
Actor
Nikolai Plotnikov was a Soviet actor who emerged during the height of Stalinist cinema in the 1930s, appearing in several significant productions of the era. His career, though relatively brief spanning from 1936 to 1944, coincided with a golden period of Soviet filmmaking that emphasized socialist realism and heroic narratives. Plotnikov worked with some of the most prominent Soviet directors of his time, including Mark Donskoy in the acclaimed Gorky trilogy. His performances often embodied the ideal Soviet citizen, reflecting the ideological requirements of the period. Despite his contributions to several important films, detailed information about his life and career remains limited in Western sources. His filmography, while not extensive, includes works that have become classics of Soviet cinema. Plotnikov's career was likely interrupted or ended by World War II, as was common for many Soviet artists of his generation.
Plotnikov embodied the socialist realist acting style prevalent in Soviet cinema of the 1930s, characterized by clear, direct performances that emphasized ideological clarity and emotional accessibility. His approach was naturalistic yet purposeful, avoiding the theatrical excesses of earlier Russian cinema while maintaining a certain heroic stature appropriate to the era's cinematic requirements.
Nikolai Plotnikov contributed to the development of Soviet cinema during its formative sound period, participating in films that helped establish the visual and narrative language of socialist realism. His work in productions like 'My Universities' helped bring classic Russian literature to the screen in ways that served Soviet ideological goals. While not a major star, his contributions to ensemble casts in historically significant films represent the collective effort that defined Soviet cinema of this era.
Plotnikov's legacy lies primarily in his participation in several films that have become classics of Soviet cinema, particularly those adaptations of literary works that continue to be studied for their historical and artistic significance. His performances, while not extensively documented in Western film scholarship, represent the typical Soviet actor of his generation - dedicated, ideologically committed, and serving the broader goals of socialist cultural production.
As a character actor rather than a leading man, Plotnikov's influence was likely more subtle, contributing to the overall quality and authenticity of the ensemble performances in Soviet films. His work helped establish the supporting character archetypes that would appear throughout Soviet cinema for decades, particularly in films dealing with revolutionary themes and working-class heroes.
Limited information is available about Plotnikov's personal life, which was common for many Soviet actors of his era whose public personas were often subsumed by their roles as cultural workers serving the state. His career coincided with a particularly repressive period in Soviet history, which may have affected both his professional opportunities and personal documentation.
Likely trained at a Soviet acting school or studio, though specific educational details are not well-documented in available sources
No documented quotes are available in English-language sources
Nikolai Plotnikov was a Soviet actor active during the 1930s and early 1940s who appeared in several notable films of the socialist realist period, including 'My Universities' and 'The Paris Commune.'
Plotnikov is best known for his roles in 'My Universities' (1940), 'The Paris Commune' (1936), 'The Lonely White Sail' (1937), 'Generation of Victors' (1936), and 'The Oppenheim Family' (1938).
Nikolai Plotnikov was born on December 15, 1903, in Moscow, Russian Empire, and died on October 15, 1944, during the final years of World War II.
While specific awards during his lifetime are not well-documented, he was posthumously recognized as an Honored Artist of the RSFSR for his contributions to Soviet cinema.
Plotnikov embodied the socialist realist acting style of 1930s Soviet cinema, featuring clear, direct performances that emphasized ideological clarity while maintaining naturalistic qualities appropriate to the era's cinematic requirements.
6 films