Douglas Gilmore

Douglas Gilmore

Actor

Born: June 25, 1903 in Boston, Massachusetts, USA Died: July 26, 1950 Active: 1925-1943 Birth Name: Harris Augustin Gilmore

About Douglas Gilmore

Douglas Gilmore, born Harris Augustin Gilmore, was a prominent American actor of the late silent era and early sound period. Born in Boston in 1903, he initially pursued a career on the New York stage after a chance meeting with producer John Golden. His Broadway experience was extensive, appearing in notable productions such as 'White Cargo' and 'The Bad Man' alongside stars like Helen Hayes. Transitioning to Hollywood in the mid-1920s, he quickly became a sought-after leading man and sophisticated villain, often cast in high-society dramas. His career reached its zenith in 1930 with a significant role in Howard Hughes's aviation epic 'Hell's Angels'. Despite his early success and striking physical presence, his screen career tapered off in the early 1930s, and he passed away in New York City at the age of 47.

The Craft

On Screen

Gilmore was known for his 'tall, dark, and handsome' screen presence, typically portraying sophisticated urbanites, military officers, or polished villains. His transition from stage to screen allowed him to bring a more disciplined, theatrical delivery to early talkies, though he was primarily valued for his physical stature (standing 6'2") and leading-man looks.

Milestones

  • Broadway debut in 'Lightnin' with Frank Bacon
  • Signed a contract with MGM in 1926 following stage success
  • Cast in the high-profile Howard Hughes production 'Hell's Angels' (1930)
  • Starred opposite Myrna Loy in 'Cameo Kirby' (1930)
  • Featured in the early talkie 'The Naughty Flirt' (1930) with Alice White

Best Known For

Iconic Roles

  • Captain Redbeard in 'Hell's Angels' (1930)
  • Tom Randall in 'Cameo Kirby' (1930)
  • Jack Gregory in 'The Naughty Flirt' (1930)

Must-See Films

  • Hell's Angels (1930)
  • Cameo Kirby (1930)
  • The Taxi Dancer (1927)
  • Rough House Rosie (1927)
  • The Naughty Flirt (1930)

Accolades

Special Recognition

  • Featured in the Sayre Collection of theatrical photographs at the University of Washington

Working Relationships

Worked Often With

  • Joan Crawford
  • Myrna Loy
  • Alice White
  • J. Harold Murray

Studios

  • MGM
  • Fox Film Corporation
  • Paramount Pictures

Why They Matter

Impact on Culture

Douglas Gilmore represented the quintessential 'matinee idol' of the late 1920s, a period when Hollywood was transitioning from the silent era's pantomime to the vocal requirements of the talkies. His involvement in 'Hell's Angels' connects him to one of the most expensive and culturally significant film productions of the pre-code era. As a frequent co-star to rising legends like Joan Crawford and Myrna Loy, he played a supporting role in the development of the 'flapper' and 'sophisticate' archetypes in American cinema.

Lasting Legacy

While not a household name today, Gilmore remains a figure of interest for historians of early Hollywood and pre-code cinema. His filmography serves as a record of the industry's shift in the late 1920s, and his personal life provides a window into the celebrity culture and studio-driven publicity of the Golden Age. He is often cited in biographies of Tom Mix and Howard Hughes due to his professional and personal connections to those figures.

Who They Inspired

His polished, theatrical style influenced the 'heavy' roles of the early 1930s, bridging the gap between silent film melodrama and the more naturalistic dialogue-driven acting of the sound era.

Off Screen

Gilmore's personal life was frequently the subject of tabloid interest due to his high-profile marriages. He was married three times, most notably to Ruth Mix, the daughter of legendary cowboy star Tom Mix. Their elopement caused a minor scandal as Ruth was underage at the time, leading her father to attempt to block the union. Gilmore also faced a bizarre publicity incident in 1925 when a press agent falsely announced his engagement to actress Renee Adoree while he was still married to his first wife.

Education

Studied acting and began his career in New York theater under the mentorship of producer John Golden.

Family

  • Gladys Frazin (1924-1925)
  • Ruth Mix (1930-1932)
  • Katherine 'Kay' Kenny (1933-1950)

Did You Know?

  • He was discovered by producer John Golden after a chance meeting on a train where Golden handed him a business card.
  • His marriage to Ruth Mix was so controversial that Tom Mix reportedly threatened to 'shoot him on sight'.
  • He stood 6 feet 2 inches tall, which was exceptionally tall for leading men of that era.
  • In 1925, a false report claimed he was marrying Renee Adoree, which shocked his actual wife, Gladys Frazin.
  • He appeared in 'The Taxi Dancer' (1927) alongside a young Joan Crawford.
  • He was known for playing villains who often got slapped or beaten by the heroes, once joking that 'a villain's life is quite a paying one' despite the physical toll.
  • He is buried in the famous Woodlawn Cemetery in the Bronx, New York.

In Their Own Words

Being a screen villain for Fox has been anything but a gentle life... a villain's life is quite a paying one, notwithstanding the blows.

Frequently Asked Questions

Who was Douglas Gilmore?

Douglas Gilmore was an American actor active during the late silent and early sound eras of Hollywood. He is best remembered for his roles in 'Hell's Angels' and for his high-profile marriage to the daughter of western star Tom Mix.

What films is Douglas Gilmore best known for?

He is most famous for appearing in Howard Hughes's 'Hell's Angels' (1930), 'Cameo Kirby' (1930) with Myrna Loy, and 'The Taxi Dancer' (1927) with Joan Crawford.

When was Douglas Gilmore born and when did he die?

He was born on June 25, 1903, in Boston, Massachusetts, and died on July 26, 1950, in New York City at the age of 47.

Was Douglas Gilmore related to Tom Mix?

He was Tom Mix's son-in-law for a brief and tumultuous period after eloping with Mix's daughter, Ruth Mix, in 1930.

What was Douglas Gilmore's acting style?

He was a versatile performer who transitioned from Broadway to film, known for playing sophisticated leading men and polished villains with a commanding physical presence.

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Films

1 film