Actor
Kiyoshi Aono was a Japanese actor active during the mid-1930s, appearing primarily in early sound cinema. His career appears to have been brief, with his only documented film credit being 'Woman in the Mist' (1936), also known by its Japanese title 'Kiri no naka no onna.' This period marked a transitional time in Japanese cinema as the industry was fully embracing sound technology, moving away from the silent era that had dominated Japanese filmmaking for decades. Little is known about his broader career trajectory or whether he appeared in other films that may not have survived or been properly documented. The scarcity of information about Aono is not uncommon for supporting actors from this era of Japanese cinema, where many performers worked in relative obscurity and their contributions have been lost to time. His single known film credit places him within the context of Japan's vibrant film industry during the pre-war period, when cinema was becoming an increasingly important cultural medium.
As a minor actor from early Japanese cinema, Kiyoshi Aono's cultural impact appears to have been limited to his contribution to the film 'Woman in the Mist' (1936). The film itself represents an important period in Japanese cinema history, when the industry was transitioning from silent films to talkies. While individual supporting actors like Aono often went unrecognized in historical records, their collective contributions helped build the foundation of Japan's rich cinematic tradition during the 1930s, a decade that saw the emergence of many influential directors and the establishment of Japanese cinema as a significant cultural force.
Kiyoshi Aono's legacy is primarily preserved through his appearance in 'Woman in the Mist' (1936), representing the countless anonymous actors who contributed to early Japanese cinema. While he did not achieve lasting fame, his work exemplifies the collaborative nature of filmmaking during this era, where even minor performers played essential roles in bringing stories to life. The lack of extensive documentation about actors like Aono highlights the challenges of film preservation and historical record-keeping, particularly for non-Western cinema from the early 20th century.
Given the limited documentation of Kiyoshi Aono's career and the apparent brevity of his filmography, there is no evidence of direct influence on other actors or filmmakers. His contribution exists as part of the broader tapestry of early Japanese cinema, where many performers worked anonymously to create films that would shape the industry's future development.
Very little information is available about Kiyoshi Aono's personal life, which is common for minor actors from this era of Japanese cinema. The lack of documented biographical details suggests he may have been a supporting actor or bit player who did not achieve significant public recognition during his career.
Kiyoshi Aono was a Japanese actor active in the mid-1930s, known primarily for his appearance in the 1936 film 'Woman in the Mist.' His career appears to have been brief, with limited documentation available about his life and work.
Kiyoshi Aono is documented as appearing in only one film: 'Woman in the Mist' (1936), an early Japanese sound film from the pre-war period.
Specific birth and death dates for Kiyoshi Aono are not available in documented sources, which is common for minor actors from this era of Japanese cinema.
There are no documented awards or nominations for Kiyoshi Aono, which is typical for supporting actors of his stature in 1930s Japanese cinema.
Due to the limited documentation of his career and the apparent loss of detailed records about his performances, specific information about Kiyoshi Aono's acting style is not available.
1 film