
Actor
Ali Miri was an Iranian actor who appeared in Iranian cinema during the mid-to-late 1960s. His known filmography consists of two notable productions from Iran's cinematic landscape of that era. He appeared in 'Night of the Hunchback' (1965), which was part of Iran's developing film industry during the pre-revolutionary period. His second confirmed film appearance was in 'Dozd va paseban' (1969), which translates to 'Thief and Police' in Persian, a crime drama typical of the genre popular in Iranian cinema of the time. Miri's career appears to have been relatively brief, spanning approximately four years from 1965 to 1969, which was not uncommon for character actors in Iranian cinema of this period. His work coincided with what many consider a golden age of Iranian film, just before the industry underwent significant changes in the 1970s. Unfortunately, detailed biographical information about his life, training, or broader career remains limited in available historical records.
Ali Miri contributed to the development of Iranian cinema during a formative period in the 1960s, when the industry was establishing its identity and moving toward more sophisticated filmmaking. His participation in films like 'Night of the Hunchback' and 'Dozd va paseban' represents the collective effort of Iranian actors who helped build the foundation for what would later become internationally recognized Iranian cinema. Though his individual impact may have been modest, he was part of a generation of performers who worked during Iran's cinematic transition from commercial entertainment to more artistically ambitious productions.
Ali Miri's legacy exists primarily through his film appearances that survive as part of Iran's cinematic history from the 1960s. While not widely documented in international film references, his work contributes to the broader understanding of Iranian cinema's development during this crucial decade. His films serve as cultural artifacts that showcase the acting styles, storytelling approaches, and production values of mid-1960s Iranian filmmaking.
Due to limited documentation about Ali Miri's career and personal influence, specific details about his impact on other actors or directors are not readily available. However, like all actors of his generation, he contributed to the evolving craft of film acting in Iran during a period when the industry was developing its unique voice and aesthetic.
Very limited information is available about Ali Miri's personal life, which is not uncommon for character actors from 1960s Iranian cinema who did not achieve major star status.
Ali Miri was an Iranian actor who appeared in Iranian cinema during the 1960s, known for his roles in 'Night of the Hunchback' (1965) and 'Dozd va paseban' (1969). His career spanned approximately four years from 1965 to 1969.
Ali Miri is known for two films: 'Night of the Hunchback' (1965) and 'Dozd va paseban' (1969), which translates to 'Thief and Police' in English.
Ali Miri was active in Iranian cinema from approximately 1965 to 1969, based on his known film appearances.
The 1960s was a transformative period for Iranian cinema, marking the transition from commercial entertainment to more artistically ambitious filmmaking and setting the stage for the internationally acclaimed Iranian New Wave of the 1970s.
Limited documentation exists about Ali Miri because he was likely a character actor rather than a major star, and many Iranian actors from this period were not extensively documented in international film databases, especially those who worked primarily in commercial rather than art cinema.
2 films