
"When midnight strikes, the dead ride again!"
Seven travelers find themselves stranded at a remote, unmanned railroad station during a violent storm. As the night progresses, they learn from the stationmaster that they are at the site of a tragic train accident that occurred twenty years earlier, and that every midnight, the ghost of the wrecked train still passes through the station. The eclectic group of passengers includes a mysterious woman, a theatrical troupe, and other colorful characters who must confront their fears and suspicions as the supernatural events unfold. As midnight approaches, tensions rise and secrets are revealed, blurring the line between supernatural phenomena and human deception. The film masterfully weaves comedy and horror as the characters react to the increasingly bizarre occurrences, ultimately questioning whether the ghost train is real or part of an elaborate scheme.
This was one of the early sound films produced by Hungary's premier film studio Hunnia Filmgyár. The production faced significant technical challenges in creating convincing sound effects for the ghost train, as Hungarian cinema was still transitioning from silent to sound films. The film was shot entirely on studio sets to maintain atmospheric control and create the isolated station environment.
The film was produced during a fascinating period in Hungarian cinema history, as the industry was adapting to sound technology while dealing with the economic challenges of the Great Depression. 1933 was also a politically tense year in Hungary, with the government of Gyula Gömbös increasingly aligning with fascist ideologies. Despite these pressures, Hungarian cinema experienced a creative renaissance, producing films that could compete internationally. 'A Train of Ghosts' emerged during this golden age of Hungarian film production, when studios like Hunnia were investing heavily in technology and talent. The film's blend of European sensibilities with popular English source material reflected Hungary's cultural position between East and West, and its willingness to adapt international hits for local audiences.
This film holds an important place in Hungarian cinema history as one of the earliest successful horror-comedies produced in the country. It demonstrated that Hungarian filmmakers could effectively adapt international material while adding their own cultural touches. The film's success helped establish Marika Rökk as a major star who would later become one of the most popular actresses in German cinema. It also paved the way for more genre films in Hungarian production, showing that local audiences had an appetite for horror and mystery stories. The film's preservation and continued study by film historians make it a valuable document of early European sound cinema techniques and Hungarian popular culture of the 1930s.
The production of 'A Train of Ghosts' represented a significant milestone in Hungarian cinema's transition to sound. Director Lajos Lázár, who had previously worked primarily in silent films, embraced the new technology with enthusiasm. The casting of Marika Rökk proved controversial at first, as she was relatively unknown, but her performance ultimately won over both the studio and audiences. The film's atmospheric effects were achieved through ingenious methods - the ghost train was created using miniatures, forced perspective photography, and carefully timed sound effects. The storm sequences required the construction of special water tanks and wind machines on the soundstage, a considerable investment for the time. The cast had to perform with heightened theatricality to convey both the comedic and horror elements, a style that was popular in early European sound cinema.
The cinematography by István Eiben employed innovative techniques for creating atmosphere in the confined station setting. The use of low-key lighting and shadows was particularly effective for the horror elements, while brighter, more conventional lighting was used for the comedic scenes. The camera work included several tracking shots that followed characters through the station, creating a sense of claustrophobia and impending doom. The ghost train sequences used multiple exposure techniques and careful lighting to create the spectral effect. The storm scenes were filmed using dramatic angles and rapid cuts to enhance the sense of chaos and danger.
The film was notable for its sophisticated use of sound design in early Hungarian cinema. The technical team developed innovative methods for creating the ghost train's audio presence using multiple recording techniques. The special effects combining miniatures with live action were considered groundbreaking for Hungarian film production. The storm sequences required the development of new equipment for creating realistic rain and wind effects on soundstages. The film's successful synchronization of sound and picture in complex scenes demonstrated the maturity of Hungarian film technology by 1933. The preservation of the film's audio track over the decades also represents an achievement in film restoration.
The musical score was composed by Mihály Nádas, who created a distinctive blend of suspenseful and comedic themes. The sound design was particularly innovative for its time, featuring carefully crafted train sounds, thunder effects, and ambient station noises. The film's musical numbers, performed by the cast including Marika Rökk, reflected the popular musical styles of 1930s Hungary. The soundtrack made effective use of the new sound technology to create diegetic and non-diegetic music that enhanced both the horror and comedy elements. The ghost train's approach was signaled by a distinctive musical motif that became one of the film's most memorable elements.
Every night at midnight, the dead still ride these rails...
Is that a ghost I hear, or just the wind playing tricks on our minds?
In this station, the past never really leaves - it just passes through again and again.
Contemporary Hungarian critics praised the film for its technical achievements and successful blend of genres. Reviews in 1933 highlighted the effective use of sound to create atmosphere and the strong performances, particularly from Marika Rökk. Some critics noted that the film successfully improved upon the English original by adding more distinctly Hungarian humor. Modern film historians view the film as an important example of early European horror cinema and a testament to the sophistication of Hungarian film production in the 1930s. The film is often cited in studies of transnational cinema as an example of how stories traveled across European borders during this period.
The film was a commercial success in Hungary upon its release in December 1933. Audiences were particularly drawn to the novelty of a Hungarian-produced horror film with comedic elements. The film's theatrical origins resonated with Hungarian audiences who were familiar with stage plays of similar themes. Marika Rökk's performance created a star phenomenon, with many viewers attending multiple screenings. The film's popularity extended beyond Hungary to other European countries where it was distributed, though it achieved its greatest success in its home market. Word-of-mouth about the film's effective scares and laughs helped sustain its theatrical run for several months.
The film has been preserved in the Hungarian National Film Archive. A restoration project in the 1970s saved the film from complete deterioration, and it has since been digitally remastered. While some original elements have been lost, the film remains viewable and is occasionally screened at classic film festivals. The preservation status is considered good for a film of its age and origin.