
The film captures a brief moment in time as a man, dressed in the attire of the late 19th century, approaches a street corner and turns around it, disappearing from view. This simple action, lasting only a few seconds, represents one of the earliest attempts to record and reproduce motion for later viewing. The man's movement is captured in a series of still images that, when played in sequence, create the illusion of continuous motion. The background shows what appears to be a typical street scene from Leeds, England, with buildings and architectural elements of the period. This mundane moment was revolutionary for its time, demonstrating the potential of moving images to preserve everyday life for future generations.

Shot using Le Prince's LPCC Type-16 camera, which had 16 lenses arranged in a circular pattern. The camera captured 16 images simultaneously on a single sheet of film, with each lens taking a picture at a slightly different angle. The film was shot at approximately 32 images per second, a relatively high frame rate for the time. Le Prince developed this camera himself as part of his experiments in motion picture technology. The surviving fragment is part of a longer sequence that was sent to Le Prince's wife in New York in a letter dated August 18, 1887.