Actor
Margie Hines was a pioneering voice actress during the Golden Age of Animation, best known as the original voice of Olive Oyl in the Popeye theatrical cartoon series produced by Fleischer Studios. Beginning her career in the mid-1930s, she became one of the first women to establish herself as a regular voice performer in animated shorts, a field that was still in its infancy. Hines brought Olive Oyl to life with her distinctive high-pitched, excitable voice that perfectly captured the character's anxious and dramatic personality. She voiced Olive Oyl from the character's first appearance in 1936 through the early 1940s, appearing in dozens of theatrical shorts including the landmark three-reel Technicolor special 'Aladdin and His Wonderful Lamp' (1939). Beyond Olive Oyl, she also provided voices for various other female characters in Fleischer Studios cartoons, contributing to the studio's distinctive sound during its most creative period. Her career spanned the crucial transition years of animation from experimental sound work to the establishment of voice acting as a recognized profession. Though her time in the spotlight was relatively brief compared to later voice actors, her work helped establish the template for character voice performance in animation.
Margie Hines specialized in creating high-pitched, energetic character voices with exaggerated emotional range. Her Olive Oyl voice was characterized by rapid speech patterns, dramatic inflections, and a distinctive nervous quality that became the template for the character. She employed broad vocal techniques typical of early animation voice work, emphasizing clarity and exaggerated emotion to complement the visual comedy. Her style was rooted in vaudeville and radio performance traditions, with precise enunciation and comic timing that matched the fast-paced nature of theatrical cartoons.
Margie Hines played a crucial role in establishing voice acting as a legitimate profession in animation during its formative years. As the first voice of Olive Oyl, she helped create one of animation's most enduring female characters, setting the vocal template that would influence subsequent performers. Her work contributed to Popeye's massive popularity during the late 1930s, when the character rivaled Mickey Mouse in cultural significance. Hines was part of the pioneering generation of voice actors who proved that animated characters needed distinctive, consistent voices to connect with audiences, helping establish the artistic standards for voice performance in animation.
Margie Hines' legacy endures through her foundational work on Olive Oyl, a character who remains popular in animation nearly a century after her debut. Her vocal interpretation of Olive Oyl established character traits and speech patterns that became integral to the character's identity across all media. As one of the first women to achieve regular work as a voice actress in animation, she helped open doors for future generations of female voice performers. Animation historians recognize her as a pioneer who contributed to the development of voice acting as an art form, particularly in establishing how female characters should be voiced in cartoons.
Hines influenced the development of character voice acting techniques, particularly for female characters in animation. Her Olive Oyl voice set a standard for creating distinctive, memorable character voices that could convey personality through vocal performance alone. Later voice actresses who took over the role of Olive Oyl, including Mae Questel, built upon the foundation Hines established. Her work demonstrated the importance of voice acting in bringing animated characters to life, influencing how studios approached voice casting and character development in subsequent years.
Margie Hines was married to Jack Mercer, the famous voice of Popeye, creating one of animation's first voice acting power couples. Their marriage combined both professional collaboration and personal partnership during the height of Popeye's popularity in the late 1930s. The couple worked together on numerous Popeye shorts, with Hines providing Olive Oyl's voice opposite Mercer's Popeye. Their relationship ended in divorce, but both continued their careers in voice acting. Hines largely stepped away from voice work after her marriage ended, though she occasionally returned to the field in later years.
Limited documentation available, likely received training in radio and voice performance during the early days of sound entertainment
Well, I'll be a monkey's uncle! (as Olive Oyl)
Oh, dear me! What will I ever do? (as Olive Oyl)
Popeye! Save me! (as Olive Oyl)
Margie Hines was a pioneering voice actress during the Golden Age of Animation, best known as the original voice of Olive Oyl in the Popeye theatrical cartoon series produced by Fleischer Studios from 1936 to the early 1940s.
She is best known for her voice work in Popeye cartoons, particularly the three-reel Technicolor specials 'Popeye the Sailor Meets Sindbad the Sailor' (1936), 'Popeye the Sailor Meets Ali Baba's Forty Thieves' (1937), and 'Aladdin and His Wonderful Lamp' (1939).
Margie Hines was born on March 10, 1909, in Atlanta, Georgia, and passed away on May 28, 1985.
Margie Hines did not receive formal awards during her career, as voice actors were rarely recognized during the early days of animation. She is now recognized by animation historians as a pioneering voice actress.
Hines specialized in creating high-pitched, energetic character voices with exaggerated emotional range. Her Olive Oyl voice featured rapid speech, dramatic inflections, and a distinctive nervous quality that became the template for the character.
Yes, she was married to Jack Mercer, the famous voice of Popeye, from 1939 to 1942. Their marriage created one of animation's first voice acting power couples.
She helped establish voice acting as a legitimate profession in animation and created the foundational voice for Olive Oyl that influenced all subsequent performers in the role, demonstrating the importance of distinctive character voices in animated storytelling.
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