
Actor
Alan Freed was a pioneering American disc jockey who became known as 'The Father of Rock and Roll' for his instrumental role in popularizing the genre. Born in Pennsylvania in 1921, he began his radio career in the early 1940s but rose to prominence in the early 1950s while working at WJW in Cleveland, where he started playing rhythm and blues records for a multiracial audience, breaking racial barriers on radio. Freed is widely credited with coining and popularizing the term 'rock and roll' to describe this new style of music that was transforming American youth culture. In 1954, he moved to New York City where his fame skyrocketed with his show on WABC and his rock and roll concerts at the Brooklyn Paramount Theater. His film career was brief but notable, including appearances in 'Rock, Rock, Rock!' (1956), 'Don't Knock the Rock' (1956), and 'Mister Rock and Roll' (1957), where he typically played himself as a charismatic music promoter. Freed's career was dramatically derailed by the payola scandals of the late 1950s, which led to his dismissal from major radio stations and effectively ended his broadcasting career. He struggled with alcoholism and financial difficulties in his final years, dying of uremia in 1965 at age 43, but his legacy as a trailblazer who brought rock and roll to mainstream America remains indelible.
Naturalistic and authentic, essentially playing himself as a charismatic music promoter and DJ. His screen presence was energetic and enthusiastic, reflecting his real-life passion for rock and roll music.
Alan Freed fundamentally transformed American popular culture by breaking down racial barriers on radio and introducing rock and roll to mainstream white audiences. His willingness to play 'race records' for white listeners helped bridge the racial divide in 1950s America and launched a cultural revolution that would define youth culture for decades. The term 'rock and roll' itself, which he popularized, became synonymous with teenage rebellion and cultural change. Despite his relatively brief time in the spotlight, Freed's influence extended far beyond his radio shows and film appearances, helping to create the template for modern music promotion and concert organization.
Alan Freed's legacy as 'The Father of Rock and Roll' remains secure despite the controversies that ended his career. He is remembered as a trailblazer who recognized the commercial and cultural potential of rock and roll when others dismissed it as a passing fad. The payola scandal that destroyed him ironically led to reforms in the music industry that benefited future artists. His posthumous inductions into both the Rock and Roll Hall of Fame and Radio Hall of Fame testify to his enduring importance. The annual Alan Freed Memorial Concert in Cleveland and numerous books and documentaries about his life continue to keep his memory alive, ensuring that his contributions to American music and culture are not forgotten.
Freed influenced generations of radio DJs, music promoters, and concert organizers. His approach of breaking down musical segregation inspired future programmers to create more diverse playlists. The concert format he pioneered at the Brooklyn Paramount Theater influenced how rock and roll shows were produced for decades. His ability to create excitement around new music became a model for music marketing and promotion that continues to this day. Many future music industry professionals, including his son Lance who became a successful music producer, were directly inspired by his pioneering work.
Alan Freed married Betty Lou Bean in 1943, and they had two children together before divorcing in 1958. He later married Marjorie J. Hess in 1959. His personal life was marked by increasing struggles with alcoholism, particularly after the payola scandal destroyed his career. He faced financial difficulties in his final years and died relatively young at age 43 from complications of uremia and cirrhosis of the liver.
Graduated from Salem High School in Ohio, attended Ohio State University briefly but did not graduate
Rock and roll is a river of music that has absorbed many streams: rhythm and blues, jazz, ragtime, cowboy songs, country songs, folk songs.
I don't care what color they are. If they make good music, I'll play it.
The kids want to hear this music, and they're going to hear it whether I play it or not.
Rock and roll is here to stay, it will never die.
I'm not in this business for the money. I'm in it because I love the music.
Alan Freed was a pioneering American disc jockey and music promoter known as 'The Father of Rock and Roll' who played a crucial role in popularizing rock and roll music in the 1950s. He is credited with coining the term 'rock and roll' and breaking racial barriers on radio by playing rhythm and blues records for white audiences.
Alan Freed is best known for his appearances in rock and roll films including 'Rock, Rock, Rock!' (1956), 'Don't Knock the Rock' (1956), and 'Mister Rock and Roll' (1957), where he typically played himself as a charismatic music promoter and DJ.
Alan Freed was born on December 15, 1921, in Windber, Pennsylvania, and died on January 20, 1965, at age 43 in Palm Springs, California, from complications of uremia and cirrhosis of the liver.
Alan Freed received several posthumous honors including induction into the Rock and Roll Hall of Fame in 1986, induction into the Radio Hall of Fame in 1988, and a star on the Hollywood Walk of Fame awarded in 1994.
Alan Freed's acting style was naturalistic and authentic, essentially playing himself as an enthusiastic and charismatic music promoter. His screen presence reflected his real-life passion for rock and roll music, bringing genuine energy to his film roles.
1 film