
Actor
La Jana, born Henriette Margarethe Hiebert, was a German actress and dancer who rose to prominence during the late 1920s and 1930s in European cinema. She began her career as a dancer in revues and cabarets, which led to her discovery by film producers. Her striking beauty and graceful movement made her a natural fit for the emerging sound film era, where she often played exotic and glamorous roles. She became particularly popular in German musical films and romantic dramas, showcasing both her dancing talents and acting abilities. Her career coincided with the transition from silent films to talkies, and she successfully adapted to the new medium. Despite her relatively short career, she appeared in numerous films that showcased her versatility as a performer. Her life was tragically cut short at the age of 35, leaving behind a legacy as one of the most beautiful and talented actresses of her generation in German cinema.
La Jana was known for her graceful, fluid movements that stemmed from her dance background, bringing an elegant physicality to her film roles. She excelled in portraying sophisticated, often exotic characters with a natural charm that translated well both in silent and sound films. Her acting style combined the expressive gestures of the silent era with the more nuanced performances required in talkies, making her a versatile performer during this transitional period.
La Jana represented the epitome of European glamour and sophistication during the 1930s, embodying the transition from the decadent Weimar era to the more conservative Nazi period. Her films, particularly the musicals and romantic dramas, captured the aesthetic and cultural sensibilities of German cinema during this complex historical period. She became a style icon for German women, influencing fashion and beauty standards of the time. Her ability to navigate the changing political landscape while maintaining her artistic integrity made her a significant figure in German cultural history.
La Jana's legacy endures through her preserved films in German archives and her influence on subsequent generations of German actresses. She is remembered as one of the most beautiful and talented performers of her era, with a particular talent for combining dance and acting. Her work continues to be studied by film historians interested in the transition from silent to sound cinema in Germany. Several film retrospectives have been dedicated to her work, highlighting her contributions to German cinematic art. Her tragic early death has contributed to her mystique and enduring appeal among classic cinema enthusiasts.
La Jana influenced the development of the musical film genre in Germany, demonstrating how dance could be effectively integrated into narrative cinema. Her graceful movement and screen presence set a standard for subsequent actresses in German musical productions. She paved the way for other dancer-actresses in European cinema, showing that serious acting and dance could coexist in film performance. Her work in early sound films helped establish techniques for filming dance sequences that would influence filmmakers for decades.
La Jana led a relatively private personal life despite her public fame. She never married and had no children, dedicating herself entirely to her career in entertainment. She maintained close relationships with her colleagues in the German film industry and was known for her professionalism on set. Her life was marked by dedication to her craft and a passion for dance and performance. She died unexpectedly from meningitis at the height of her career, shocking the German film community and her fans.
Trained in classical dance from an early age; attended dance schools in Cologne and Berlin
Dance is the poetry of motion, and film is the poetry of light - together they create magic
In every role, I try to bring a piece of my soul to the character, no matter how small the part
The camera sees everything, especially the truth in your eyes - you cannot lie to it
La Jana was a German actress and dancer who became prominent in European cinema during the late 1920s and 1930s, known for her beauty, grace, and versatility in both silent and sound films.
La Jana is best known for her performances in 'Morgenrot' (1933), 'Viktor und Viktoria' (1933), 'Der Springer von Pontresina' (1934), and her final film 'Kora Terry' (1940).
La Jana was born on February 24, 1905, in Mönchengladbach, Germany, and died on March 13, 1940, at the age of 35 from meningitis.
While formal awards were limited during her era, La Jana was recognized as German Film Star of the Year in 1934 and received posthumous recognition in German Film Archives for her contributions to cinema.
La Jana's acting style was characterized by graceful, fluid movements from her dance background, combining the expressive gestures of silent film with the nuanced performances required in talkies, excelling in sophisticated and exotic roles.
1 film