Director
Harry Revier was an American film director who carved out a unique niche in Hollywood during the transition from silent films to talkies. Beginning his career in the film industry around 1917, Revier quickly established himself as a prolific director capable of working across multiple genres, though he found particular success with adventure films and exploitation pictures. His 1920 film 'The Son of Tarzan' showcased his ability to handle ambitious productions during the silent era, while his later work like 'The Lost City' (1935) demonstrated his adaptability to the sound era. Revier was known for his efficiency and ability to complete productions on tight budgets, making him a valuable director for independent producers and smaller studios. His most controversial work, 'Child Bride' (1942), became one of the most notorious exploitation films of its era and cemented his reputation as a director willing to tackle taboo subjects. Throughout his career, Revier directed over 60 films, maintaining steady work through the changing landscape of Hollywood until his retirement in the early 1940s. His career represents a fascinating chapter in Hollywood history, exemplifying the journey of a journeyman director who navigated the industry's evolution while maintaining a distinct artistic voice.
Harry Revier was known for his practical, efficient directing style that emphasized getting the most out of limited budgets and tight schedules. He had a knack for creating atmospheric scenes with minimal resources, particularly in jungle and adventure settings. Revier's approach was straightforward and unpretentious, focusing on storytelling momentum rather than artistic experimentation. He demonstrated particular skill in managing action sequences and maintaining narrative drive across serial formats. His work in exploitation films showed a willingness to push boundaries while maintaining a commercial sensibility that appealed to audiences seeking sensational content.
Harry Revier's work, particularly in the exploitation genre, had a significant impact on the development of sensational cinema in America. His film 'Child Bride' became part of the exploitation circuit that pushed the boundaries of acceptable content in the 1940s, influencing later filmmakers working in similar genres. Revier's Tarzan adaptation contributed to the early popularization of one of cinema's most enduring characters. His serial work, particularly 'The Lost City,' helped maintain audience interest in chapter plays during the transition to sound. While never achieving mainstream critical acclaim, Revier's films represent an important aspect of Hollywood's commercial cinema history, showcasing how independent filmmakers operated outside the studio system.
Harry Revier's legacy lies in his contribution to the exploitation and adventure film genres, as well as his role in preserving serial formats during the challenging transition from silent to sound cinema. His most notorious film, 'Child Bride,' continues to be studied by film historians interested in exploitation cinema and censorship battles of the 1940s. Revier's career exemplifies the journey of a journeyman director who successfully navigated the changing landscape of Hollywood for over two decades. While his name may not be as recognizable as major studio directors, his work provides valuable insight into the commercial filmmaking practices of his era and the independent film scene that operated parallel to the major studio system.
Revier influenced later exploitation filmmakers through his willingness to tackle controversial subjects and his efficient production methods. His work in serial formats helped pave the way for later adventure series and television serials. Directors working in low-budget genre cinema have drawn inspiration from Revier's ability to create compelling narratives with limited resources. His Tarzan adaptation contributed to the visual and narrative language that would define later jungle adventure films. While not widely acknowledged, Revier's practical approach to filmmaking influenced generations of directors working outside the mainstream studio system.
Harry Revier was married to actress Mildred June, who frequently appeared in his films during the 1920s. The couple had one child together. Revier was known as a family man who maintained a relatively private personal life despite working in the often-sensational world of exploitation cinema. After retiring from filmmaking in the early 1940s, he lived quietly in Los Angeles until his death in 1957 at the age of 68.
Limited formal education in filmmaking; learned through practical experience in the early film industry
I make pictures for the people who pay to see them, not for the critics who get in for free
A good story doesn't need a big budget, it needs a big heart
In this business, you learn to make something out of nothing, or you make nothing at all
Harry Revier was an American film director active from 1917 to 1942, known for directing over 60 films including adventure serials, exploitation films, and early Tarzan adaptations. He worked primarily with independent producers and smaller studios, becoming known for his efficiency in completing productions on limited budgets.
Revier is best known for 'The Son of Tarzan' (1920), one of the earliest Tarzan film adaptations; the 12-chapter serial 'The Lost City' (1935); and the controversial exploitation film 'Child Bride' (1942). These films represent his work across different genres and his ability to adapt to changing cinematic trends.
Harry Revier was born on June 16, 1889, in Philadelphia, Pennsylvania, and died on August 13, 1957, in Los Angeles, California, at the age of 68. His career spanned the silent era through the golden age of Hollywood.
Harry Revier did not receive major industry awards or Academy recognition during his career. As a director working primarily in independent and exploitation cinema, his work was largely overlooked by mainstream award organizations, though his films found commercial success with audiences.
Revier's directing style was characterized by practical efficiency and economical storytelling. He excelled at creating atmospheric scenes with minimal resources, particularly in adventure and jungle settings. His approach was straightforward and commercially oriented, focusing on narrative momentum and audience appeal rather than artistic experimentation.
3 films