
In this classic Felix the Cat adventure, our hungry protagonist finds himself unable to locate any food in his modern world. Desperate and starving, Felix devises a clever plan to bribe Father Time with various offerings in exchange for a trip back to what he believes were simpler, more abundant times. However, upon arriving in the Stone Age, Felix discovers that prehistoric life presents its own unique set of challenges and hardships, proving that every era has its difficulties. The cartoon follows Felix's misadventures as he attempts to survive and find food in this primitive world, ultimately learning that the grass isn't always greener in another time period.

Created using traditional cel animation techniques with each frame drawn by hand. The cartoon was produced during the peak of Felix the Cat's popularity in the mid-1920s. Otto Messmer worked with a small team of animators to create these shorts, typically producing one cartoon every few weeks. The animation was done on paper, then transferred to cels for photographing.
1925 was a pivotal year in animation history, occurring during the transition from simple novelty shorts to more sophisticated narrative cartoons. Felix the Cat was at the height of his popularity, rivaling even live-action film stars in terms of public recognition. The mid-1920s saw animation becoming increasingly commercialized, with characters like Felix leading the way in merchandising and cross-media promotion. This period also saw the beginnings of what would become major animation studios, though Disney would not release its first Mickey Mouse cartoon until three years later. The cartoon industry was still centered primarily in New York at this time, with Hollywood yet to become the animation capital it would later become. 1925 also marked the year that The Jazz Singer was in production, signaling the coming transition to sound that would revolutionize animation within just a few years.
Felix the Cat represented a major milestone in animation history as the first true animated character superstar with a distinct personality. 'Felix Trifles with Time' exemplifies the surreal and imaginative storytelling that made Felix unique among early cartoon characters. The cartoon's time travel theme reflected the 1920s fascination with progress and technology, while also commenting on the universal human tendency to romanticize the past. Felix's ability to think his way out of problems and his expressive personality helped establish the template for animated characters that would follow. The cartoon also demonstrates how early animation could tackle complex themes like nostalgia and the nature of progress through visual storytelling. Felix's massive popularity across all demographics helped establish animation as a legitimate form of entertainment for adults as well as children.
The production of 'Felix Trifles with Time' took place at Pat Sullivan Studios in New York City, where Otto Messmer led a small team of animators. Despite Pat Sullivan taking official credit, it was Messmer who was the creative force behind Felix the Cat, conceiving the character and directing most of the cartoons. The animation process was labor-intensive, with each frame drawn by hand on paper before being transferred to celluloid sheets for photographing. The cartoon's time travel premise allowed for creative visual gags and the exploration of different historical settings, which was a common trope in Felix cartoons. The studio typically worked on multiple cartoons simultaneously, with animators often specializing in certain scenes or character movements. The lack of dialogue meant that all storytelling had to be done through visual gags, pantomime, and occasional title cards.
The cinematography of 'Felix Trifles with Time' utilized the standard techniques of silent animation, with static camera positions focusing on the action within each frame. The visual style featured bold black lines against white backgrounds, creating high contrast that worked well on the silver screens of the era. The animation employed limited but effective use of depth through layering of cels, creating a sense of space within the two-dimensional medium. The Stone Age sequences featured distinctive visual motifs including cave drawings, primitive tools, and dinosaur elements that helped establish the prehistoric setting. The transitions between time periods were handled through simple but effective visual effects such as dissolves and magical transformations.
While not technically groundbreaking for its time, 'Felix Trifles with Time' demonstrated the sophisticated use of character animation that had become standard in Felix cartoons by 1925. The cartoon featured smooth character movement and expressive animation that conveyed emotion without dialogue. The time travel effects, while simple by modern standards, were effective in conveying the magical nature of Father Time's powers. The animation team's ability to create distinct visual environments for different time periods showed their technical versatility. The cartoon also exemplified the efficient production techniques that allowed Pat Sullivan Studios to maintain a regular release schedule of high-quality cartoons.
As a silent cartoon, 'Felix Trifles with Time' would have been accompanied by live musical performance in theaters. Theater organists or small orchestras would typically provide improvised or pre-selected music to match the on-screen action. The score would have included popular songs of the 1920s, classical pieces, and original compositions tailored to specific scenes. For the time travel sequences, musicians might have used mysterious or magical themes, while the Stone Age scenes could have featured primitive-sounding rhythms. The music was crucial in conveying emotion and pacing in the absence of dialogue or synchronized sound effects.
(Title card) Felix is hungry - very hungry!
(Title card) Father Time, please send me back to the good old days!
(Title card) The Stone Age wasn't so easy after all!
Contemporary critics praised Felix cartoons for their clever gags and the character's expressive personality. Reviewers often noted how Felix seemed to have a life of his own, with many commenting on his ability to convey emotion through simple line drawings. The time travel premise was generally well-received as it allowed for creative visual humor and situations. Modern animation historians view this cartoon as representative of Felix's peak period, when the character was at his most creative and popular. Critics today appreciate the surreal quality and dream logic of early Felix cartoons, which differed from the more literal approach that would come to dominate animation later.
Felix the Cat cartoons were enormously popular with audiences in the 1920s, drawing crowds to theaters specifically to see the latest adventures. The character's relatable struggles with hunger and his clever solutions resonated with viewers during the economically prosperous but still challenging times of the Roaring Twenties. Children particularly loved Felix's magical abilities and his ability to overcome any obstacle through wit and creativity. Adults appreciated the sophisticated humor and social commentary often embedded in the cartoons. The time travel element was especially popular, as it allowed audiences to experience different historical periods through Felix's eyes.
Many Felix the Cat cartoons from the 1920s have been lost due to the unstable nature of early film stock, but 'Felix Trifles with Time' survives in archives and has been preserved through various restoration efforts. The cartoon exists in 16mm and digital formats, though some original quality may be lost compared to the original 35mm theatrical release. The film is part of various animation archives and has been included in Felix the Cat compilation releases.