Actor
Petro Masokha was a Soviet actor who appeared during the transition period from silent cinema to early sound films in the USSR. His most notable work was in Alexander Dovzhenko's masterpiece 'Earth' (1930), one of the most celebrated films of Soviet cinema. Masokha's career, though brief, coincided with a pivotal era in Soviet filmmaking when directors were exploring new cinematic techniques and themes. His appearance in 'Earth' placed him among the actors who helped realize Dovzhenko's poetic vision of Ukrainian rural life and collectivization. The actor also appeared in 'Ivan' (1932), another significant Soviet production of the early 1930s. His filmography, spanning only 1930-1932, suggests he may have been a character actor or someone whose film career was cut short by the political and social upheavals of the time. Like many actors of this period in Soviet cinema, detailed biographical information remains scarce due to limited documentation and the tumultuous historical context of the era.
Petro Masokha's contribution to cinema, while limited in scope, is significant through his participation in 'Earth' (1930), universally regarded as one of the greatest achievements of Soviet cinema. The film itself has had enormous cultural impact, influencing generations of filmmakers worldwide with its poetic visual style and innovative techniques. By being part of this landmark production, Masokha contributed to a work that helped establish Soviet cinema as a major artistic force on the international stage. The film's enduring legacy in film history courses, retrospectives, and critical studies means that even minor contributors like Masokha are preserved as part of this important cultural artifact.
Petro Masokha's legacy is primarily tied to his role in 'Earth' (1930), a film that continues to be studied and celebrated nearly a century after its creation. While his individual contributions may be difficult to trace in detail, his participation in this cinematic masterpiece ensures his place in film history. The brevity of his known film career (1930-1932) makes him representative of many actors from the early Soviet period whose work, while significant, was limited by the political and social circumstances of the time. His legacy serves as a reminder of the countless supporting actors and character performers who contributed to the golden age of Soviet cinema, even when their individual stories remain partially obscured by history.
Given the limited documentation of Petro Masokha's career and the brevity of his filmography, it's difficult to trace his direct influence on other actors or filmmakers. However, his work in 'Earth' contributed to a film that has been enormously influential on subsequent generations of cinema, particularly in its poetic visual style and innovative narrative techniques. The film itself influenced directors ranging from Sergei Parajanov to Andrei Tarkovsky, and its impact can be seen in world cinema from Italian neorealism to various national cinematic movements that embraced poetic realism.
Very little is documented about Petro Masokha's personal life, which is common for many Soviet character actors of the early 1930s. The scarcity of biographical information may reflect either the limited nature of his film career or the historical circumstances of the period, when many personal records were lost or never thoroughly documented.
Petro Masokha was a Soviet actor active in the early 1930s, best known for his role in Alexander Dovzhenko's acclaimed film 'Earth' (1930). His brief film career also included 'Ivan' (1932), placing him among the actors who contributed to Soviet cinema during its formative years.
Petro Masokha is primarily known for two films: 'Earth' (1930), directed by Alexander Dovzhenko and considered one of the masterpieces of Soviet cinema, and 'Ivan' (1932). 'Earth' in particular has achieved legendary status in film history.
Unfortunately, specific birth and death dates for Petro Masokha are not documented in available sources, which is common for many Soviet character actors of the early 1930s. His known film career spanned from 1930 to 1932.
There are no documented awards or nominations for Petro Masokha in available sources. This is not unusual for character actors working in Soviet cinema during the early 1930s, when formal recognition systems were still developing.
Specific details about Petro Masokha's acting style are not well-documented in available sources. As an actor in 'Earth' (1930), he would have worked within the poetic realist style that characterized Dovzhenko's approach to cinema, which emphasized visual poetry and naturalistic performance.
2 films