
Actor
Darius Milhaud was a renowned French composer and member of the influential 'Les Six' group of composers, though he made memorable appearances in avant-garde cinema during the 1920s. Born in Marseille, France, he studied at the Paris Conservatoire and became one of the most prolific composers of the 20th century, creating over 400 works including operas, ballets, symphonies, and film scores. His involvement in experimental cinema was primarily through his connections with the avant-garde artistic circles in Paris, where he collaborated with filmmakers like René Clair and Hans Richter. Milhaud's brief but notable film appearances in 'Entr'acte' (1924) and 'Ghosts Before Breakfast' (1928) reflected his multidisciplinary artistic approach and his belief in breaking boundaries between different art forms. Throughout his career, he taught at Mills College in California and later returned to France, continuing to compose until his death in 1974. His cinematic appearances, though limited, represent his broader commitment to experimental and modernist artistic expression across multiple mediums.
Non-professional, experimental appearances typical of avant-garde cinema where artists crossed disciplinary boundaries
Darius Milhaud's contributions to avant-garde cinema, though brief, exemplified the interdisciplinary nature of the modernist movement in 1920s Paris. His appearances in experimental films represented the breaking down of boundaries between different art forms that characterized this era. As a composer, he was instrumental in introducing polytonality and incorporating jazz elements into classical music, influencing generations of composers. His film appearances helped legitimize the practice of artists crossing disciplinary boundaries and participating in multiple art forms, a practice that became increasingly common in contemporary art.
Milhaud's legacy in cinema is primarily as an example of the interdisciplinary artistic experimentation of the 1920s avant-garde. While his film appearances were limited, they represent an important moment in art history when musicians, visual artists, and filmmakers collaborated freely. His greater legacy lies in his musical compositions and his influence as a teacher, where he encouraged students to explore diverse musical traditions. His approach to music, characterized by its rhythmic vitality, harmonic innovation, and cosmopolitan influences, continues to inspire composers across genres.
Milhaud influenced both the classical and jazz worlds through his innovative compositions and teaching. His students at Mills College included jazz pianist Dave Brubeck and composer Burt Bacharach, demonstrating his cross-genre impact. His willingness to appear in experimental films inspired later musicians to explore multimedia and interdisciplinary art forms. His incorporation of Brazilian rhythms and jazz elements into classical compositions paved the way for later cross-cultural musical experiments.
Darius Milhaud married his cousin Madeleine Milhaud in 1925, who became his lifelong collaborator and wrote librettos for many of his operas. The couple had one son, Daniel. Despite suffering from severe rheumatoid arthritis that left him wheelchair-bound in later years, Milhaud continued composing prolifically. During World War II, he and his family fled Nazi-occupied France and lived in the United States, where he taught at Mills College in California. He was known for his warm personality and his ability to bridge different musical traditions, incorporating jazz, Brazilian rhythms, and folk elements into his classical compositions.
Paris Conservatoire (studied with Charles-Marie Widor, Vincent d'Indy, and Charles Koechlin)
I have always felt that a composer has a duty to write music that can be understood and appreciated by the general public.
Polytonality is not a system but a means of expression.
The more I travel, the more I realize that music is the universal language that transcends all barriers.
Darius Milhaud was a renowned French composer and member of 'Les Six' who made brief but notable appearances in avant-garde films during the 1920s. While primarily known as a prolific composer who wrote over 400 works, he also appeared in experimental films like 'Entr'acte' (1924) and 'Ghosts Before Breakfast' (1928) as part of the interdisciplinary artistic movement in Paris.
Milhaud is best known for his appearances in two avant-garde films: René Clair's surrealist masterpiece 'Entr'acte' (1924) and Hans Richter's experimental film 'Ghosts Before Breakfast' (1928). These films represent his brief but significant involvement in the experimental cinema movement of the 1920s.
Darius Milhaud was born on September 4, 1892, in Marseille, France, and died on June 22, 1974, in Geneva, Switzerland, at the age of 81. Despite suffering from severe rheumatoid arthritis in his later years, he continued composing until his death.
Milhaud received numerous honors including the Grand Prix du Disque multiple times, a posthumous Grammy Award in 1971, and was named Commandeur de la Légion d'honneur. He was also elected as a member of the Académie des Beaux-Arts and received honorary doctorates from several universities.
Milhaud's musical style was characterized by polytonality, rhythmic vitality, and cosmopolitan influences incorporating jazz, Brazilian rhythms, and folk elements. His film appearances reflected the experimental, boundary-breaking nature of the 1920s avant-garde movement, where artists freely crossed between different artistic disciplines.
2 films