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Damn the War

Damn the War

1914 Belgium
War and its impact on personal relationshipsInternational friendship versus national loyaltyThe romance and danger of early aviationThe human cost of political conflictMoral dilemmas faced by soldiers

Plot

The story follows two military pilots from neighboring countries who have formed a friendship. One pilot visits his counterpart's home and falls deeply in love with the pilot's sister. As their romance begins to blossom, war suddenly breaks out between their nations, forcing the two pilots to become enemies on the battlefield. The film explores the tragic consequences of war on personal relationships and the moral dilemmas faced by soldiers who must fight against friends and loved ones. The narrative culminates in a poignant examination of loyalty, duty, and the human cost of international conflict.

About the Production

Release Date 1914
Production Pathé Frères
Filmed In Belgium, Northern France

This film was produced just before and during the outbreak of World War I, making it one of the earliest films to directly address the emerging conflict. Director Alfred Machin was known for his innovative use of location shooting and aerial sequences, which were particularly challenging given the primitive state of aviation in 1914. The production faced significant difficulties due to the mobilization for war, with many crew members being called to military service during filming.

Historical Background

This film was produced during a pivotal moment in world history, released in 1914 as World War I was beginning to engulf Europe. The early months of 1914 saw rising tensions between European powers, with the assassination of Archduke Franz Ferdinand in June triggering the July Crisis and subsequent declarations of war. The film's themes of international friendship torn apart by nationalist conflict would have resonated deeply with contemporary audiences who were experiencing the sudden breakdown of European unity. The aviation aspect was particularly timely, as military aviation was in its infancy and pilots were seen as romantic, heroic figures. The film represents an early cinematic attempt to process the shock of modern warfare and its impact on personal relationships.

Why This Film Matters

As one of the earliest narrative films to directly address the theme of modern warfare, 'Damn the War' holds an important place in cinema history as a precursor to the war film genre. The film's release during the actual outbreak of WWI gave it immediate relevance and potentially made it a powerful commentary on the human cost of international conflict. Its focus on aviation was particularly forward-looking, anticipating the central role that air warfare would play in 20th century conflicts. The film's international perspective, showing characters from different nations as friends before being forced into conflict, represented an early cinematic exploration of pan-European identity that would be shattered by the war. Alfred Machin's work helped establish Belgian cinema's reputation for addressing serious social and political themes.

Making Of

Alfred Machin brought his documentary background to this dramatic feature, incorporating realistic military details and actual aviation footage. The production team worked closely with military aviation units to achieve authentic flying sequences, which were extremely dangerous given the primitive nature of aircraft in 1914. The outbreak of WWI during production created unprecedented challenges, with cast and crew members being called to military service, potentially halting filming. Machin's innovative approach included location shooting in actual military installations and the use of real aircraft rather than studio mock-ups. The film's romantic subplot was carefully balanced against its anti-war message, reflecting the complex attitudes toward the emerging conflict in 1914.

Visual Style

Alfred Machin was known for his innovative cinematographic techniques, and this film likely featured his characteristic use of location shooting and natural lighting. The aviation sequences would have required special camera mounts or possibly early forms of aerial photography, which was technically very challenging in 1914. Machin's documentary background suggests he would have brought a realistic visual style to the military sequences, avoiding the theatrical staging common in many early narrative films. The contrast between peaceful domestic scenes and military action would have been emphasized through visual composition and lighting techniques. The film's cinematography would have been particularly notable for its time in its attempt to capture the scale and drama of modern warfare.

Innovations

The film's most significant technical achievement was likely its incorporation of actual aviation footage, which was extremely rare and difficult to achieve in 1914. Alfred Machin was known for pushing the boundaries of early cinema technology, and this film probably featured innovative camera work including early attempts at aerial photography. The production's use of real military aircraft and locations rather than studio sets represented an advance in cinematic realism. The timing of the production during the outbreak of war meant the film captured authentic military equipment and procedures that would soon disappear into wartime secrecy. The film's international production, involving cooperation between different European film industries, was also notable for the period.

