
Actor
Mark Daniels was an American actor who appeared during the late 1930s, primarily known for his role in the exploitation film 'Sex Madness' (1938). Very little is documented about his life and career beyond this single film appearance, which was typical of many actors who worked in the exploitation film circuit during this era. These films were often produced quickly with minimal budgets, and performers frequently used stage names that made later identification difficult. Daniels' participation in 'Sex Madness' places him within the context of pre-Code Hollywood's transition to more restrictive censorship, where exploitation films pushed boundaries that mainstream productions could not. His career appears to have been extremely brief, with no other verified film credits to his name. Like many actors in the exploitation genre, he likely returned to other work in theater or outside the entertainment industry after this brief film appearance.
Mark Daniels' contribution to cinema history is primarily through his participation in the exploitation film genre of the late 1930s. These films, while often dismissed as low-budget sensationalism, played an important role in pushing social boundaries and addressing taboo subjects that mainstream Hollywood couldn't touch due to the Hays Code. 'Sex Madness' was part of a wave of films that dealt with sexually transmitted diseases and other controversial topics, serving as both entertainment and social propaganda. Actors like Daniels, though their individual contributions were small, collectively helped create a body of work that documented the social anxieties and moral concerns of Depression-era America. These films have since gained interest among film historians and scholars studying censorship, social history, and the evolution of American cinema.
Mark Daniels' legacy is that of a typical exploitation film actor from the late 1930s - a brief, documented appearance in a controversial film that has since become a subject of academic interest. While he did not achieve lasting fame or recognition, his work contributes to the broader understanding of how Hollywood's fringe cinema operated during the golden age of censorship. Exploitation films like 'Sex Madness' are now studied as important cultural artifacts, and every actor who participated in them, including Daniels, played a role in creating this unique film history.
Given the extremely brief nature of his documented career, Mark Daniels had no discernible influence on other actors or filmmakers. His work remains primarily of historical interest to scholars studying exploitation cinema and the social history of 1930s America.
Very little information is available about Mark Daniels' personal life, which was common for actors who appeared in exploitation films during this period. Many such performers used pseudonyms and maintained private lives separate from their brief film work.
Mark Daniels was an American actor active in 1938, best known for his appearance in the exploitation film 'Sex Madness'. Very little is documented about his life or career beyond this single film credit.
Mark Daniels is only known for his role in 'Sex Madness' (1938), an exploitation film that dealt with controversial social topics of the era.
Birth and death dates for Mark Daniels are not documented in historical records, which was common for actors who appeared briefly in exploitation films.
Mark Daniels did not receive any documented awards or nominations for his brief film work.
There is insufficient documentation to determine Mark Daniels' specific acting style, as only one film appearance is known and exploitation films of this era typically featured straightforward, functional performances.
Limited information about Mark Daniels is typical of actors who worked in exploitation films during the 1930s, as many used pseudonyms and these productions kept minimal records of performers.
'Sex Madness' was an exploitation film that addressed controversial topics like sexually transmitted diseases, using sensational content while claiming educational value.
1 film