
Actor
Warren William, born Warren William Krech, was a distinguished American actor who rose to prominence during the Golden Age of Hollywood, particularly excelling in pre-Code films of the early 1930s. After serving in World War I and working as an insurance salesman, he discovered his passion for acting and began his career on Broadway before transitioning to films in 1929. William quickly became typecast as the sophisticated, often morally ambiguous leading man, earning the nickname 'the King of Pre-Code' for his portrayals of cynical businessmen, lawyers, and womanizers. His most iconic role came as the original screen Perry Mason in a series of six films during the 1930s, establishing the character's enduring popularity. Despite his immense popularity during the 1930s, his career declined in the 1940s as he aged and Hollywood's tastes changed, though he continued working until his death from cancer in 1948. Today, he is remembered as one of the most distinctive character actors of his era, whose performances captured the sophisticated cynicism of the Great Depression era.
William was known for his sophisticated, urbane acting style characterized by a cynical worldview and rapid-fire delivery. He excelled at playing morally ambiguous characters, often portraying wealthy businessmen, lawyers, or executives who operated in ethical gray areas. His performances combined charm with underlying menace, creating complex antiheroes that resonated with Depression-era audiences. William had a distinctive speaking voice and a commanding screen presence that allowed him to dominate scenes even when playing supporting roles. His ability to convey both sophistication and corruption made him particularly effective in pre-Code films that pushed boundaries of on-screen morality.
Warren William made a significant cultural impact as the definitive actor of the pre-Code era, embodying the cynical, morally complex characters that reflected the disillusionment of the Great Depression. His portrayals of corrupt businessmen and lawyers captured the public's ambivalent relationship with capitalism and authority during the 1930s. As the original Perry Mason, he established the template for the brilliant defense attorney that would be carried forward by later actors including Raymond Burr. William's sophisticated antiheroes challenged traditional Hollywood morality and paved the way for more complex characterizations in American cinema. His work helped define the pre-Code aesthetic of adult themes and moral ambiguity that would influence film noir and later genres.
Warren William's legacy endures as one of the most distinctive character actors of Hollywood's Golden Age, particularly remembered for his contributions to pre-Code cinema. His portrayal of Perry Mason established a cultural touchstone that continues in television adaptations decades later. Film historians and cinephiles rediscovered his work in the late 20th century, leading to a renewed appreciation for his sophisticated style and the boldness of pre-Code Hollywood. William represents an important bridge between the theatrical acting style of the silent era and the more naturalistic approach that would dominate post-war cinema. His films are now studied as prime examples of the social commentary and artistic freedom that characterized pre-Code Hollywood before the enforcement of the Hays Code.
William influenced generations of actors who specialized in sophisticated, morally ambiguous characters, particularly in the film noir genre. His rapid-fire delivery and cynical worldview can be seen in the work of later actors including Humphrey Bogart, Robert Mitchum, and George Sanders. The archetype he perfected of the charming but corrupt businessman became a staple of American cinema, appearing in countless films and television shows. His success as Perry Mason demonstrated the commercial viability of legal dramas, paving the way for the numerous lawyer-centered films and TV series that followed. Contemporary actors who play complex antiheroes, from Bryan Cranston to Jon Hamm, owe a debt to the character template William helped establish during the 1930s.
Warren William married Helen Barbara Nelson in 1923, and they remained together until his death in 1948. The couple had no children but were known for their quiet, stable relationship amidst the glamour of Hollywood. William was notoriously private about his personal life, rarely giving interviews or discussing his off-screen activities. He served in the United States Army during World War I, which influenced his mature worldview and contributed to his sophisticated screen persona. After his acting career slowed in the 1940s, he focused on real estate investments and other business ventures, demonstrating the same business acumen he often portrayed on screen.
Attended the American Academy of Dramatic Arts; studied at the University of Washington before leaving to serve in World War I
In the courtroom, there's only one law: the law of survival.
A man's reputation is what other people think of him. His character is what he really is.
I never play the hero. I leave that to the fellows with the dimples and the clean fingernails.
The difference between a successful man and others is not a lack of strength, not a lack of knowledge, but rather a lack of will.
In this business, you're only as good as your last picture, and even that's not saying much.
Warren William was a prominent American actor during the Golden Age of Hollywood, best known as 'the King of Pre-Code' for his sophisticated and morally ambiguous characters in early 1930s films. He also originated the role of Perry Mason in a series of six films during the 1930s, establishing the character's enduring popularity.
Warren William is best known for 'The Wolf of Wall Street' (1929), 'Baby Face' (1933), 'Gold Diggers of 1933', the Perry Mason film series (1934-1937), 'Employee's Entrance' (1933), and 'Three on a Match' (1932). These films showcase his signature style as a sophisticated, often cynical leading man.
Warren William was born on December 2, 1894, in Aitkin, Minnesota, and died on September 24, 1948, in Hollywood, California, at the age of 53 from multiple myeloma (bone marrow cancer).
Despite his prolific career and critical acclaim, Warren William never received an Academy Award nomination. His primary recognition was a star on the Hollywood Walk of Fame, though his legacy has grown through film historians' appreciation of his contributions to pre-Code cinema.
William was known for his sophisticated, urbane acting style featuring rapid-fire dialogue delivery and a cynical worldview. He excelled at playing morally ambiguous characters—wealthy businessmen, lawyers, and executives—who operated in ethical gray areas, combining charm with underlying menace to create complex antiheroes.
Warren William earned the nickname 'the King of Pre-Code' because he perfectly embodied the sophisticated, morally complex characters that defined pre-Code Hollywood films (1930-1934). His portrayals of corrupt businessmen and womanizers pushed the boundaries of what was acceptable on screen before the Hays Code enforcement.
William influenced generations of actors specializing in sophisticated villains and antiheroes, particularly in film noir. His character template can be seen in the work of actors like George Sanders, Humphrey Bogart, and contemporary actors who play complex morally ambiguous characters. His Perry Mason also established the archetype for the brilliant defense attorney in popular culture.
1 film