Actor
Hanafi Teregulov was an actor from the early Soviet cinema era who appeared in the 1924 silent film 'Maiden Tower Legend' (Qız Qalası Haqqında Əfsanə). As one of the pioneering actors in Azerbaijani cinema during the silent film period, Teregulov contributed to the development of national cinema in the early years of Soviet rule. His career appears to have been brief, with his only documented film work being this significant early production that helped establish Azerbaijani film culture. The film itself was based on the famous legend of Baku's Maiden Tower, one of the most iconic landmarks in Azerbaijan. Teregulov's participation in this production places him among the first generation of Azerbaijani film actors who worked during the transition from traditional theatrical performance to the new medium of cinema. His work represents an important chapter in the history of Central Asian and Caucasian cinema during the formative years of the Soviet film industry.
As a silent film actor from the early Soviet era, Teregulov likely employed the exaggerated gestures and expressive techniques typical of silent film performance, combined with elements of traditional Azerbaijani theatrical styles that were prevalent during the transition to cinema.
Hanafi Teregulov, through his participation in 'Maiden Tower Legend,' contributed to the cultural preservation and cinematic interpretation of Azerbaijani national legends during the early Soviet period. The film itself was significant for bringing one of Azerbaijan's most iconic cultural symbols - the Maiden Tower - to the silver screen, helping to establish a national cinematic identity. Early actors like Teregulov played a crucial role in bridging traditional Azerbaijani storytelling with the new medium of cinema, creating a foundation for future generations of Azerbaijani filmmakers and performers.
Though his filmography is limited to a single known work, Hanafi Teregulov's legacy endures as one of the pioneers of Azerbaijani cinema. His work in 'Maiden Tower Legend' represents an important milestone in the development of national cinema in Azerbaijan and serves as a valuable historical document of early Soviet-era filmmaking in the Caucasus region. The film itself has become a cultural artifact, studied by film historians interested in the development of cinema in non-Russian Soviet republics.
As an early actor in Azerbaijani cinema, Teregulov would have influenced subsequent generations of performers by helping to establish acting techniques suitable for the medium of film in the Azerbaijani context. His work demonstrated how traditional cultural stories could be adapted for cinematic presentation, paving the way for future Azerbaijani filmmakers to explore their national heritage through film.
Very little is documented about Hanafi Teregulov's personal life, which is typical for many early cinema actors from the Soviet republics whose records were not extensively preserved. As an actor from the 1920s in Azerbaijan, he would have experienced the dramatic social and political changes following the establishment of Soviet power in the region.
Hanafi Teregulov was an Azerbaijani actor from the silent film era who appeared in the 1924 film 'Maiden Tower Legend.' He was one of the pioneering actors in early Azerbaijani cinema during the formative years of the Soviet film industry.
Hanafi Teregulov is known for his role in 'Maiden Tower Legend' (1924), which appears to be his only documented film credit. This film is significant as one of the earliest feature films produced in Azerbaijan.
Specific birth and death dates for Hanafi Teregulov are not documented in available historical records, which is common for many early cinema actors from the Soviet republics of the 1920s.
There are no documented awards or honors for Hanafi Teregulov, which is typical for actors from the very early period of Azerbaijani cinema when formal award systems had not yet been established.
As a silent film actor from the 1920s, Teregulov likely employed the exaggerated gestures and expressive techniques typical of the era, combined with elements of traditional Azerbaijani theatrical performance styles adapted for the new medium of cinema.
1 film