewers. Animation enthusiasts and Disney fans continue to seek out these early works as examples of the studio's foundational techniques and storytelling approaches.
The film survives in incomplete form in various animation archives. Some original elements, particularly certain title cards, may be lost. The Walt Disney Company holds copies in their animation research library, and prints exist at the Library of Congress and other film archives. The film has been partially restored but shows signs of age and deterioration common to nitrate film stock of the era.