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The Story of Hansel and Gretel

The Story of Hansel and Gretel

1951 11 minutes United States

"A Magical Journey Through the Enchanted Forest"

Good versus evilFamily bondsCourage in the face of dangerThe dangers of temptationResourcefulness and intelligence

Plot

In this stop-motion adaptation of the classic Brothers Grimm fairy tale, Hansel and Gretel are two young children who wander into the dark forest after being abandoned by their poverty-stricken father. The siblings discover a gingerbread house deep in the woods, which belongs to a wicked witch who plans to fatten them up and eat them. Using their wits and courage, the children must outsmart the witch and find their way back home, learning valuable lessons about trust, family, and perseverance along their perilous journey.

About the Production

Release Date 1951
Box Office Not publicly documented for this short film
Production Ray Harryhausen Productions
Filmed In Los Angeles, California - Harryhausen's home studio

This was one of Harryhausen's earliest independent works, created using his signature stop-motion technique with detailed puppet figures and miniature sets. The film was made before Harryhausen's breakthrough work with Willis O'Brien on 'Mighty Joe Young' (1949).

Historical Background

The early 1950s marked a transitional period in American animation, as theatrical shorts were declining in popularity due to the rise of television. Harryhausen, having worked with Willis O'Brien on 'Mighty Joe Young,' was establishing himself as an independent animator specializing in stop-motion. This film was created during a time when fairy tales were experiencing renewed popularity in cinema, with Disney's 'Cinderella' (1950) having recently been released. The post-war era saw audiences seeking wholesome family entertainment, making classic stories like Hansel and Gretel appealing subjects for adaptation.

Why This Film Matters

This film represents an important milestone in the career of Ray Harryhausen, who would go on to become one of the most influential stop-motion animators in cinema history. It demonstrates his early mastery of the craft and his ability to bring fantasy elements to life through meticulous animation. The preservation by the Academy Film Archive in 2004 underscores its importance in the history of animation and special effects. The film serves as a bridge between the early stop-motion work of Willis O'Brien and the creature features that would define Harryhausen's later career, influencing generations of animators and special effects artists.

Making Of

Ray Harryhausen created this film in his home studio using a single camera and custom-built animation table. The puppets were constructed with painstaking detail, featuring ball-and-socket armatures that allowed for precise movement. Each frame required careful manipulation of the figures, with Harryhausen often working alone for months to complete the animation. The gingerbread house set was built to scale with the puppets, using creative materials to simulate candy and baked goods. The film's simple story allowed Harryhausen to focus on perfecting his animation techniques, particularly in creating believable character movements and expressions.

Visual Style

The film utilized single-camera stop-motion photography with careful attention to lighting and composition. Harryhausen employed techniques such as forced perspective to create depth in the miniature sets. The lighting was designed to enhance the fairy tale atmosphere, with warm, inviting lighting for the gingerbread house scenes and darker, more mysterious lighting for the forest sequences. The camera work was static, typical of stop-motion animation of the era, allowing focus on the intricate puppet movements.

Innovations

This film demonstrated Harryhausen's early innovation in creating articulated puppets with realistic movement. The witch character featured particularly sophisticated armature design allowing for complex gestures. The integration of miniature props and sets with the animated figures showed Harryhausen's attention to detail and his ability to create believable environments. The film's smooth animation quality was notable for its time, showcasing Harryhausen's patient and precise technique.

Music

The musical score was typical of children's programming of the early 1950s, featuring whimsical orchestral arrangements that complemented the fairy tale setting. The music helped establish mood and pace, with lighter themes for the children's scenes and more dramatic passages for the witch's appearances. Sound effects were created using traditional methods of the era, enhancing the magical elements of the story.

Famous Quotes

Don't stray from the path, my children,
The house is made of gingerbread and candy!
We must be clever and brave

Memorable Scenes

  • The children's first discovery of the magical gingerbread house in the forest clearing, with its candy decorations and tempting appearance
  • The witch's transformation from seemingly kind old woman to menacing villain
  • The clever children pushing the witch into her own oven
  • The emotional reunion with their father after their escape

Did You Know?

  • This was Ray Harryhausen's first fairy tale adaptation, showcasing his ability to bring fantasy elements to life through stop-motion
  • The film was created when Harryhausen was just 31 years old, early in his legendary career
  • Hugh Douglas, credited as cast, likely provided narration for the film
  • The stop-motion puppets were created with articulated metal armatures covered with foam latex and detailed paint
  • The gingerbread house was an elaborate miniature set with edible-looking details made from various materials
  • Harryhausen financed this film himself as a personal project to demonstrate his animation skills
  • The witch character featured one of Harryhausen's earliest attempts at creating a convincing human-like figure in stop-motion
  • This film was preserved by the Academy Film Archive in 2004, recognizing its historical importance in animation history
  • The forest scenes used actual twigs and natural materials to create realistic miniature environments
  • Harryhausen would later adapt another fairy tale, 'The Three Stooges in The Story of Jack and the Beanstalk' in 1965

What Critics Said

Contemporary reviews from 1951 are scarce, as this was a short film that received limited theatrical distribution. However, film historians and animation scholars have since recognized it as an important early work by Harryhausen. Critics have praised the film for its technical sophistication and the quality of its stop-motion animation, particularly considering it was made independently. Modern reviews highlight the film's charm and the evident skill that would characterize Harryhausen's later, more famous works.

What Audiences Thought

The film was primarily shown as part of children's matinee programs and occasionally as a short feature before main attractions. Young audiences of the 1950s responded positively to its faithful adaptation of the familiar fairy tale and the magical quality of the stop-motion animation. Today, the film is appreciated by animation enthusiasts and Harryhausen fans as a rare glimpse into the early work of a master craftsman.

Film Connections

Influenced By

  • Works of Willis O'Brien
  • Classic Brothers Grimm fairy tales
  • Disney's animated fairy tale adaptations
  • European folklore traditions

This Film Influenced

  • Ray Harryhausen's later stop-motion features
  • Modern stop-motion fairy tale adaptations
  • Independent animated short films

You Might Also Like

The Little Prince (1974 animated version)The Adventures of Mark Twain (1985)James and the Giant Peach (1996)Coraline (2009)ParaNorman (2012)

Film Restoration

Preserved by the Academy Film Archive in 2004 as part of their efforts to save important works of American cinema history. The preservation ensures this early Harryhausen work remains available for study and appreciation by future generations.

Themes & Topics

fairy talestop-motion animationwitchforestchildrengingerbread houseabandonmentsurvivalmagicbrothers and sisters