
Actor
Sir Ralph David Richardson was one of Britain's most distinguished and versatile actors of the 20th century, celebrated for his extraordinary range across stage, film, and television. Born into a modest family, he initially struggled to find his calling before discovering his passion for acting at the Brighton Repertory Theatre. Richardson rose to prominence in the 1930s as a founding member of the Old Vic company alongside Laurence Olivier and John Gielgud, establishing himself as a master of both classical and contemporary theater. His film career, though secondary to his stage work, produced memorable performances in classics like 'The Fallen Idol,' 'The Heiress,' and 'Things to Come.' Known for his eccentric characterizations and ability to switch seamlessly between comedy and tragedy, Richardson was knighted in 1947 for his services to drama. He continued performing well into his 70s, maintaining his reputation as one of Britain's greatest actors until his death in 1983, leaving behind a legacy of over 80 film performances and countless theatrical triumphs.
Richardson was renowned for his eccentric, idiosyncratic approach to character, often creating memorable, quirky personalities through subtle physical mannerisms and distinctive vocal patterns. He excelled at finding the humanity in even the most bizarre characters, bringing depth and complexity to roles that could easily become caricatures. His technique combined classical training with improvisational spontaneity, allowing him to switch between comedy and tragedy with remarkable ease. Richardson was particularly noted for his ability to underplay emotionally intense scenes, using restraint and subtlety rather than overt dramatic gestures.
Richardson fundamentally shaped British acting by helping establish the modern classical theater tradition at the Old Vic, creating a template for serious, professional theater that influenced generations of performers. His film work demonstrated that stage actors could successfully transition to cinema without sacrificing their artistic integrity, bridging the gap between classical theater and modern film acting. Richardson's eccentric characterizations expanded the possibilities of supporting roles in cinema, proving that character actors could be as compelling as leading men. His collaborations with directors like Carol Reed and William Wyler helped establish the golden age of British cinema, and his performances in literary adaptations set new standards for bringing classic literature to the screen.
Sir Ralph Richardson's legacy endures through his extensive body of work that continues to be studied by actors and film scholars worldwide. He helped establish Britain as a major force in international cinema during the mid-20th century, paving the way for subsequent generations of British actors to achieve global recognition. His approach to character acting influenced performers from Alec Guinness to Daniel Day-Lewis, and his recordings of Shakespeare and other classic works remain valuable educational resources. Richardson's knighthood and numerous awards cemented his status as one of Britain's cultural treasures, and his films continue to be celebrated in retrospectives and film festivals around the world.
Richardson's innovative approach to character acting influenced countless performers who followed, particularly in his ability to find humanity in eccentric or villainous roles. His work with the Old Vic helped establish the modern British classical theater tradition that continues to this day. Directors like Alfred Hitchcock and Carol Reed were inspired by his ability to convey complex emotions through subtle physical and vocal choices. His success in both theater and film demonstrated that actors could maintain artistic integrity while working in different media, influencing later performers like Ian McKellen and Patrick Stewart who similarly balanced stage and screen careers.
Richardson married actress Kit Anstruther in 1924, and they had one son, David, before divorcing in 1942. He later married Meriel Forbes, a fellow actress, in 1944, remaining with her until his death. Despite his fame, Richardson was known for his eccentric, reclusive nature and often shunned the Hollywood spotlight, preferring the relative anonymity of London. He was famously frugal and lived modestly despite his success, once claiming he didn't know how to spend money. Richardson was also known for his love of practical jokes and his tendency to wander off during rehearsals, sometimes getting lost in London for hours.
Attended Brighton College, left without completing formal education, trained at the Brighton Repertory Theatre and later at the Central School of Speech and Drama
Acting is merely the art of keeping a large group of people from coughing.
I'm a character actor. I can play anything except a good-looking leading man.
The only thing I have in common with George Washington is that we cannot tell a lie.
I don't know how to act. I only know how to react.
The stage is my life. Films are just holidays.
I'm not a star. I'm an actor. Stars are people who think they're important.
I've always been lucky. I've never had to work at anything I didn't want to do.
Sir Ralph Richardson was one of Britain's most distinguished actors of the 20th century, renowned for his work in theater, film, and television. He was a founding member of the Old Vic company alongside Laurence Olivier and John Gielgud, and was knighted in 1947 for his services to drama.
Richardson's most celebrated films include 'The Fallen Idol' (1948), 'The Heiress' (1949), 'Things to Come' (1936), 'Richard III' (1955), 'Anatomy of a Murder' (1959), and his posthumous Oscar-winning performance in 'Greystoke: The Legend of Tarzan' (1984).
Ralph Richardson was born on December 19, 1902, in Chester, England, and died on October 10, 1983, in London, England, at the age of 80.
Richardson won an Academy Award for Best Supporting Actor for 'Greystoke' (1983), a BAFTA for 'The Sound Barrier' (1952), the New York Film Critics Circle Award for 'The Heiress' (1949), and the Volpi Cup at Venice for 'The Fallen Idol' (1948). He was also knighted in 1947.
Richardson was known for his eccentric, idiosyncratic characterizations, using subtle physical mannerisms and distinctive vocal patterns. He excelled at finding humanity in bizarre characters and could seamlessly switch between comedy and drama with remarkable restraint and subtlety.
2 films