Jean Oser
Actor
About Jean Oser
Jean Oser was an actor who appeared in the German avant-garde silent film 'Ghosts Before Breakfast' (Vormittagsspuk) in 1928. This experimental film, directed by Hans Richter, was part of the surrealist and Dada movements in cinema during the late 1920s. Unfortunately, very little documented information exists about Jean Oser's life and career beyond this single known appearance. The actor was likely part of the experimental film community in Germany during this period, which was known for its innovative approaches to cinema and its rejection of traditional narrative structures. The film itself was considered subversive by the Nazi regime and was destroyed, though copies were later reconstructed. Jean Oser's participation in this groundbreaking work places them within an important moment in film history, though their individual contributions remain largely undocumented in available historical records.
The Craft
Milestones
- Appeared in 'Ghosts Before Breakfast' (1928)
Best Known For
Iconic Roles
Must-See Films
Working Relationships
Worked Often With
Why They Matter
Impact on Culture
Jean Oser's participation in 'Ghosts Before Breakfast' connects them to an important moment in avant-garde cinema history. The film represents a key work in the German experimental film movement and the broader Dadaist artistic movement of the 1920s. While their individual contribution may have been minor, being part of this groundbreaking film places them within the context of artists who were pushing the boundaries of cinematic expression during the Weimar Republic period.
Lasting Legacy
Due to the extremely limited documentation about Jean Oser, their legacy remains obscure and primarily tied to their participation in one of the most influential experimental films of the silent era. The film itself continues to be studied by film scholars and historians interested in avant-garde cinema, ensuring that Jean Oser's name, however briefly, remains connected to this important work.
Who They Inspired
There is no available information about Jean Oser's influence on other actors or filmmakers, likely due to their minor role and the scarcity of biographical information.
Off Screen
Very little information is available about Jean Oser's personal life, as they appear to be a minor figure in cinema history with limited documentation.
Did You Know?
- 'Ghosts Before Breakfast' was considered subversive by the Nazi regime and all copies were ordered destroyed, though some survived and were later reconstructed
- The film was created without a traditional narrative, instead focusing on visual experimentation and surrealist imagery
- Director Hans Richter was a prominent figure in the Dada movement
- The film features floating hats, beards, and other objects that come to life
- Jean Oser appears to be one of the few documented actors from this experimental film
- The original German title was 'Vormittagsspuk'
- The film was shot in Berlin during the height of the Weimar Republic's cultural flowering
Frequently Asked Questions
Who was Jean Oser?
Jean Oser was an actor who appeared in the 1928 German experimental silent film 'Ghosts Before Breakfast.' Very little is known about their life and career beyond this single documented appearance.
What film is Jean Oser known for?
Jean Oser is known exclusively for their appearance in 'Ghosts Before Breakfast' (1928), an avant-garde German film directed by Hans Richter that became an important work in experimental cinema history.
When was Jean Oser active in film?
Based on available documentation, Jean Oser was active only in 1928, with their sole known appearance being in 'Ghosts Before Breakfast.'
What was 'Ghosts Before Breakfast' about?
'Ghosts Before Breakfast' was an experimental surrealist film without traditional narrative, featuring objects like hats and beards that come to life and move independently. It was part of the Dadaist movement in German cinema.
Why is there so little information about Jean Oser?
Jean Oser appears to have been a minor figure in cinema history, possibly with only a small role in an experimental film. Additionally, many records from this period, especially for non-mainstream films, were lost or poorly documented.
Films
1 film
