Actor
Master Mohammed was an Indian child actor who appeared in films during the early sound era of Indian cinema in the 1930s. His career, though brief, spanned from 1933 to 1936, during which he worked in productions that were part of the burgeoning Indian film industry. He appeared in 'Lal-e-Yaman' in 1933, which was one of the many films being produced as Indian cinema transitioned from silent films to talkies. His most notable appearance was in 'Miss Frontier Mail' (1936), a Wadia Movietone production that became famous for starring Fearless Nadia, India's original stunt queen. Like many child actors of this era, Master Mohammed likely played supporting roles that contributed to the ensemble casts typical of early Indian cinema. The limited documentation of his career reflects the sparse record-keeping practices of early Indian film studios, where many supporting actors and child performers were not extensively documented in contemporary film literature.
Master Mohammed represents the often-overlooked child actors who contributed to the foundation of Indian cinema during its formative years in the 1930s. His participation in films like 'Miss Frontier Mail' places him within the context of early Indian cinema's transition to sound and the emergence of action films starring women like Fearless Nadia. Child actors like him were essential to the ensemble casts of early Indian films, helping to create the family-oriented narratives that would become a staple of Indian cinema. Though not a major star, his work contributed to the development of the Indian film industry during its crucial early years.
Master Mohammed's legacy lies in his contribution to the early years of Indian sound cinema, particularly in the action-adventure genre that Wadia Movietone helped popularize. His appearance in 'Miss Frontier Mail' connects him to one of the most significant film franchises of early Indian cinema featuring Fearless Nadia. While his individual performances may not have been extensively documented, his work as part of these pioneering films represents the collaborative nature of early Indian filmmaking, where even supporting and child actors played crucial roles in establishing cinematic conventions.
As a child actor from the 1930s, Master Mohammed's direct influence on subsequent generations of performers is difficult to trace, which was typical for many supporting actors of early Indian cinema. However, his participation in early sound films contributed to the establishment of child acting as a profession in Indian cinema, a tradition that would continue and evolve throughout the history of Indian film industry.
Very limited information is available about the personal life of Master Mohammed, which was common for child actors in early Indian cinema who often did not receive extensive media coverage.
Master Mohammed was an Indian child actor who appeared in films during the early sound era of Indian cinema in the 1930s, known for his roles in 'Lal-e-Yaman' (1933) and 'Miss Frontier Mail' (1936).
Master Mohammed is best known for his appearances in 'Lal-e-Yaman' (1933) and particularly 'Miss Frontier Mail' (1936), a Wadia Movietone production featuring the famous stunt queen Fearless Nadia.
Unfortunately, specific birth and death dates for Master Mohammed are not available in documented film history records, which was common for many child actors from early Indian cinema.
No awards or nominations for Master Mohammed are documented, which was typical for many supporting child actors in the 1930s Indian film industry when formal award systems were not yet established.
Specific details about Master Mohammed's acting style are not documented in available film history records, though child actors of this era typically performed in the theatrical style common to early Indian cinema.
Master Mohammed worked with Homi Wadia, a pioneering director of Indian cinema who was known for action films and for directing Fearless Nadia in several successful productions.
2 films