
Actor & Director
Charles Reisner (1887-1962) was a versatile American actor and director who made significant contributions to both silent and sound cinema. Beginning his career as a comedian in vaudeville, he transitioned to film where he first gained recognition as an actor in Charlie Chaplin productions, most notably in 'The Pilgrim' (1923). Reisner's directorial career flourished at MGM, where he helmed numerous successful features including the Buster Keaton classic 'Steamboat Bill, Jr.' (1928), which showcased his ability to blend physical comedy with compelling storytelling. He successfully navigated the transition to sound films, directing the ambitious all-star revue 'The Hollywood Revue of 1929' and continuing his directorial work through the 1930s and 1940s. Reisner was particularly adept at comedy and musical genres, working with major stars of the era including the Marx Brothers, Abbott and Costello, and Red Skelton. His career spanned over three decades, during which he directed more than 60 films and established himself as a reliable studio director capable of delivering commercially successful entertainment.
As an actor, Reisner specialized in comedic supporting roles, often playing the straight man or comic foil to bigger stars. His vaudeville background gave him excellent timing and physical comedy skills, which he employed effectively in Chaplin films. Though his acting career was relatively brief compared to his directing work, he brought a natural, unforced quality to his performances that made him a reliable character actor in the silent era.
Reisner was known for his efficient, workmanlike approach to directing, with a particular talent for comedy and musical sequences. He excelled at orchestrating complex physical comedy, as demonstrated in 'Steamboat Bill, Jr.' where he coordinated elaborate stunts and sight gags. His directing style was technically proficient and commercially oriented, focusing on clear storytelling and entertainment value rather than artistic experimentation. He was particularly skilled at handling ensemble casts and maintaining pacing in musical numbers and comedy routines.
Charles Reisner played a significant role in the development of American comedy cinema during the transition from silent to sound films. His work with comedy legends like Buster Keaton and the Marx Brothers helped preserve and adapt physical comedy for the sound era. 'Steamboat Bill, Jr.' remains one of the most influential silent comedies, particularly famous for its cyclone sequence which has been referenced and homaged in countless films. Reisner's ability to successfully direct both silent and sound films made him an important bridge figure in Hollywood history, helping studios navigate the technological and artistic challenges of the late 1920s and early 1930s.
Reisner's legacy lies primarily in his contributions to comedy cinema and his role in preserving the art of physical comedy during Hollywood's transition to sound. His films continue to be studied by film scholars and comedy enthusiasts for their innovative gag structures and timing. The fact that he worked with so many comedy legends across different eras of Hollywood history demonstrates his versatility and importance as a director. While not as famous as some of his contemporaries, Reisner's reliable craftsmanship and commercial success made him an essential part of Hollywood's Golden Age studio system.
Reisner influenced subsequent generations of comedy directors through his work on ensemble comedies and his ability to balance multiple comic talents within single films. His techniques for staging physical comedy and coordinating complex sequences have been studied and emulated by later directors. The success of his Marx Brothers and Abbott and Costello films helped establish templates for team comedy films that would be followed for decades. His sons' careers in the technical side of filmmaking also represent an extension of his influence within the industry.
Charles Reisner was married twice during his lifetime. His first marriage was to actress Marion Shilling, though the marriage ended in divorce. He later married Margaret D. Reisner, with whom he remained until his death. Reisner was the father of two sons, both of whom entered the film industry: Charles Reisner Jr. worked as a film editor, and David Reisner became a sound engineer. Despite his successful career in Hollywood, Reisner maintained a relatively private personal life, focusing primarily on his work and family.
Limited formal education; trained in vaudeville and theater performance
In comedy, timing isn't everything - it's the only thing
Directing is like conducting an orchestra; you need all the instruments playing in harmony
The transition from silent to sound wasn't about technology, it was about learning to tell stories in a new way
Working with the great comedians taught me that the best laughs come from truth, not tricks
Charles Reisner was an American actor and director who worked in Hollywood from the 1910s to the 1950s. He began as a comedian in vaudeville, became an actor in Charlie Chaplin films, and later became a successful director known for comedies and musicals.
Reisner is best known for directing Buster Keaton's 'Steamboat Bill, Jr.' (1928), the Marx Brothers' 'Monkey Business' (1931), and the all-star musical 'The Hollywood Revue of 1929'. He also acted in Chaplin's 'The Pilgrim' (1923).
Charles Reisner was born on March 14, 1887, in Minneapolis, Minnesota, and died on September 24, 1962, in La Jolla, California, at the age of 75.
While Charles Reisner did not win major film awards during his lifetime, he received a star on the Hollywood Walk of Fame for his contributions to motion pictures. His son Charles Reisner Jr. was nominated for an Academy Award for film editing.
Reisner was known for his efficient, workmanlike approach with a special talent for comedy and musical sequences. He excelled at orchestrating physical comedy and complex ensemble scenes, focusing on clear storytelling and entertainment value rather than artistic experimentation.
Reisner began as an actor in Charlie Chaplin's films, where he also worked as Chaplin's assistant director. This experience led to opportunities to direct his own films, starting with shorts in the early 1920s before moving to feature films.
Yes, Reisner worked with many of the greatest comedians of his era including Charlie Chaplin (as actor), Buster Keaton, the Marx Brothers, Abbott and Costello, and Red Skelton. He was particularly successful at directing team comedies.
Reisner was instrumental in helping Hollywood transition to sound films. He directed 'The Hollywood Revue of 1929,' one of MGM's first all-talking productions, and successfully adapted his directing techniques from silent to sound films throughout the late 1920s and 1930s.
4 films