
Actor & Director
Frederick Bean 'Tex' Avery was a revolutionary American animator and director who transformed the landscape of animation during the Golden Age of Hollywood. Born in Texas and raised in California, Avery began his career in the early 1930s at the Walter Lantz studio before moving to Warner Bros. in 1935, where he helped create the Looney Tunes style that would become legendary. At Warner Bros., he directed the first appearances of iconic characters including Bugs Bunny, Daffy Duck, and Porky Pig, establishing the fast-paced, gag-driven style that defined the studio. In 1941, Avery moved to MGM where he created his most famous original characters, including Droopy Dog and Screwy Squirrel, and produced some of animation's most celebrated shorts like 'Red Hot Riding Hood.' His work was characterized by extreme exaggeration, surreal sight gags, and a willingness to break the fourth wall that was decades ahead of its time. After leaving MGM in 1954, Avery worked briefly for Walter Lantz again before retiring from animation, though his influence continued to shape the medium for generations. Avery died in 1980, leaving behind a legacy of innovation that continues to influence animators and comedians today.
Tex Avery's directing style was characterized by extreme exaggeration, rapid pacing, and surreal sight gags that pushed the boundaries of cartoon physics. He pioneered techniques like wild takes, where characters' bodies would stretch, squash, and transform in impossible ways, and frequently broke the fourth wall by having characters acknowledge the audience or interact with the film itself. His comedy relied on visual gags over dialogue, with meticulously timed animations that created maximum comedic impact. Avery's work was known for its adult humor, risqué innuendo, and willingness to parody cultural norms, making his cartoons appeal to both children and adults.
Tex Avery revolutionized animation by introducing a level of surrealism and adult humor that was unprecedented in the medium. His work at Warner Bros. essentially created the template for modern cartoon comedy, influencing everything from The Simpsons to Family Guy. The extreme visual gags and breaking of the fourth wall that he pioneered became standard techniques in animation and comedy. Avery's characters, particularly Bugs Bunny and Droopy, became cultural icons that represented American wit and ingenuity during World War II and beyond. His cartoons were among the first to appeal to adults as much as children, paving the way for more sophisticated animation in later decades.
Tex Avery's legacy is immeasurable in the world of animation and comedy. He is credited with creating the fast-paced, gag-driven style that defined Golden Age animation and continues to influence creators today. His characters have endured for decades, with Bugs Bunny becoming one of the most recognizable cartoon characters worldwide. The techniques he developed, from wild takes to surreal sight gags, became fundamental vocabulary for animators. Avery's work has been preserved in the Library of Congress and studied by generations of animation students. His influence extends beyond animation into live-action comedy, with directors like the Zucker brothers and Mel Brooks citing his work as inspiration.
Tex Avery directly influenced the entire Golden Age of animation, mentoring and inspiring animators who would become legends themselves. Chuck Jones, Friz Freleng, and Bob Clampett all worked under Avery at Warner Bros. and incorporated his techniques into their own styles. His work influenced later animation pioneers including Hanna-Barbera, Jay Ward, and Ralph Bakshi. In modern times, creators like Matt Groening (The Simpsons), Seth MacFarlane (Family Guy), and John Kricfalusi (Ren & Stimpy) have all cited Avery as a major influence. His approach to comedy and visual storytelling has influenced not just animation but also advertising, music videos, and even video games.
Tex Avery married his wife Elizabeth in 1935, and they remained together until his death. The couple had one daughter, Nancy. Avery was known for his quiet, unassuming personality in contrast to the wild energy of his cartoons. He was a private individual who rarely gave interviews and preferred to let his work speak for itself. Despite his success, Avery struggled with alcoholism later in life, which contributed to his declining health in his final years.
Attended North Dallas High School; took art classes at the Art Institute of Chicago
I only made cartoons to entertain myself and my crew. If the public liked them, fine. If they didn't, that was fine too.
The secret to comedy is timing. The secret to animation is exaggeration. The secret to my cartoons is both.
I never made cartoons for children. I made them for myself and other adults who hadn't lost their sense of humor.
If you can make people laugh, you can make them do anything.
Animation should not be confined by reality. That's what live-action is for.
Tex Avery was a pioneering American animator and director who revolutionized animation during the Golden Age of Hollywood. He created iconic characters like Bugs Bunny, Daffy Duck, and Droopy Dog, and developed the fast-paced, gag-driven style that defined Warner Bros. and MGM cartoons.
Avery is best known for directing classic cartoons including 'Red Hot Riding Hood' (1943), 'Dumb-Hounded' (1943), 'Northwest Hounded Police' (1946), 'King-Size Canary' (1947), and 'Bad Luck Blackie' (1949). He also directed the first appearances of Bugs Bunny and Daffy Duck at Warner Bros.
Tex Avery was born Frederick Bean Avery on February 26, 1908, in Taylor, Texas. He died on August 26, 1980, in Burbank, California, at the age of 72.
Tex Avery received the Winsor McCay Award in 1974 for lifetime achievement in animation and was nominated for two Academy Awards for Best Short Subject. He was posthumously awarded the Annie Award for Lifetime Achievement and has a star on the Hollywood Walk of Fame.
Avery's directing style was characterized by extreme exaggeration, surreal sight gags, rapid pacing, and breaking the fourth wall. He pioneered techniques like wild takes and impossible cartoon physics, creating comedy that appealed to both children and adults with its sophisticated humor and visual innovation.
4 films