
Actor
Anthony Veiller (1903-1965) was a distinguished American screenwriter and occasional director who made significant contributions to Hollywood's Golden Age. Born into a theatrical family as the son of renowned playwright Bayard Veiller, he began his career in the 1930s and quickly established himself as a versatile writer capable of handling various genres. Veiller's most celebrated work includes the screenplay adaptation of 'The Killers' (1946), which earned him an Academy Award nomination, and his uncredited contributions to the classic 'Casablanca' (1942). During World War II, he played a crucial role in creating propaganda documentaries for the U.S. government, including the acclaimed 'Why We Fight' series directed by Frank Capra. After the war, Veiller continued writing successful screenplays throughout the 1940s and 1950s, often collaborating with major studios and directors. His later years saw him transition to television writing before his death in 1965, leaving behind a legacy of influential cinematic works.
Anthony Veiller's work significantly influenced American cinema, particularly in the film noir genre through his adaptation of 'The Killers,' which helped establish many of the genre's conventions. His contributions to the 'Why We Fight' series were instrumental in shaping American public opinion during World War II, demonstrating the power of cinema as a propaganda tool. Veiller's ability to adapt literary works for the screen helped bridge the gap between high literature and popular entertainment, making sophisticated narratives accessible to mass audiences.
Veiller's legacy endures through his influential screenplays that continue to be studied in film schools and his documentary work that remains historically significant. His contributions to classic films like 'Casablanca' and 'The Killers' have secured his place in Hollywood history, while his wartime documentaries represent an important chapter in the relationship between cinema and politics. Many modern screenwriters cite his adaptation techniques as influential in their own work.
Veiller influenced generations of screenwriters through his sophisticated approach to adaptation and his ability to work across multiple genres. His documentary techniques during WWII established standards for political filmmaking that continue to be referenced today. The clarity and efficiency of his narrative structure became a model for both feature films and documentaries.
Anthony Veiller came from a prominent theatrical family and married actress Eleanor Griffin, who was also a successful screenwriter. The couple collaborated on several projects and maintained a strong partnership both personally and professionally throughout Hollywood's Golden Age. Veiller was known for his intellectual approach to screenwriting and his ability to adapt complex literary works for the screen.
Yale University, graduated 1925
A good screenplay is like a good joke - if you have to explain it, it's not working
The challenge of adaptation isn't to replicate the book, but to capture its soul on film
Documentary film at its best can change the course of history
Anthony Veiller was a prominent American screenwriter and director during Hollywood's Golden Age, best known for his work on 'The Killers' and his contributions to the 'Why We Fight' documentary series during World War II.
Veiller is best known for 'The Killers' (1946), his uncredited work on 'Casablanca' (1942), 'The Stranger' (1946), and the 'Why We Fight' documentary series including 'The Battle of China' (1944).
Anthony Veiller was born on June 21, 1903, in New York City and died on June 27, 1965, in Los Angeles, California, at the age of 62.
Veiller received an Academy Award nomination for Best Writing, Screenplay for 'The Killers' in 1946, and contributed to several Academy Award-winning films, though he didn't receive many personal awards during his lifetime.
Veiller was known for his crisp, efficient dialogue and his ability to adapt complex literary works into accessible screenplays. He excelled at maintaining narrative clarity while preserving the thematic depth of his source material.
2 films