Actor
N.P. Teleshov was a Soviet actor who appeared during the early sound era of Russian cinema, with his only known credited role being in the 1935 adventure film Dzhulbars. This period marked a significant transition in Soviet filmmaking as the industry moved from silent pictures to talkies, and Teleshov was part of this cinematic evolution. His participation in Dzhulbars places him within the context of Soviet cinema's golden age of the 1930s, when the state heavily invested in film production as both entertainment and propaganda. Like many actors of this era in the Soviet Union, Teleshov likely worked within the state-controlled film industry system, which emphasized collective achievement over individual stardom. Unfortunately, detailed records about his life and career beyond this single film appearance are scarce, which was not uncommon for supporting actors in early Soviet cinema who often appeared in only a handful of productions.
N.P. Teleshov's contribution to cinema, while limited to a single known film appearance, represents the broader landscape of Soviet filmmaking in the 1930s. During this period, the Soviet Union was developing its national cinema as both an artistic medium and a tool for social education. Actors like Teleshov, even in minor roles, were part of this larger cultural project that helped establish Soviet cinema as a significant force in world film. His participation in Dzhulbars reflects the collaborative nature of Soviet film production, where every actor, regardless of the size of their role, contributed to the state's cinematic goals.
Due to the limited documentation of his career, N.P. Teleshov's legacy is primarily preserved through his appearance in Dzhulbars, which serves as a historical artifact of early Soviet sound cinema. His work exemplifies the numerous actors who formed the backbone of the Soviet film industry but whose names have been largely lost to history. This reality speaks to the broader challenges of film preservation and historical documentation, particularly for supporting actors in state-controlled cinema systems where individual recognition was often secondary to collective achievement.
While there is no documented evidence of N.P. Teleshov directly influencing other filmmakers or actors, his participation in early Soviet cinema contributes to our understanding of the period's film industry structure. The existence of actors like Teleshov demonstrates the depth of talent pools that Soviet studios drew from, even if many of these individuals never achieved widespread recognition. His career, however brief, represents the thousands of working actors who were essential to creating the rich tapestry of Soviet cinema during its formative years.
Very limited information is available about N.P. Teleshov's personal life, which was typical for many supporting actors in the Soviet film industry of the 1930s. The Soviet film system often emphasized the collective nature of production over individual celebrity, making detailed personal records of non-leading actors difficult to trace.
N.P. Teleshov was a Soviet actor active in the 1930s who is known primarily for his appearance in the 1935 adventure film Dzhulbars. He was part of the early Soviet sound cinema movement during a pivotal period in Russian film history.
N.P. Teleshov is known for his role in the Soviet adventure film Dzhulbars, released in 1935. This appears to be his only documented film appearance, representing his entire known filmography.
Specific birth and death dates for N.P. Teleshov are not documented in available historical records, which is not uncommon for supporting actors from early Soviet cinema. He was active as an actor in 1935.
There are no documented awards or nominations for N.P. Teleshov in the available historical records. This was typical for many supporting actors in the Soviet film industry of the 1930s.
Due to limited documentation of his career beyond one film appearance, specific details about N.P. Teleshov's acting style are not available. Actors in Soviet cinema of the 1930s typically worked within the parameters of Socialist Realism, the official artistic doctrine of the time.
1 film