Music

As a silent film from 1914, 'Damn the War' would have been accompanied by live musical performance during its theatrical screenings. The score would likely have been compiled from existing classical pieces and popular songs of the era, with the theater organist or pianist selecting music to match the mood of each scene. Romantic scenes would have been accompanied by popular waltzes or love themes, while the war sequences would have featured dramatic, martial music. The aviation scenes might have been scored with light, soaring melodies to emphasize the freedom and romance of flight. The specific musical selections would have varied by theater and performer, as was common practice for silent films of this period.

Famous Quotes

Memorable Scenes

  • The aerial sequences featuring early biplanes in flight, which would have been spectacular to 1914 audiences
  • The emotional confrontation between the two pilot friends after war is declared
  • The romantic meeting between the pilot and his friend's sister, set against the backdrop of impending conflict
  • The final scenes depicting the tragic consequences of war on personal relationships

Did You Know?

  • This film was released in the same year that World War I began, making it extraordinarily contemporary to the events it depicted
  • Director Alfred Machin was a pioneer of early Belgian cinema and had previously worked as a documentary filmmaker for Pathé
  • The film featured actual military pilots as consultants and possibly as performers, lending authenticity to the aviation sequences
  • Given the 1914 release date, this would have been among the very first feature films to deal with aerial warfare
  • Alfred Machin was known for his innovative camera techniques, including some of the earliest uses of aerial photography
  • The film was produced by Pathé Frères, one of the most important early film production companies in Europe
  • The timing of the release meant the film was likely censored or banned in several countries due to its sensitive wartime subject matter
  • This represents an early example of the war genre that would become extremely popular during and after WWI
  • The film's international theme reflected the interconnected nature of European aristocracy and military circles before the war
  • Very few prints of early Belgian films from this period have survived, making this an extremely rare work

What Critics Said

Contemporary critical reception of the film is difficult to document due to the passage of time and loss of archival materials from the WWI period. However, given the timing of its release and the seriousness of its subject matter, it likely garnered attention for its timeliness and courage in addressing the outbreak of war. Modern film historians and archivists recognize the film as an important early example of war cinema and as a significant work in Alfred Machin's oeuvre. The film is often cited in academic studies of early European cinema and the development of the war film genre. Its rarity has made it a subject of interest for film preservationists and scholars studying cinema's response to World War I.

What Audiences Thought

Audience reception in 1914 would have been profoundly affected by the real-world context of the war's outbreak. The film's themes of friendship destroyed by international conflict would have struck a powerful chord with viewers who were themselves experiencing the sudden transformation of peaceful international relations into wartime hostility. The aviation sequences would have been particularly exciting for early cinema audiences, as flight was still a relatively new and thrilling phenomenon. The romantic subplot provided emotional relief from the war themes while reinforcing the personal costs of political conflict. Given the film's rarity today, it's difficult to assess its long-term popular impact, but its subject matter ensured it was significant to audiences of its time.

Film Connections

Influenced By

  • Early documentary filmmaking techniques
  • Romantic literature of the pre-war period
  • Contemporary newspaper accounts of early military aviation
  • Stage melodramas dealing with war themes

This Film Influenced

  • Later WWI aviation films such as 'Wings' (1927)
  • European anti-war films of the 1920s and 1930s
  • Later films dealing with the theme of friends fighting on opposite sides in war

You Might Also Like

The Big Parade (1925)Wings (1927)All Quiet on the Western Front (1930)The Dawn Patrol (1930)A Farewell to Arms (1932)

Film Restoration

The preservation status of 'Damn the War' (1914) is uncertain, but like many films from this early period, it is likely lost or exists only in fragmentary form. The vast majority of Belgian films from the 1910s have not survived due to the fragile nature of early film stock and the destruction of archives during World War I and World War II. If any copies do exist, they would most likely be held in specialized film archives such as the Cinémathèque Royale de Belgique or other European film preservation institutions. The film's rarity makes it a subject of interest for film archivists and historians studying early cinema.

Themes & Topics

pilotwarromanceaviationinternational conflictmilitaryforbidden lovedutysacrificefriendshipbetrayalWorld War Iaerial warfaremoral dilemma