
Actor
Robert Rolla Woolsey was an American comedian and actor who rose to fame as one half of the popular comedy duo Wheeler & Woolsey during the early sound era. Born in Oakland, California in 1888, Woolsey began his career in vaudeville before teaming up with Bert Wheeler in the late 1920s. The pair made their film debut in RKO's Rio Rita (1929) and quickly became the studio's most valuable comedy team throughout the early 1930s. Woolsey typically portrayed the more sophisticated, fast-talking member of the duo, often sporting a distinctive mustache and delivering rapid-fire patter that complemented Wheeler's more naive character. Their films like 'Dixiana' (1930), 'Hook, Line and Sinker' (1930), and 'Half Shot at Sunrise' (1930) showcased their unique blend of verbal wit and physical comedy. Woolsey's career was tragically cut short when he died of kidney disease on October 31, 1938, at just 50 years old, leaving Wheeler to continue as a solo performer. Despite their relatively brief run, Wheeler & Woolsey left an indelible mark on early sound comedy, influencing countless comedians who followed.
Woolsey was known for his rapid-fire delivery, sophisticated wordplay, and deadpan expression. He often played the worldly-wise, cynical member of the comedy team, delivering witty asides and double entendres that pushed the boundaries of the Production Code. His distinctive mustache and sharp timing became his trademarks, and he excelled at both verbal comedy and physical slapstick, creating a perfect contrast with Wheeler's more innocent character.
Wheeler & Woolsey were pioneers of early sound comedy, successfully transitioning from vaudeville to film during a critical period in cinema history. Their films were among the most popular of the early 1930s, rivaling even the Marx Brothers in box office success. The duo's sophisticated wordplay and risqué humor pushed the boundaries of what was acceptable under the emerging Production Code, influencing how comedy could navigate censorship. Their rapid-fire dialogue style and contrasting personalities established a template later followed by countless comedy teams. Woolsey's deadpan delivery and timing influenced generations of comedians, from Jack Benny to modern comedy actors.
Robert Woolsey's legacy as half of Wheeler & Woolsey endures as a testament to early sound comedy innovation. Despite their films being largely overlooked for decades, there has been renewed appreciation for their work through film preservation societies and classic film channels. The duo's 21 films represent some of the most daring and sophisticated comedy of their era, with Woolsey's clever wordplay and timing standing as a masterclass in comedic delivery. Their influence can be seen in subsequent comedy teams, particularly in the dynamic between a fast-talking wise guy and a more innocent partner. Woolsey's premature death at the height of their popularity left audiences wondering what further comedic heights the team might have reached.
Woolsey's rapid-fire delivery and sophisticated wordplay directly influenced later comedians including Jack Benny, George Burns, and even modern performers like Jerry Seinfeld in terms of timing and wit. The Wheeler & Woolsey formula of contrasting personalities became a staple of comedy teams, directly influencing Abbott and Costello and Martin and Lewis. Their ability to blend verbal comedy with physical slapstick while navigating censorship set precedents for comedy in Hollywood's Golden Age. Many comedy historians cite Woolsey's deadpan style as an early example of the 'smart aleck' archetype that would become central to American comedy.
Robert Woolsey was married three times during his lifetime. His first marriage was to vaudeville performer Mildred DeWitt, which ended in divorce. He later married Susan Hughes, and his final marriage was to Winonah H. Woolsey, who survived him. Woolsey had no children. He was known for his sophisticated tastes off-screen, enjoying fine dining and classical music, which contrasted with his comedic persona. His health began declining in the mid-1930s due to kidney problems, though he continued working until shortly before his death.
Limited formal education; primarily trained in vaudeville and theater circuits
I've got a million of 'em, and they're all bad!
frequent line in films)
Why don't you get a haircut? You look like a haystack that's been struck by lightning.
from 'Half Shot at Sunrise')
I never met a man I didn't like... until I met you.
typical Woolsey wisecrack)
If brains were dynamite, you couldn't blow your nose.
classic insult style)
Robert Woolsey was an American comedian and actor who formed one half of the popular comedy duo Wheeler & Woolsey during the early sound era of Hollywood. He was known for his rapid-fire delivery, sophisticated wordplay, and distinctive mustache, typically playing the cynical, fast-talking member of the comedy team.
Woolsey is best known for his 21 films with comedy partner Bert Wheeler, including 'Rio Rita' (1929), 'Dixiana' (1930), 'Hook, Line and Sinker' (1930), 'Half Shot at Sunrise' (1930), 'The Cuckoos' (1930), 'Girl Crazy' (1932), and 'Hips, Hips, Hooray!' (1934). These films showcased their unique blend of verbal wit and physical comedy.
Robert Woolsey was born on August 31, 1888, in Oakland, California, and died on October 31, 1938, at the age of 50 in Glendale, California. His death was caused by kidney disease, which had affected him for several years.
While Robert Woolsey did not receive any major acting awards during his lifetime, he and Bert Wheeler were honored with a shared star on the Hollywood Walk of Fame at 1735 Vine Street, recognizing their significant contributions to film comedy.
Woolsey's acting style was characterized by rapid-fire delivery, sophisticated wordplay, and deadpan expression. He excelled at verbal comedy, double entendres, and witty banter, often playing the worldly-wise, cynical member of the comedy team who delivered clever asides and sharp retorts.
Woolsey, as part of Wheeler & Woolsey, helped define early sound comedy by successfully transitioning vaudeville humor to film. Their sophisticated wordplay and risqué humor pushed boundaries during the formative years of the Production Code, influencing how comedy could navigate censorship while entertaining audiences.
The partnership ended primarily due to Woolsey's declining health and eventual death from kidney disease in 1938. Additionally, their popularity had waned after the strict enforcement of the Production Code in 1934, which limited their ability to use the risqué humor that had made them famous.
3 films