Mehdi Gholi Safapoor

Actor

Active: 1976

About Mehdi Gholi Safapoor

Mehdi Gholi Safapoor was an Iranian actor who appeared in Iranian cinema during the mid-1970s. His known filmography consists primarily of his role in the 1976 film 'Joys of Our Life.' Very little documented information is available about his career trajectory, early life, or other potential film work. His brief appearance in Iranian cinema coincided with a significant period in the country's film industry, just before the 1979 revolution. The lack of extensive records about his career suggests he may have been a character actor or had a very limited acting career. His contribution to Iranian cinema, while not extensively documented, represents part of the broader tapestry of Iranian filmmaking during that era.

The Craft

Milestones

  • Appeared in 'Joys of Our Life' (1976)

Best Known For

Iconic Roles

  • Role in 'Joys of Our Life' (1976)

Must-See Films

  • Joys of Our Life (1976)

Why They Matter

Impact on Culture

Due to the limited documentation of Mehdi Gholi Safapoor's career and body of work, his specific cultural impact on Iranian cinema is difficult to assess. His participation in 'Joys of Our Life' (1976) places him within the context of pre-revolutionary Iranian cinema, a period that saw significant artistic development in the country's film industry. While individual contributions of character actors from this era are often underdocumented in Western film scholarship, they collectively contributed to the rich tapestry of Iranian cinematic storytelling during the 1970s.

Lasting Legacy

Mehdi Gholi Safapoor's legacy remains largely undocumented in comprehensive film histories, reflecting the challenge of preserving complete records of all contributors to cinema from this period and region. His known work in 'Joys of Our Life' represents a small but meaningful part of Iran's cinematic heritage from the mid-1970s. The lack of extensive information about his career highlights the broader issue of film preservation and documentation, particularly for character actors and supporting performers in non-Western cinema.

Who They Inspired

Given the limited available information about Mehdi Gholi Safapoor's career and body of work, his specific influence on other actors or directors cannot be determined with certainty. His contribution to Iranian cinema, while part of the broader artistic landscape of 1970s Iranian filmmaking, remains largely undocumented in terms of mentorship relationships or direct influence on subsequent generations of performers.

Off Screen

Very limited information is available about Mehdi Gholi Safapoor's personal life, family background, or circumstances outside of his brief film career.

Did You Know?

  • Appeared in Iranian cinema during the mid-1970s
  • Known filmography consists of at least one film from 1976
  • Part of the generation of Iranian actors working before the 1979 revolution
  • Limited documentation exists about his career in Western film databases
  • His name follows traditional Persian naming conventions

Frequently Asked Questions

Who was Mehdi Gholi Safapoor?

Mehdi Gholi Safapoor was an Iranian actor active in the mid-1970s, best known for his appearance in the 1976 film 'Joys of Our Life.' Very limited documentation exists about his life and career beyond this single credited role.

What films is Mehdi Gholi Safapoor best known for?

He is primarily known for his role in 'Joys of Our Life' (1976), which appears to be his only documented film credit in available databases.

When was Mehdi Gholi Safapoor born and when did he die?

Specific birth and death dates for Mehdi Gholi Safapoor are not available in documented sources, reflecting the limited biographical information about this actor.

What awards did Mehdi Gholi Safapoor win?

There are no documented awards or nominations for Mehdi Gholi Safapoor in available film databases and historical records.

What was Mehdi Gholi Safapoor's acting style?

Due to the limited documentation of his work and the scarcity of detailed reviews or analyses of his performance, his specific acting style cannot be determined from available sources.

Films

1 film