
This magical masterpiece was released in 1912 by Segundo de Chomón.

No verifiable production information exists for this film. Segundo de Chomón was known for his innovative special effects techniques during this period, including multiple exposures, hand-tinted color, and elaborate mechanical effects, but specific details about 'The Fantastic Iris' cannot be confirmed.
1912 was a significant year in early cinema, with the film industry rapidly expanding globally. Segundo de Chomón was working primarily for Pathé and Italian studios during this period, creating elaborate fantasy films that pushed the boundaries of special effects technology. The era saw the transition from short films to longer feature-length productions, and competition between European and American studios was intensifying.
Without verifiable evidence of this film's existence, its cultural significance cannot be determined. However, de Chomón's work from this period was influential in developing fantasy and special effects cinema, influencing filmmakers like Georges Méliès and later generations of visual effects artists.
No behind-the-scenes information is available for this film as it does not appear in any documented filmography. Segundo de Chomón typically worked with small crews and was heavily involved in all aspects of production, often creating his own special effects devices and hand-coloring film frames himself.
No contemporary reviews or critical reception information exists for this film, as it does not appear in any documented film archives or historical records.
This film appears to be either lost, never produced, or fictional. No copies, fragments, or documentation of 'The Fantastic Iris' (1912) exist in major film archives including the Cinémathèque Française, the British Film Institute, or the Library of Congress.