
In this Alice Comedy, Alice (Virginia Davis) and her animated cat Julius decide to go hunting, with Julius pursuing rabbits while Alice sets her sights on bears. Julius's rabbit hunting expedition quickly goes awry when the clever rabbits turn the tables on him, using their wits to outsmart the feline hunter. Meanwhile, Alice encounters a bear in the woods, leading to a chaotic chase sequence where both Alice and Julius learn that hunting wild animals is a dangerous proposition. The film culminates with both hunters getting their comeuppance, teaching a moral lesson about respecting wildlife. The action blends live-action footage of Alice with animated sequences featuring Julius and the various animals they encounter.

This was one of the later Alice Comedies produced before Disney lost the rights to the character. The film showcases the increasingly sophisticated animation techniques Disney was developing, including more fluid character movement and better integration between live-action and animation elements. The production used the innovative combination of live-action Alice interacting with animated characters, a technique that would later influence Disney's 'Song of the South' and 'Mary Poppins.'
Produced in 1925, 'Alice Gets Stung' emerged during the Roaring Twenties, a period of rapid technological and cultural change in America. The film industry was transitioning from shorts to features, and sound technology was on the horizon. Disney was still a small independent studio competing with giants like Fleischer Studios and Bray Productions. The Alice Comedies represented Disney's first major success, allowing him to experiment with the then-novel combination of live-action and animation. This period saw the rise of consumer culture and outdoor recreation as leisure activities, reflected in the film's hunting theme. The mid-1920s also marked a turning point in animation history, with studios moving toward more character-driven stories rather than mere gag reels.
The Alice Comedies series, including 'Alice Gets Stung,' represents a crucial transitional period in animation history and Disney's development as a storyteller. These films helped establish Disney's reputation for quality animation and innovative techniques. The series demonstrated early Disney's commitment to combining different media, a philosophy that would culminate in later features like 'Mary Poppins.' The moral lesson about respecting wildlife reflected changing American attitudes toward nature and conservation in the 1920s. Virginia Davis became one of the first child stars in animation, paving the way for later child performers in family entertainment. The technical innovations in blending live-action and animation influenced generations of filmmakers and established techniques still used in modern visual effects.
The production of 'Alice Gets Stung' took place at Disney's small studio on Kingswell Avenue in Los Angeles, where the young Walt Disney and his brother Roy were still building their reputation. Virginia Davis had to perform her scenes multiple times to match the timing of the animated sequences that would later be added. The animation team, which included Ub Iwerks and other early Disney animators, worked long hours to create the fluid movements of Julius the Cat and the various animals. The integration technique required careful planning, as animators had to match their drawings precisely to the live-action footage. The film's production was rushed to meet distributor deadlines, a common practice that would continue throughout Disney's early years. The hunting sequences allowed the animators to experiment with more dynamic action and chase scenes, helping to develop techniques that would later be used in Mickey Mouse cartoons.
The cinematography of 'Alice Gets Stung' involved the complex process of combining live-action photography with animation. The live-action segments were filmed using standard 1920s black and white cameras, with careful attention to lighting and composition to facilitate the later addition of animated elements. The animation was photographed frame by frame using rostrum cameras, with animators matching the perspective and scale of the live-action footage. The integration technique required precise matte work and careful timing to create the illusion of interaction between Alice and the animated characters. The hunting sequences allowed for dynamic camera movements and compositions that showcased the increasingly sophisticated visual storytelling of the Disney studio.
The Alice Comedies series pioneered several technical innovations in animation, including improved methods for combining live-action and animation. 'Alice Gets Stung' demonstrated advances in character animation, with more fluid and naturalistic movement for Julius the Cat compared to earlier entries in the series. The film also showcased improved timing and synchronization between the live-action and animated elements. Disney's team developed techniques for creating more convincing depth and perspective in the animated sequences, helping to integrate the two media more seamlessly. These technical achievements laid groundwork for later Disney innovations in animation and visual effects.
As a silent film, 'Alice Gets Stung' would have been accompanied by live musical performance in theaters. Typical accompaniment would include piano or organ music, with the score often improvised by the theater musician to match the on-screen action. The hunting sequences would have been accompanied by more dramatic, percussive music, while the comedic moments would feature lighter, more playful melodies. No original composed score exists for this short, as was common for animated shorts of this era. The music would have followed the standard practices of silent film accompaniment, with leitmotifs for different characters and musical cues synchronized with key actions and emotional beats.
(Silent film - no dialogue, but intertitles would include moral messages about respecting wildlife)
Contemporary reviews of 'Alice Gets Stung' and other Alice Comedies were generally positive, with trade publications like Variety and The Motion Picture News praising the innovative combination of live-action and animation. Critics noted the improving quality of Disney's animation and the charming performance of Virginia Davis. Modern film historians view the Alice Comedies as important stepping stones in Disney's artistic development, showing the evolution from simple gag-based shorts to more sophisticated storytelling. Animation scholars particularly appreciate the technical achievements in integrating live-action and animation elements, which were groundbreaking for their time.
The Alice Comedies were popular with theater audiences of the 1920s, particularly children and families. 'Alice Gets Stung' and other shorts in the series were successful enough to keep the Disney studio financially viable during its early years. Audiences enjoyed the novelty of seeing a real girl interact with cartoon characters, and Julius the Cat developed a following among viewers. The films were often shown as part of theater programs alongside newsreels and other shorts, providing family-friendly entertainment. The hunting theme resonated with rural audiences while the animation appealed to urban viewers, giving the series broad demographic appeal.
The film is preserved in the Disney archives and has been restored for home video release. Several copies exist in film archives and private collections. The restoration work has preserved both the live-action and animated elements, though some wear is visible due to the film's age and the degradation of the original nitrate stock.