Actor
Very Muzykant is an obscure figure from early Soviet cinema, known only for a single appearance in Sergei Eisenstein's debut film 'Glumov's Diary' (1923). The name appears to be either a pseudonym or possibly a character name rather than a birth name, as it literally translates to 'Very Musician' in English. This individual was part of Eisenstein's experimental short film, which was created while he was still a student at the State Institute of Cinematography (VGIK) in Moscow. The film itself was a satirical piece based on Alexander Ostrovsky's play 'Diary of a Scoundrel' and demonstrated Eisenstein's early experiments with montage and visual storytelling. Unfortunately, virtually no biographical details about Very Muzykant survive in film historical records, making it impossible to trace their career beyond this single appearance. The lack of additional film credits or biographical information suggests this may have been a one-time acting role or possibly a misattribution in historical film records.
Very Muzykant's significance lies primarily in their connection to Sergei Eisenstein's first film, making them part of cinema history through association with one of the most influential directors of all time. 'Glumov's Diary' represents an important milestone in Soviet cinema and Eisenstein's development of montage theory, though the individual contributions of Very Muzykant to this legacy remain undocumented.
Due to the extremely limited documentation, Very Muzykant's legacy is minimal beyond being listed as a participant in Eisenstein's inaugural work. Their name appears in filmographies and databases as a curiosity of early Soviet cinema, representing the many anonymous or pseudonymous contributors to the foundational period of film art.
No documented influence on other actors or filmmakers exists in the historical record.
No personal information is available about Very Muzykant in historical records. The name may be a pseudonym or stage name, making it difficult to trace personal details or family connections.
Very Muzykant was an obscure figure from early Soviet cinema known only for appearing in Sergei Eisenstein's first film 'Glumov's Diary' (1923). The name may be a pseudonym or character name, as little to no biographical information exists about this individual in film historical records.
Very Muzykant is known only for one film appearance in 'Glumov's Diary' (1923), which was Sergei Eisenstein's directorial debut. No other film credits have been documented for this individual.
Birth and death dates for Very Muzykant are unknown, as no biographical information exists in historical records. The individual was active only in 1923 according to available film credits.
No awards or nominations have been documented for Very Muzykant. Given the obscurity of this figure and their single film appearance, it's unlikely they received formal recognition for their work.
No information exists about Very Muzykant's acting style or techniques. The lack of documentation about this individual makes it impossible to assess their artistic approach or contribution to the film.
It's uncertain whether Very Muzykant was a real person, as the name literally translates to 'Very Musician' and may be a pseudonym, character name, or historical misattribution. No biographical records exist to confirm the individual's identity.
1 film