
Actor
Marjorie Cameron Parsons Kimmel, known professionally as Cameron, was an American artist, occultist, and actress whose brief film career belied her significant influence on underground culture and esoteric movements. Born in Iowa in 1922, she served in the U.S. Navy during World War II before moving to California, where she met and married rocket scientist and occultist Jack Parsons. After Parsons' death in 1952, she became increasingly involved in Thelema and other occult practices, developing a reputation as a powerful witch and spiritual figure. Her most notable film appearance was in Curtis Harrington's atmospheric horror film 'Night Tide' (1961), where she played a mysterious woman believed to be a mermaid. Beyond this single mainstream film role, she appeared in several experimental and underground films, often drawing on her occult persona and striking appearance. Cameron's artistic work, including paintings and drawings, frequently explored mystical and mythological themes. She remained an influential figure in Los Angeles counter-culture until her death in 1995, leaving a legacy that bridged art, occultism, and avant-garde cinema.
Cameron's acting style was ethereal and mysterious, characterized by a hypnotic presence that drew upon her real-life occult practices and striking appearance. Her performances were minimal yet powerful, often conveying otherworldly qualities through subtle gestures and intense gazes rather than conventional dramatic techniques. She brought authenticity to supernatural roles through her genuine involvement in esoteric practices.
Cameron's impact on cinema was primarily through her influence on underground and experimental film rather than mainstream Hollywood. Her appearance in 'Night Tide' brought a genuine occult presence to horror cinema, predating the more commercialized occult films of the 1970s. She represented a bridge between the Golden Age of Hollywood's occult undercurrents and the counter-culture explosion of the 1960s. Her work with Kenneth Anger helped establish the visual language of American avant-garde cinema, particularly in its exploration of esoteric themes. Cameron's authenticity as a practicing occultist brought credibility to supernatural elements in film that other actors could not achieve.
Cameron's legacy extends far beyond her brief film career into the realms of art, occultism, and counter-culture history. She is remembered as one of the most significant female figures in 20th-century esoteric movements, particularly in popularizing Thelema in America. Her artwork has been exhibited in major museums and galleries, recognized for its powerful mystical symbolism. Film scholars consider her a pioneering figure in the representation of authentic occult practice in cinema. The biography 'Strange Angel' and its television adaptation brought renewed attention to her life and influence. She remains an iconic figure for those interested in the intersection of art, spirituality, and underground culture.
Cameron influenced subsequent generations of filmmakers interested in authentic occult representation, particularly in the horror and avant-garde genres. Her approach to incorporating genuine spiritual practice into artistic performance influenced experimental filmmakers like Kenneth Anger and later figures in the psychedelic cinema movement. Her visual aesthetic and mystical persona influenced the development of gothic and occult subcultures. Artists interested in esoteric themes continue to draw inspiration from her paintings and her integration of magical practice with creative expression.
Cameron's personal life was deeply intertwined with her spiritual and artistic pursuits. She married Jack Parsons, a prominent rocket scientist and occultist, in 1946, remaining with him until his tragic death in 1952. Their relationship was both romantic and magical, with Parsons believing Cameron to be his 'scarlet woman' in Thelemic rituals. After Parsons' death, she briefly married Sherif Kimmel but continued to identify primarily as Cameron. She had no children but considered many in the occult community her spiritual family. Her home in Los Angeles became a gathering place for artists, occultists, and counter-culture figures throughout the 1960s and 1970s.
Attended public schools in Iowa; no formal higher education; self-taught in art and occult studies
I am not an actress. I am a witch who appears in films.
Magic is real, and I have seen things that would make your hair stand on end.
The scarlet woman is not evil, she is the embodiment of divine feminine power.
Art and magic are the same thing - the will to create reality.
I don't play roles, I manifest realities.
Marjorie Cameron, known simply as Cameron, was an American artist, occultist, and actress best known for her role in 'Night Tide' (1961). She was a prominent figure in Thelema and Los Angeles counter-culture, married to rocket scientist Jack Parsons. Beyond her brief film career, she was influential in esoteric circles and created significant mystical artwork.
Cameron is primarily known for her starring role in 'Night Tide' (1961), a horror film where she played a mysterious woman believed to be a mermaid. She also appeared in Kenneth Anger's experimental film 'Inauguration of the Pleasure Dome' (1954) and several other underground films, though 'Night Tide' remains her most conventional film appearance.
Marjorie Cameron was born on April 23, 1922, in Belle Plaine, Iowa, and died on July 24, 1995, in Los Angeles, California, at the age of 73. She spent most of her adult life in California, where she became an influential figure in occult and artistic circles.
Marjorie Cameron did not receive any traditional film industry awards or nominations. Her recognition came primarily from artistic and occult communities, with her work being exhibited in museums and galleries. She has been the subject of documentaries and scholarly attention for her influence on counter-culture and esoteric movements.
Cameron's acting style was ethereal and minimalist, characterized by her authentic mystical presence rather than conventional dramatic techniques. She brought genuine occult experience to her supernatural roles, creating an otherworldly atmosphere through subtle gestures and intense gazes. Her performances were noted for their hypnotic quality and spiritual authenticity.
1 film