Little Red Riding Hood
"Mother is making donuts: She throws up a circle of"
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About this film
Mother is making donuts: She throws up a circle of dough, and a cat shoots a hole in it. Later, he fishes them out of the oil with a fishing line; he eats one, and loses all 9 lives. Mother puts together a basket for Red to take to granny. Red uses her cart, which is pushed by her little dog; the cart gets a flat tire, and she inflates a donut to replace it. A wolf (a human lothario) drives by in a flivver, and dashes off to grandma's house, where he finds a note saying she's gone to the movies. He shrinks his car and stashes it in his pocket, then waits for Red, who stopped to watch a dancing…
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About the production
This was one of the last short films produced by Walt Disney at his Laugh-O-Gram Studio before the company went bankrupt. The picture was created during a pivotal period when Disney was experimenting with combining fairy tale stories with contemporary humor and modern technology like automobiles. The animation was done using traditional cel animation techniques, with each frame hand-drawn and inked. The production was rushed as the studio faced financial difficulties, yet still Disney's innovative approach to storytelling.
Themes
Themes & topics
Historical background
Produced Little Red Riding Hood reflects Laugh-O-Gram Studio's release strategy for United States markets at a moment when cinema technology and taste were shifting quickly.
Why this film matters
Programmers and historians revisit Little Red Riding Hood (1922) because its story—mother is making donuts: she throws up a circle of dough, and a cat shoots a hole in it—illustrates popular narrative habits and production norms of the period.
Making of
The production of 'Little Red Riding Hood' took place during a tumultuous period in Walt Disney's career. At just 20 years old, Disney was running his Laugh-O-Gram Studio in Kansas City, employing a small team of animators including Ub Iwerks, who would later become his key collaborator. The studio was struggling financially, and Disney took out loans to complete his fairy tale series. The animation was done on a shoestring budget, with Disney himself reportedly working long hours and even sleeping at the studio. the picture's contemporary elements, like the flivver automobile and airplane, reflected Disney's desire to make classic stories relevant to 1920s audiences. After the studio's bankruptcy, Disney left Kansas City for Hollywood with little more than his ideas and determination, making one of the last remnants of his first professional venture.
What critics said
English-language trade reviews of Little Red Riding Hood are limited for 1922. Where notices survive, they stress pacing and photographic clarity; later criticism values the title as archival evidence of studio style.
Did you know?
- This was one of Walt Disney's earliest fairy tale adaptations, predating his more famous Silly Symphonies by nearly a decade.
- the picture was produced at Disney's first professional studio, Laugh-O-Gram, in Kansas City, which went bankrupt shortly after 's release.
- The wolf character is depicted as a human 'lothario' rather than a traditional animal, reflecting Disney's early experimentation with anthropomorphic characters.
- This short was part of a series of fairy tale adaptations Disney produced in the early 1920s, including 'Jack and the Beanstalk' and 'Goldie Locks and the Three Bears'.
- the picture features an early example of Disney incorporating modern technology (automobiles, airplanes) into classic fairy tales.
- Only fragments of are known to survive today, making it one of Disney's rarest early works.
- The cat character who shoots holes in donuts demonstrates Disney's early fascination with animal characters performing human-like actions.
- The skyhook rescue sequence Disney's innovative approach to action scenes in animation.
- was distributed by Margaret J. Winkler, one of the few women film distributors in the 1920s.
- The donut-making sequence was considered particularly innovative for its time, showing Disney's early talent for visual gags and physical comedy.
Visual style
The cinematography of 'Little Red Riding Hood' reflects the state of animation in the early 1920s, utilizing traditional cel animation techniques with hand-drawn characters painted on transparent celluloid sheets placed over static backgrounds. the picture demonstrates Disney's early experimentation with camera movement and perspective, particularly in the action sequences involving the automobile and airplane. The animation style is more fluid and expressive than many contemporaneous cartoons, showing Disney's attention to character movement and personality. The visual gags, such as the donut-making sequence and the skyhook rescue, showcase sophisticated timing and visual storytelling for the period. the picture's use of scale, particularly in the scene where the wolf shrinks his car, demonstrates early technical innovation in animation effects.
Innovations
'Little Red Riding Hood' featured several technical innovations for its time, including sophisticated use of perspective in animation, particularly in the automobile and airplane sequences. the picture demonstrated advanced techniques in character animation, with more fluid and expressive movement than was typical of the era. The shrinking car effect was technically ambitious for 1922, requiring careful animation to maintain consistency. The skyhook sequence showcased innovative approaches to action choreography in animation. Disney's use of contemporary technology within the fairy tale setting was technically challenging, requiring animators to accurately render modern vehicles and equipment. the picture's combination of human and animal characters in the same scenes demonstrated early mastery of character interaction in animation.
Memorable scenes
- The inventive donut-making sequence where the mother throws dough circles and the cat shoots holes through them
- The flat tire scene where Red cleverly uses an inflated donut as a replacement
- The wolf shrinking his automobile and stashing it in his pocket while waiting for Red
- The dramatic skyhook rescue where an airplane pilot lifts the entire house to save Red
- The final scene where the wolf is dropped into the lake in his shrunken car
What audiences thought
Audience reception in 1922 is not well-documented, but the picture was part of a popular series of fairy tale adaptations that Disney produced for theatrical release. The combination of familiar stories with contemporary humor and modern elements likely appealed to audiences of the time who were experiencing rapid technological and social changes. The inclusion of popular elements like automobiles and airplanes would have resonated with 1920s moviegoers. Modern audiences, primarily animation enthusiasts and Disney historians, view the picture as a fascinating glimpse into Disney's early work and the development of animation as an art form. The surviving fragments of the picture are treasured by animation preservationists and Disney fans as rare examples of Disney's earliest professional output.
Film connections
Influenced by
- Traditional Little Red Riding Hood fairy tale
- Contemporary 1920s comedy films
- Early animation pioneers like Winsor McCay
- Vaudeville comedy routines
- Modern technological advancements of the 1920s
This film influenced
- Disney's later fairy tale adaptations
- The Silly Symphonies series
- Later Disney animated features combining fairy tales with contemporary elements
Film restoration
the picture is considered partially lost, with only fragments surviving. Some scenes exist in various film archives and private collections, but a complete print is not known to exist. The surviving elements are preserved at the Library of Congress and other film archives. The fragments that remain have been restored and digitized by film preservation organizations. the picture's status as one of Disney's earliest works makes the surviving footage particularly valuable to animation historians and preservationists.
Where to watch
- The surviving fragments are occasionally shown at film festivals and animation retrospectives
- Some clips may be available through the Disney archives or special documentary features
- Film archives and museums with Disney collections may have access to the surviving footage
- the picture is not currently available on commercial streaming platforms due to its fragmented state