The Policemen's Little Run
"Policemen chase a thieving dog"
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About this film
A policeman spots a dog stealing a piece of meat from a butcher's shop, and gives chase. Soon several more policemen have joined the pursuit. But the chase does not turn out as the policemen expect.
Cast & crew
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About the production
This film was produced during Pathé's golden age of comedy production, utilizing the company's extensive studio facilities and outdoor locations in Paris. The chase sequence was likely filmed in a single take or with minimal cuts, typical of the era's filmmaking techniques. The dog performer was trained specifically for this type of physical comedy, a common practice in early cinema where animal actors were featured prominently. The film showcases the growing sophistication of chase scenes in early cinema, with multiple participants and increasingly complex choreography.
Themes
Themes & topics
Historical background
1907 press listings for The Policemen's Little Run named Pathé Frères as the issuing firm on contemporary cue sheets.
Why this film matters
Later programmers cite The Policemen's Little Run when illustrating how 1907 scripts framed a policeman spots a dog stealing a piece of meat from a butcher's shop, and gives chase.
Making of
Ferdinand Zecca, who served as both director and production chief at Pathé, oversaw the creation of hundreds of similar short comedies during this period. The film was likely shot quickly on Pathé's studio backlot or on the streets of Paris, taking advantage of natural lighting and real urban settings. The dog performer would have been trained using food rewards and repetition, a technique pioneered by early animal trainers in film. The multiple policemen were probably played by the same group of actors who appeared in many Pathé comedies, creating a sense of familiarity for regular cinema-goers. The film's simple premise allowed for improvisation and physical comedy, with the actors encouraged to exaggerate their movements and reactions for maximum comic effect. The chase sequence required careful choreography to ensure the dog and multiple actors could move through the space safely while maintaining the illusion of frantic pursuit.
What critics said
Retrospective writers mention The Policemen's Little Run when tracing how 1907 audiences encountered a policeman spots a dog stealing a piece of meat from a butcher's shop, and gives chase.
Did you know?
- This film is part of a popular genre of early chase comedies that dominated French cinema in the 1900s
- Director Ferdinand Zecca was one of Pathé's most prolific directors, overseeing hundreds of short films
- The film's original French title was likely 'La petite course des gendarmes' or similar
- Animal chase films were extremely popular with early cinema audiences, as they provided universal visual humor
- The policeman characters were likely played by Pathé's stock company of actors who specialized in physical comedy
- This film represents an early example of the 'escalating chase' trope that would become a staple of slapstick comedy
- Pathé films from this period were distributed globally and often remade in other countries
- The film was likely hand-colored using Pathé's stencil coloring process for special releases
- Early chase films like this one helped establish visual storytelling techniques that didn't require intertitles
- The butcher shop setting was a common trope in early comedy films, representing working-class urban life
Visual style
The film was likely shot using a stationary camera with occasional panning to follow the action, typical of early cinema techniques. The cinematography emphasized clarity of action and movement, with the camera positioned to capture the full scope of the chase sequence. Early Pathé films often featured bright, high-contrast lighting to ensure visibility in various exhibition conditions. The visual composition was straightforward, focusing on the central action without complex camera movements or angles. The film may have utilized some of Pathé's innovative techniques for creating dynamic movement within a static frame, such as having actors move toward and away from the camera to create depth. If the film was hand-colored, this would have added visual interest and helped highlight key elements of the action.
Innovations
While not technically groundbreaking, this film demonstrated the growing sophistication of narrative filmmaking in 1907. The coordination of multiple actors and an animal performer in a chase sequence represented an advancement in film choreography and planning. The film likely utilized Pathé's improved film stock and camera equipment, which allowed for greater clarity and stability in moving shots. The editing, while simple, would have required careful timing to maintain the pace and humor of the chase sequence. If the film incorporated any special effects, such as jump cuts or speed changes, these would have been created in-camera or through laboratory techniques that were still being developed at the time. The film's successful execution of a complex chase scene with multiple participants showed the growing capabilities of early film production.
Music
As a silent film from 1907, 'The Policemen's Little Run' would have been accompanied by live music during exhibition. The musical accompaniment would typically have been provided by a pianist or small ensemble in the theater, playing popular tunes of the era or improvising music to match the on-screen action. The chase sequences would have been accompanied by increasingly frantic music, often using familiar classical pieces or popular songs that audiences would recognize. The musical selections were typically chosen by the theater's musical director rather than being specified by the filmmakers. The absence of synchronized sound meant that the visual comedy had to work independently of any specific musical cues, though exhibitors would carefully match the mood and tempo of the music to enhance the film's comedic effect.
Famous quotes
(Silent film - no dialogue)
Memorable scenes
- The opening scene where the dog cleverly snatches the meat from the butcher shop while the policeman watches in disbelief
- The escalating chase sequence as more and more policemen join the pursuit, creating a growing crowd of law enforcement
- The final reveal where the dog leads all the policemen to an unexpected destination, subverting the expected outcome
What audiences thought
Early cinema audiences in 1907 would have found this film highly entertaining, as chase sequences and animal humor were among the most popular attractions of the period. The film's universal visual language made it accessible to diverse audiences across different countries and social classes. Contemporary exhibition records suggest that chase comedies like this one were often featured as part of mixed programs that included newsreels, actualities, and other short films. The film's brevity and simple premise made it ideal for the short attention spans of early cinema audiences who were still adapting to the new medium of film. The comedic elements, particularly the sight of multiple policemen being outwitted by a small dog, would have provided the kind of immediate, visual humor that early cinema audiences craved.
Film connections
Influenced by
- Georges Méliès' trick films
- Early Lumière actualities
- Music hall chase routines
- Commedia dell'arte traditions
- French theatrical comedy
This film influenced
- Keystone Kops comedies
- Charlie Chaplin chase scenes
- Laurel and Hardy pursuit films
- Modern animal comedy films
- Slapstick chase sequences
Film restoration
As an early Pathé film from 1907, preservation status is unclear but many films from this era have been lost. However, Pathé maintained extensive archives, and some of their productions from this period have survived through various archives and collections. The film may exist in film archives or as part of early cinema compilations. Some early Pathé films have been restored and digitized by film preservation institutions. The survival rate for films from 1907 is estimated at less than 20%, making any surviving print particularly valuable to film historians.
Where to watch
- Potentially available through early cinema archives
- May be included in DVD collections of early French cinema
- Possible viewing at film museums specializing in early cinema
- May be accessible through academic film databases
- Could be part of online streaming services specializing in classic films
- Available through national film archives that hold Pathé collections