Actor
Nikolai Prozorovsky was a Soviet actor who appeared during the silent film era of the 1920s. His brief but notable career is primarily remembered for his role in the 1926 Soviet silent film 'The Case of the Three Million' (Дело трех миллионов), directed by Yakov Protazanov. This film was one of the significant productions of early Soviet cinema, showcasing the emerging talent of the period. Prozorovsky's participation in this film places him among the pioneering actors of Soviet cinema during its formative years. Unfortunately, detailed records of his life and career are scarce, which was common for many actors of this era whose work has been partially lost to time. His career appears to have been concentrated entirely around 1926, suggesting he may have been a character actor or someone who briefly participated in the film industry during this pivotal period of Soviet cultural development. The limited documentation of his work reflects the challenges of preserving complete records from early Soviet cinema.
Nikolai Prozorovsky represents the many talented actors who contributed to the foundation of Soviet cinema during its silent era. His participation in 'The Case of the Three Million' places him within the context of the artistic flourishing that occurred in Soviet film during the 1920s, a period that produced some of cinema's most innovative works. While his individual contribution may have been small, he was part of a collective effort to establish a distinct Soviet cinematic language that would influence filmmakers worldwide. The preservation of his work, even in a single film, helps document the breadth of talent that existed during this crucial period of film history.
The legacy of Nikolai Prozorovsky is primarily preserved through his appearance in 'The Case of the Three Million,' which remains an important artifact of early Soviet cinema. While he may not have achieved lasting fame individually, his contribution to this significant film ensures his place in the historical record of Soviet filmmaking. His story exemplifies the many actors whose brief appearances in important films of the era have been preserved, even as their broader life stories remain largely undocumented.
Due to the limited scope of his known work, specific information about Nikolai Prozorovsky's influence on other actors or filmmakers is not available. However, as a participant in early Soviet cinema, he was part of an artistic movement that would significantly influence international film development, particularly in the areas of montage theory and revolutionary cinema aesthetics.
Very limited information is available about Nikolai Prozorovsky's personal life, which was common for many character actors and supporting performers in early Soviet cinema. Detailed biographical records from this period were often not systematically maintained, especially for actors who had brief or supporting careers.
Nikolai Prozorovsky was a Soviet actor from the silent film era, best known for his appearance in the 1926 film 'The Case of the Three Million.' His career appears to have been brief, with documented work concentrated entirely around 1926.
Prozorovsky is known for appearing in 'The Case of the Three Million' (1926), a Soviet silent film directed by Yakov Protazanov. This appears to be his only documented film role.
Specific birth and death dates for Nikolai Prozorovsky are not available in documented sources, which was common for many supporting actors of early Soviet cinema whose complete biographical information was not systematically preserved.
There are no documented awards or nominations for Nikolai Prozorovsky, which was typical for many character actors during the early Soviet film period when formal award systems were not yet established.
Specific details about Prozorovsky's acting style are not documented in available sources. As a performer in Soviet silent cinema, he would have worked within the theatrical and expressive acting conventions typical of silent film performance.
Yes, he worked with Yakov Protazanov, one of the pioneering directors of Soviet cinema, on 'The Case of the Three Million' (1926). Protazanov was among the most significant figures in early Soviet filmmaking.
1 film