
Actor
Fredric March (born Frederick McIntyre Bickel) was one of the most distinguished actors of Hollywood's Golden Age, renowned for his versatility and intense psychological performances. He began his career on Broadway after serving in World War I, making his film debut in the late 1920s as the transition to sound pictures began. March quickly established himself as a leading man capable of playing both dramatic and comedic roles with equal skill, winning his first Academy Award for Best Actor for his dual performance in 'Dr. Jekyll and Mr. Hyde' (1931). Throughout his career spanning over four decades, he appeared in more than 70 films, often portraying complex, tormented characters with remarkable depth and authenticity. He maintained a successful parallel career on stage, returning to Broadway periodically for acclaimed performances including the original production of 'Death of a Salesman.' March was known for his meticulous preparation method and ability to completely transform into his characters, whether playing historical figures, romantic leads, or contemporary everymen. His later career included memorable performances in 'Inherit the Wind' (1960) and 'Seven Days in May' (1964), cementing his legacy as one of America's most accomplished and respected actors.
March was known for his intense, psychologically deep performances and remarkable versatility across genres. He employed a method-like approach before Method acting became mainstream, immersing himself completely in his characters through extensive research and preparation. His style combined classical theatrical training with naturalistic film acting, allowing him to portray both grand, theatrical characters like Dr. Jekyll/Mr. Hyde and subtle, realistic performances in contemporary dramas. March had a particular talent for conveying internal conflict and psychological complexity, often playing tormented or dual-natured characters. He was equally adept at comedy and drama, with a commanding screen presence that could shift from menacing to charming within the same performance.
Fredric March significantly influenced the craft of film acting during Hollywood's transition from theatrical to naturalistic styles. His dual Oscar wins in the early decades of the Academy Awards helped establish the prestige of the Best Actor category and demonstrated the possibilities of psychological depth in film performances. March's ability to successfully bridge Broadway and Hollywood created a template for serious actors who wanted to maintain legitimacy in both mediums. His performances in socially relevant films like 'The Best Years of Our Lives' and 'Inherit the Wind' contributed to important cultural conversations about post-war America and intellectual freedom. As one of the first actors to win multiple Oscars, he helped elevate the status of film acting as a serious art form comparable to stage performance.
Fredric March's legacy endures as one of the most versatile and accomplished actors of Hollywood's Golden Age, remembered for his technical mastery and emotional depth. His dual Academy Award wins place him among an elite group of actors who achieved the highest recognition from their peers multiple times. March's successful career spanning both stage and screen demonstrated that serious actors could maintain artistic integrity while achieving commercial success in Hollywood. His performances in classic films continue to be studied by actors and film scholars for their psychological complexity and technical precision. The range of his work - from horror to comedy to social drama - showcased the possibilities for actors to avoid typecasting and maintain creative freedom. March's influence can be seen in subsequent generations of actors who prioritized character authenticity and psychological realism over star persona.
March influenced subsequent generations of actors through his commitment to character transformation and psychological authenticity, prefiguring the Method acting movement that would dominate Hollywood in the 1950s. His ability to disappear completely into roles, whether playing historical figures or contemporary characters, set a standard for character actors that continues to be emulated. March's success in both dramatic and comedic roles demonstrated the value of versatility at a time when many actors were typecast in specific genres. His theatrical background and rigorous approach to character preparation influenced actors like Spencer Tracy and later method actors who sought to bring depth and authenticity to their performances. March's willingness to tackle controversial and socially relevant material in films like 'Inherit the Wind' and 'The Best Years of Our Lives' helped pave the way for more serious, issue-oriented filmmaking in Hollywood.
Fredric March was known for his stable personal life and long-lasting marriage, which was unusual for Hollywood stars of his era. He married actress Florence Eldridge in 1927, and they remained together until his death in 1975, often performing together on stage and screen. The couple had two adopted children and were known for their liberal political views, supporting civil rights and various progressive causes. March was a private individual who avoided the Hollywood social scene, preferring to focus on his craft and family life. He was also a decorated World War I veteran, having served in the United States Army and was wounded in action. Later in life, he became involved in various charitable causes and was a passionate supporter of the arts and education.
University of Wisconsin–Madison (attended but did not graduate), Winslow School of Art (New York), American Academy of Dramatic Arts
Acting is not about being someone different. It's finding the similarity in what is apparently different, then finding myself in there.
I'm an actor, not a star. Stars are people who live in Hollywood and have heart-shaped swimming pools.
The theater is the only branch of art much cared for by people of wealth.
I have always felt that an actor has to be truthful to himself and to the character he's playing.
The camera is a wonderful instrument for a certain kind of acting, but it can also be a liar.
I'd rather be a failure in something I love than a success in something I hate.
Fredric March was a highly acclaimed American actor of Hollywood's Golden Age, known for his versatility and intense psychological performances. He won two Academy Awards for Best Actor and had a distinguished career spanning both film and Broadway theater, appearing in over 70 films from 1929 to 1973.
March is best known for his Oscar-winning performances in 'Dr. Jekyll and Mr. Hyde' (1931) and 'The Best Years of Our Lives' (1946), as well as memorable roles in 'A Star Is Born' (1937), 'Inherit the Wind' (1960), 'Death of a Salesman' (1951), and 'Seven Days in May' (1964).
Fredric March was born on August 31, 1897, in Racine, Wisconsin, and died on April 14, 1975, in Los Angeles, California, at the age of 77 after a battle with prostate cancer.
March won two Academy Awards for Best Actor, two Tony Awards for Best Actor, a Volpi Cup from the Venice Film Festival, and numerous other honors including a Golden Globe and New York Film Critics Circle Award. He was one of the few actors to achieve the rare feat of winning multiple Oscars in the lead category.
March was known for his intense, psychologically deep performances and remarkable versatility, employing a method-like approach before Method acting became mainstream. His style combined classical theatrical training with naturalistic film acting, allowing him to portray both grand, theatrical characters and subtle, realistic performances with equal skill.
March was married to actress Florence Eldridge from 1927 until his death in 1975, one of Hollywood's most stable and enduring marriages. They had two adopted children, a daughter named Penelope and a son named Anthony, and often performed together on stage and screen.
Before becoming an actor, March served in World War I where he was wounded and received the French Croix de Guerre. He attended the University of Wisconsin but left to pursue acting, studying at the American Academy of Dramatic Arts and beginning his career on Broadway before transitioning to films in 1929.
3 films