
Actor
Ezzatollah Ramazanifar was an Iranian actor whose known film career was exceptionally brief, consisting of a single credited role in the 1975 film 'The Mandrake' (also known as 'Gol-e Yakh'). His appearance in this film represents his entire documented filmography, placing him within the wave of Iranian cinema that was developing its own unique voice in the years before the 1979 revolution. Unfortunately, very little detailed information about his life, training, or broader career exists in international film databases or historical records. He appears to have been a working actor who may have had a career in theater or television that remains undocumented, or 'The Mandrake' may have been his sole professional acting endeavor. His role, while specific, did not achieve the level of fame that would generate extensive biographical material, making him a somewhat obscure figure in the history of Iranian cinema. His story serves as a reminder of the many supporting and character actors whose contributions, while vital to their films, have been lost to time due to limited record-keeping.
Ezzatollah Ramazanifar's cultural impact is minimal due to his brief and obscure filmography. As a character actor in a single Iranian film from the mid-1970s, his contribution is a small part of the larger tapestry of pre-revolutionary Iranian cinema. This period was a crucial time for the nation's film industry, which was moving towards more artistic and socially conscious narratives. While his individual role may not have left a significant mark, his participation in a film from this era means he was a small part of a transformative movement in Iranian cultural history, even if his personal legacy remains undocumented.
The legacy of Ezzatollah Ramazanifar is that of an enigmatic, one-film actor. His name is preserved only in cast lists for 'The Mandrake,' making him a subject of curiosity for film historians dedicated to cataloging every contributor to cinema, no matter how minor their role. He represents the countless individuals who have appeared on screen but whose stories have faded from public memory. His legacy is not one of fame or influence, but rather a testament to the ephemeral nature of film careers for many supporting actors, whose work exists only within the context of their single, surviving film.
There is no documented evidence that Ezzatollah Ramazanifar influenced other actors or directors, likely due to the brevity of his known screen career and the lack of available biographical information. His influence is confined to the performance he gave within his single film, which would have been witnessed by the cast, crew, and initial audiences of 'The Mandrake' in 1975.
Due to the extremely limited documentation of Ezzatollah Ramazanifar's career, no reliable information is available about his personal life, family, or background beyond his nationality and single film credit.
Ezzatollah Ramazanifar was an Iranian actor known exclusively for his single credited role in the 1975 film 'The Mandrake'. He is a largely obscure figure in cinema history, with no other documented film appearances or biographical details available.
He is known for only one film: 'The Mandrake' (Gol-e Yakh), released in 1975. This is his sole credited acting role on record.
The birth and death dates for Ezzatollah Ramazanifar are not known. His nationality is listed as Iranian, but further personal details are unavailable.
There are no records of Ezzatollah Ramazanifar receiving any awards or nominations for his acting work, which is limited to one film.
Due to the lack of available information and surviving analysis of his work, his specific acting style cannot be determined. He was a character actor in a single Iranian film from the mid-1970s.
1 film